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“The human venture depends absolutely on this quality of awe and reverence and joy in the Earth and all that lives and grows upon the Earth. As soon as we isolate ourselves from these currents of life and from the profound mood that these engender within us, then our basic life-satisfactions are diminished. None of our machine-made products, none of our computer-based achievements can evoke that total commitment to life.”

“Our assaults on the ecosystem are so powerful, so numerous, so finely interconnected, that although the damage they do is clear, it is very difficult to discover how it was done. By which weapon? In whose hand? Are we driving the ecosphere to destruction simply by our growing numbers? By our greedy accumulation of wealth? Or are the machines which we have built to gain this wealth-the magnificent technology that now feeds us out of neat packages, that clothes us in man-made fibers, that surrounds us with new chemical creations-at fault?”

“When we mistake what we can know for all there is to know, a healthy appreciation of one's ignorance in the face of a mystery like soil fertility gives way to the hubris that we can treat nature as a machine. Once that leap has been made, one input follows another, so that when the synthetic nitrogen fed to plants makes them more attractive to insects and vulnerable to disease, as we have discovered, the farmer turns to chemical pesticides to fix his broken machine.”

“I have a real aversion to machines. I write with a pen. Then I read it to someone who writes it onto the computer. What are those computer letters made of anyway? Light? Too insubstantial. Paper, you can feel it. A pen. There's a connection. A pen goes exactly at your speed, whereas that machine jumps. And then, that machine is waiting for you, just humming "uh-huh, yes?”

“Hollywood's two polar types are the cynically drunken writer aggressively nursing a ten-year-old reputation and the theatrically self-conscious hermit who strides the boulevard in sandals, home-made shorts and a prophetic beard, muttering against the Age of the Machines.”

“I hate symbolic art in which the presentation loses all spontaneous movement in order to become a machine, an allegory -- a vain and misconceived effort because the very fact of giving an allegorical sense to a presentation clearly shows that we have to do with a fable which by itself has no truth either fantastic or direct; it was made for the demonstration of some moral truth.”