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Horse Quotes

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Horse Quotes

“My work is not so overtly about movement. My horses' gestures are really quite quiet, because real horses move so much better than I could pretend to make things move. For the pieces I make, the gesture is really more within the body, it's like an internalized gesture, which is more about the content, the state of mind or of being at a given instant. And so it's more like a painting...the gesture and the movement is all pretty much contained within the body.”

MindRealStatesBodyMovingGivenPiecesMovementPaintingQuietHorseInstantState Of MindGestures
Author:Deborah Butterfield
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“The element of heroic maleness had always been present in the concept of the artist as one who rides the winged horse above the clouds beyond the sight of lesser men, a concept seldom applied to those who worked with colours until the nineteenth century. When the inevitable question is asked, "Why are there no great women artists?" it is this dimension of art that is implied. The askers know little of art, but they know the seven wonders of the painting world.”

KnowsMenWorldLittlesArtArtistWonderCenturyPaintingElementsConceptsSightHorseSevenCloudsInevitableColourDimensionsHeroicNineteenth CenturyGreat WomenImpliedWoman ArtistMalenessAbove The Clouds
Book:The Obstacle Race: The Fortunes of Women Painters and Their Work
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“Still I should paint my own places best; painting is with me but another word for feeling, and I associate "my careless boyhood" with all that lies on the banks of the Stour; those scenes made me a painter, and I am grateful; that is, I had often thought of pictures of them before ever I touched a pencil, and your picture ['The White Horse'] is one of the strongest instance I can recollect of it.”

ShouldMadeStillsI CanFeelingsLyingMy OwnWhitePaintingSceneHorseGratefulPaintPainterInstanceTouchedStrongestAssociatesPencilsCarelessI Am GratefulBoyhoodWhite Horse
Author:John Constable
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“I am glad you encouraged me with the 'Stoke' [his painting 'Stoke-by-Nayland', circa 1835] What say you to a summer morning? July or August, at eight or nine o'clock, after a slight shower during the night, to enhance the dews in the shadowed part of the picture, under 'Hedge row elms and hillocks green.' Then the plough, cart, horse, gate, cows, donkey, &c. are all good paintable material for the foreground, and the size of the canvas sufficient to try one's strength, and keep one at full collar.”

TryingNightMorningPaintingMaterialsSummerHorseGreenSizeEightGladNineClockSufficientGatesCowsCanvasShowersJulyDewAugustCollarsCartsDonkeyForegroundStoke
Author:John Constable
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“Let the painter composing narrative pictures take pleasure in wealth and variety, and avoid repeating any part that occurs in it, so that the uniqueness and abundance attract people to it and delight the eye of the observer. I say that a narrative painting requires (depending on the scene), wherever the eye falls, a mixture of men of diverse appearances, of diverse ages and dress, combined together with women, children, dogs, horses, buildings, fields, and hills.”

PeopleMenChildrenEyeAgeTogetherFallWealthPleasureDogFieldsBuildingPaintingSceneHorseDressesDelightAppearancePainterVarietyHillsNarrativeAbundanceDiverseUniquenessObserversMixturesComposing
Author:Leonardo da Vinci
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