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“For Singapore, its test for its own democracy must be whether it fit and serve the interests of its people and conditions, and not serve some abstract ideal that the Western media thought it ought to conform to. If in 10 years, Philippines, Taiwan and Korea were better societies because they adopted the US model, Singapore would hurry to catch.”

“The Internet, too, has strong attributes of a public good, and has undermined the “private good” attributes of old media. Internet service providers obviously can exclude people, but the actual content -the values, the ideas- can be shared with no loss of value for the consumer. It is also extremely inexpensive and easy to share material. Sharing is built into the culture and practices of the Web and has made it difficult for the subscription model to be effective.”

“The key question facing those of us working in the media (old and new) is whether we embrace and adapt to the radical changes brought about by the Internet or pretend that we can somehow hop into a journalistic Way Back Machine and return to a past that no longer exists and can't be resurrected. There is no question that, as the industry moves forward and we figure out the new rules of the road, there will be - and needs to be - a great deal of experimentation with new revenue models.”

“There are some political issues where mainstream press attention only hurts. We think about activism as being this generic model of consciousness-raising, then hopefully media attention, attraction of new people to your cause, building public support for your cause, then decision-makers reacting to that change in public opinion. That's true for some types of activism, but it is not true for all of them.”

“As a model I had a lot of success when I was 17 and 18 years old. It was before social media, before the world was what the world is, but even then it was terrifying, to be 18 years old and people knowing who you are, and I was this personality who was completely devoid of who I actually was. It was almost like being a manufactured boy band. You're sort of like a wind up doll; they wind you up and put you on the runway or something like that.”