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“I mean, Robert Pattinson. No, I’m kidding, I shouldn’t say that. He’s actually really nice. My neighbour works with him and said he was a great guy. I don’t know to be honest, I don’t really model myself after anybody. You’re always just trying to create opportunities and be ready when those opportunities present themselves. I can’t look at anybody and think ‘I want to be Damian Lewis’ – I’d be setting myself up for failure.”

“I try to keep away from being bigheaded. That's what causes people to lose the acting thing. They start being commercial, and then they stink the rest of their life. But there are several respected adult actors who were child actors that started very young. I'm going to try to model myself after Kurt Russell and Jodie Foster. Just keep learning from the role and not just go for the money.”

“No matter how much a young man likes to think for himself, he is always trying to model himself on some abstract pattern largely derived from the example of the world around him. And a man, no matter how conservative, shows his own worth by his personal deviation from that pattern.”

“The problem I have with socialist utopias is there's some kind of committees trying to soften outcomes for people. I think that imposes models of outcomes for other people's lives. So in a spiritual sense there's some bit of libertarian in me. But the critical thing for me is moderation. And if you let that go far you do end up with a winner-take-all society that ultimately crushes everybody even worse.”

“Science has been effective at furthering our understanding of nature because the scientific ethos is based on three key principles: (1) follow the evidence wherever it leads; (2) if one has a theory, one needs to be willing to try to prove it wrong as much as one tries to prove that it is right; (3) the ultimate arbiter of truth is experiment, not the comfort one derives from one's a priori beliefs, nor the beauty or elegance one ascribes to one's theoretical models.”

“Pragmatism , in trying to turn experimental physics into a prototype of all science and to model all spheres of intellectual life after the techniques of the laboratory, is the counterpart of modern industrialism, for which the factory is the prototype of human existence, and which models all branches of culture after production on the conveyor belt.”

“Our times are obsessed with finding fulfillment, so there are times when some people try too hard, and there are people who want to have the newest feelings just as there are those who want to have the latest model car. You can't play at love any more than you can be proud of your humility, or add water to your perfume and have it smell the same, but men and women both have been known to try.”

“Holland's and Kauffman's work, together with Dawkins' simulations of evolution and Varela's models of autopoietic systems, provide essential inspiration for the new discipline of artificial life, This approach, initiated by Chris Langton (1989, 1992), tries to develop technological systems (computer programs and autonomous robots) that exhibit lifelike properties, such as reproduction, sexuality, swarming, and co-evolution.”

“My mother taught me to focus on being myself and not to worry what other people think about you. I know that as long as I'm a good person I'll stay on the right path. From my dad I learned that when someone tells you “No” it's only the beginning of a conversation. They both have always let me know that I can do anything I want to do as long as I don't give up. They are the most important role models in my life because they are exactly who I want to be when I grow up. They are supportive and understanding and I try every day to remember what they've taught me.”

“I think if you ask people why they watch me, there would be some common thread among all of them that I'm somewhat of an awkward older sister. I have a teen, mostly female demographic. How that happened, I don't know. But I think they see me as some sort of bizarre role model, and I'll keep trying to do that for them.”

“Science begins with the world we have to live in, accepting its data and trying to explain its laws. From there, it moves toward the imagination: it becomes a mental construct, a model of a possible way of interpreting experience. The further it goes in this direction, the more it tends to speak the language of mathematics, which is really one of the languages of the imagination, along with literature and music. Art, on the other hand, begins with the world we construct, not with the world we see. It starts with the imagination, and then works toward ordinary experience.”

“We are living in a renaissance of personal writing. People are rebalancing the impersonalization endemic to modern society with an increase in personal introspection. We have enough common psychology under our belts to know that psychology doesn't explain or heal everything and that it isn't the fulfillment of awareness, but its beginning. We are undergoing a shift in paradigms in which we are trying to develop new models for humanness and human responsibility. This is no small task. Our individual lives are placed under increasing pressure to respond adequately to both inner and outer change.”