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“I mean, Robert Pattinson. No, I’m kidding, I shouldn’t say that. He’s actually really nice. My neighbour works with him and said he was a great guy. I don’t know to be honest, I don’t really model myself after anybody. You’re always just trying to create opportunities and be ready when those opportunities present themselves. I can’t look at anybody and think ‘I want to be Damian Lewis’ – I’d be setting myself up for failure.”

“Children model the behavior of adults, on whatever scale is available to them. Ours are growing up in a nation whose most important, influential men - from presidents to the coolest film characters - solve problems by killing people. ... We have taught our children in a thousand ways, sometimes with flag-waving and sometimes with a laugh track, that the bad guy deserves to die.”

“One of the reasons I always looked up to [George] Carlin is he looked like your grandfather but, acted like your best friend. Most of the adults in my world were adults and acted like adults and had job-type jobs and bills and pressures and stopped playing a long time ago. And George Carlin was a guy that the more he aged the younger he seemed. It was odd because he was still sagely and wise. But he was such a role model for me.”

“I sometimes look at the careers of other... I guess I could call them contemporaries or maybe close artists; you know, the 4 or 5 guys who go to New York City and get a loft and work together and use each other as models and that sort of thing and wait for years and years to get married. Maybe I just wasn't that definite.”

“As a musician, I don't have one thing that's "my thing." I like to create, and have a lot of outlets for it. Dustin Hoffman is one of the guys that sets a model for me, because of how good he is at being such different characters. Every time you see DeNiro, he's pretty much DeNiro - great, but DeNiro. Hoffman is different every time, depending on his character. That's how I see myself as a performer.”

“To me, my Dad's the greatest guy - next to Jesus Christ - who ever walked this planet. He's been that outstanding male role model in my life. And he's still the same guy I grew up around, very conscious of the image he sets forth. As he would say, 'Wouldn't do anything behind your back that I wouldn't do to your face.'”

“Because of these new car models there is suddenly on the streets of Delhi a new intolerance by the motorists for both the cows and the cyclists. So for the first time the sacred cow in India, which used to be such a wonderful speed-breaker, is now seen as a nuisance. For the first time, I’ve seen cows being hit and hurt. These guys just go right past, and if the cow is sitting on the road, they don’t care. We can’t afford to have a sacred car rather than a sacred cow.”

“I had PubLIZity, I had Oh, Hello, I had Bobby and Farley - all of these sketches that were really these duo sketches, but the relationship between them is really what catapulted them forward. A lot of that, I think, came from Wayne and Garth, these two similar guys - they're Midwestern metal guys - but in the end, they're quite different because there's an alpha and a beta. And I think that model became very present for me on Kroll Show.”

“We don't have a great clash of civilizations, a clash of ideologies, a clash of alternative models, where governments thought to themselves, if we go too far, if we sort of trample unreasonably on rights, we'll give birth to a political movement which will cost us our credibility, and will possibly cost us our offices, because people will vote for the other team, the other guys.”

“Personally, I like to think my brother is having a college experience like they do in the movies. I don't mean the big fraternity party kind of movie. More like the movie where the guy meets a smart girl who wears a lot of sweaters and drinks cocoa. They talk about books and issues and kiss in the rain. I think something like that would be very good for him, especially if the girl were unconventionally beautiful. They are the best kind of girls, I think. I personally find 'super models' strange. I don't know why this is.”

“A hand landed on his shoulder like an anvil. “How’d you like to stay for dinner?” Butch looked up. The guy was wearing a baseball cap and had some kind of marking—was that a tattoo, on his face? “How’d you like to be dinner?” said another one, who looked like some kind of model.”

“My model for business is The Beatles. They were four guys who kept each other kind of negative tendencies in check. They balanced each other and the total was greater than the sum of the parts. That's how I see business: great things in business are never done by one person, they're done by a team of people.”