“When you read comic material and people aren't laughing how do you know they're listening.” PeopleKnowsLaughingMaterialsListeningComicDo You Know Author:David Sedaris
“I like what a third man brings. A kind of oblique vision, seeing something in the material that you didn't know was there. As a comedian, I'm always listening to the audience. And in movies, sometimes the only audience you have is the producer and the director. I like having someone else's opinion, especially if you're on the same wavelength.” IfsKnowsMenKindSometimesVisionOpinionAudienceSeeingMaterialsListeningDirectorsThirdsProducersComedianWavelength Author:Steve Martin
“Improv is more than just spitting out a bunch of funny stuff that's unrelated to the material. You have to stay in character, you have to react and respond as the character you're trying to play. You have to service the story, and I think improv training has helped with my listening, responding, and my audition technique. It's sounds so silly, but it's true. Because not only do you improvise during the audition, but once you get the part, they'll say, "Throw away everything. Just improv this scene. Do whatever you want." Someone could panic if they're not used to doing something like that.” IfsThinkingWantTryingPlayCharacterStoriesUsedStuffSoundMaterialsListeningSceneTrainingTechniqueSillyBunchPanicAuditionsRespondingDo Whatever You WantFunny Stuff Author:Wendi McLendon-Covey
“I find it creatively satisfying to write material and say it out loud in a public place, whether or not anyone's listening.” WritingMaterialsListeningLoudSatisfying Author:Maria Bamford
“I'm not going out there and doing the same material every night. I have this amazing audience of fans who have been listening to me, some of them since 1975.” Has BeensNightAudienceFansMaterialsListeningEvery NightGoing Out Author:Emmylou Harris
“I never, ever update Mark Twain. I don't modernize it. I let the audience update the material. When I go out on stage, I'm trying to make the audience believe they're looking at this guy who died 104 years ago and listening to him and saying to themselves, "Jesus, he could be talking about today." And that's the point.” TryingYearsBelieveTodayGuyJesusTalkingAudienceStageMaterialsListeningYears AgoMarkDiedThis GuyUpdates Author:Hal Holbrook
“I hear something I like, and sometimes, I think it's gonna work, and I will cut it up, try it out, try to work with other material. Sometimes, it falls flat, and other times, it works out, so in that way, I'm constantly listening to music because I enjoy it.” ThinkingWayTryingSometimesFallEnjoyCuttingMaterialsListeningMusic IsWork OutFlatsListening To Music Author:Girl Talk
“It is obvious when an actor has put work into prep and research and understanding their character, and they're making choices, because that's what happens when you take the time - or have the time - to really think about the material, but that only accounts for about 60% of what happens on the day. When you're in the moment, you throw it all away. Well, you don't throw it all away, but it's in you now, and everything is reactionary in that moment and you have to be honest and present and listening.” ThinkingWellsMomentsCharacterHappensChoicesActorsUnderstandingHonestMaterialsListeningResearchAccountsObviousBeing HonestThat MomentReactionariesMaking ChoicesPreps Author:Logan Lerman
“The base skill is listening: how I'm listening to the material, how I'm listening to the space. With electronic sound, it's a similar situation of how to produce it and place it so that it works in a space. The first consideration is adopting the space and having work that resonates in the space.” FirstsSoundSpaceSituationProduceMaterialsListeningSkillsConsiderationAdopting Author:Pauline Oliveros
“I try to influence this improvisation in two ways. One is by centering on reflections, in both senses of the word: acoustic reflections as well as visual reflections from a mirror or surface, and then reflecting on the material in a contemplative way. The other influence is listening to the tails of the sounds that you make.” WayTryingWellsTwoSoundInfluenceMaterialsListeningReflectionMirrorsSurfaceSensesVisualsTailsReflectingTwo WaysImprovisationAcousticsContemplativeCentering Author:Pauline Oliveros
“Whether you're with a group of people, whether you're playing music or whether you're by yourself, even if it's written material, you have to be listening.” PeopleIfsWrittenGroupsMaterialsListeningPlaying Music Author:Reggie Watts
“I had this fantastic collection of Grateful Dead T-shirts and live concert music the band had give me over all these years, decades of material, and when our boys became teenagers they started going through everything and wearing the shirts and listening to the music and that's what the Grateful Dead is all about.” GivingYearsBoysMaterialsListeningBandGive MeGratefulDecadesFantasticTeenagerShirtsCollectionsConcertsT ShirtLive Concerts Author:Bill Walton
“Elton John can be a master of the sleight of hand. The arrangements make it seem like there are substantial melodies underneath the tracks - but almost nothing demands repeated listenings. Similarly, he always sounds like he's singing up a storm, but his voice glosses over the material, reducing most things to an uninteresting sameness.” HandsSeemsSoundVoiceMaterialsMastersListeningDemandSingingTrackStormMelodyArrangementsReducingSamenessGlossSleight Of Hand Author:Jon Landau