“In MMA it’s a lot less intimidating because it’s not like you get one shot at a title every four years. You get a title shot every couple of months ... With the Olympics, you don’t always have this, so there is so much more pressure involved.” YearsFourLike YouMonthsCoupleInvolvedShotsPressureTitlesMmaFour YearsOlympicsIntimidating Author:Ronda Rousey
“The fun of being a supervisor is that you kind of get to shape the film as a whole rather than crafting a complete scene. I can't really think of one in particular that I feel like I own, except for a couple shots that I animated, which is fun. But feeling like you contributed to the whole is the most satisfying thing.” ThinkingFeelsKindI CanWholeFeelingsFilmFunParticularLike YouCoupleSceneShapesShotsSatisfyingAnimatedSupervisors Author:Victor Navone
“Los Angeles people are incapable of passively mainlining TV and movies. Here you have to read who produced or directed every episode, who wrote it, who had guests shots and whether you know them personally and if they like you. You have to figure out who everybody's agent is and whether yours is better. You not only know but deeply care about the difference between such job titles as Producer, Supervising Producer, and Executive Story Editor. ... So while the rest of the country is lying stupid in a media-induced coma, people in L.A. are in constant withdrawal.” PeopleIfsKnowsCountryStoriesCareJobsLyingDifferencesMediaStupidFiguresTvsLike YouShotsHollywoodConstantProducersAgentsTitlesExecutivesLos AngelesEditorsGuestsEpisodesIncapableWithdrawalComaJob Titles Book:Get Your Tongue Out of My Mouth, I'm Kissing You Good-bye Source: Get Your Tongue Out of My Mouth, I'm Kissing You Good-bye
“I was so frivolous for so many years. It was so much fun, but you feel guilty about the brain energy you use to think about whether some celebrity was sleeping with another celebrity. The conjecture that goes along with that. You feel like your mind has been shot apart.” ThinkingFeelsYearsMindHas BeensUseEnergyFunSleepBrainLike YouShotsGuiltyFrivolousConjecture Author:Chelsea Handler
“It's different as a coach because you feel responsible for a lot of people. Even though you don't take a shot, you don't get a rebound, you feel like you just want people to succeed and you want to help them any way you can.” PeopleWayWantFeelsDifferentHelpingLike YouSucceedShotsResponsibleCoachesChampionshipNba ChampionshipsRebound Author:Steve Kerr
“When I first started working on movies as a production assistant, we were shooting 65, 75, 85 days. I mean, granted some of those things were "Godzilla," "Deep Impact," and those kinds of things, but these days it's like 30-35 days or 40-45 days and you just feel like you're humping trying to get everything done. It's like "Move on, move on, move on!" That's not the way to get the best performances or the most interesting shots. You have to constantly balance schedule and quality of work. For me, that's the biggest thing.” WayFeelsTryingFirstsKindMeanDoneMovingInterestingQualityLike YouBalanceShotsPerformancesImpactProductionsGrantedShootingThese DaysSchedulesMost InterestingAssistantsBest PerformanceGodzillaQuality WorkDeep Impact Author:Michael Sucsy
“Working in television it's really great to be able to stick with a character for a long period of time. It's not like you have one shot, and that's it. You have more time, more room, an ability to reflect on your performance and the character and how much has really been shown, and what you'd like to see. It's nice. You have more breathing room.” LongCharacterAbleAbilityRoomsNiceTelevisionLike YouPeriodsShotsPerformancesSticksBreathingMore TimeReally GreatLong Periods Of Time Author:Christina Ricci
“Telling the story with only a few shots, I love that style. It makes you feel like you're part of the action, part of the story. It reminds me of the theater, where one act is basically like one long shot. It almost makes you forget that you're seeing a movie.” FeelsLongStoriesActionForgetSeeingStyleLike YouShotsTheaterLong Shots Author:Vilmos Zsigmond
“Like behind the car or in the pub, to do a scene, a proper nice dramatic scene, it's always a treat. And they're usually shot as one, so you've got a big chunk of dialogue to learn, and you feel like you're working.” FeelsBigsBehindsNiceCarLike YouSceneShotsTreatsDialogueDramaticChunksPubs Author:Simon Pegg
“When you have the catalog of work, it doesn't feel like you've got one shot to get it right; it's just like, you're making a new document of something at the present time, and it's a living thing, and it changes. It's been cool to help other people make their records, to produce. You get a crash course in things that you don't get as the artist.” PeopleFeelsHelpingArtistCoursesRecordsProduceLike YouShotsHelping OthersWorking ItCrashDocumentsLiving ThingsPresent Time Author:Blake Mills
“It's so hard for people to give up their cell phones or their ideas of being connected to everything all the time in order to get an immersive experience. That's the best way to make art. It's almost like you have to treat it like you're going into a submarine, and Noah Baumbach totally agrees with that. There's not a real other life that happens outside of the movie while it's being shot, which I like.” PeopleWayGivingArtIdeasRealHardHappensOrderLike YouGiving UpShotsTreatsAgreePhonesConnectedBest WayCellsCell PhoneSubmarines Author:Greta Gerwig
“It's a balance. Like, we are shooting the big car chase at the end and it's me with everybody. And I got my stunt coordinator who shot some stuff and I'm like, you are right next to me, why don't we do it together.” EndsBigsTogetherNextStuffCarLike YouBalanceShotsShootingCoordinatorBig Cars Author:George Tillman, Jr.
“My step-dad started playing hockey in Detroit so we moved and I had to start home school. I started watching movies since I had a bunch of free time and then I was like, 'You know what? I want to give this a shot, move back to L.A., and audition.' The first show I booked was a show called Threshold with Carla Gugino and it was obviously a terrifying experience and I felt out of my comfort zone, but it made me want to keep going because it was fun.” KnowsWantGivingFirstsMadeShowsHomeSchoolMovingFunFeltStepsLike YouDadComfortShotsMovedBunchZoneKeep GoingHockeyComfort ZoneAuditionsDetroitThresholdFree TimePlaying HockeyStep Dad Author:Steven R. McQueen
“We always joke now like, you know, the more experienced we get making stuff, we're like, "Never leave set without a shot of each of our lead characters driving in the car looking happy, looking moderately blank and looking sad." Because we know we're going to need these things.” KnowsNeedsCharacterStuffCarLike YouJokesShotsDrivingBlankLead Characters Author:Mark Duplass
“It is definitely a hard show [True Blood] to jump into the middle of, but luckily we have things like HBO Go now. It's not like you've missed it and now you're stuck. And I think once guys give it a shot - and you'll be able to speak to this better than I will - there's a lot of stuff that can be interesting to guys. There's a lot of action. Plenty of people are getting their heads chopped off.” PeopleThinkingGivingHardShowsAbleActionGuySpeakStuffInterestingBloodMiddleLike YouShotsStuckPlentyHbo Author:Deborah Ann Woll
“When I see somebody sun-drenched in a shot with their espadrilles and a cup of coffee, I'm like, "Your life is amazing. It's so perfect." I get drawn into that very easily so it totally worked, because the visual style sucks you in. It makes you want that.” WantLife IsPerfectSunStyleLike YouShotsCoffeeCupsVisualsCoffee CupLife Is Amazing Author:Rashida Jones
“At halftime [of Game 7], one of our oldest guys on the team, James Jones, came to me, and he's like, "Man, it's time for you to do something. You've been sleeping the whole playoffs, the whole final series." First couple of shots I got coming out, I was like, "You know what, I'm gonna shoot it." Fortunately they fell, and we started making our way back.” KnowsMenWayFirstsWholeGuyGamesSleepTeamLike YouCoupleShotsSeriesFinalsComing OutPlayoffsHalftime Author:J. R. Smith
“We shot every scene of mine in the entire movie in five days. All my coverage, everything. I left. They went back and shot everybody else around me. Insane. The part [Billie in Crazy Six] called for a handsome, coiffed cool guy romantic lead, and I showed up like you see him in the movie. And they let me do it.” GuyLeftFiveCrazyMinesLike YouSceneSixShotsLet MeInsaneHandsomeCoverageCool Guy Author:Rob Lowe