Quotessence
Home / Authors / Barbara Kingsolver
Barbara Kingsolver

Barbara Kingsolver Quotes

Novelist

Filter quotes by topic

Famous Barbara Kingsolver Quotes

“Bears and wolves are our fairy-tale archenemies, and in these tales we teach our children only, and always, to kill them, rather than to tiptoe past and let them sleep. Maybe that's why I'm comforted by the image of a small child curled in the embrace of a mother bear. We need new bear and wolf tales for our times, since so many of our old ones seem to be doing us no good. Now we're finding that it takes our every effort of will and imagination to pull back, to stop in our tracks as hunger and hunted, to halt our habit of killing, before every kind of life we know arrives at the brink of extinction.”

“Until that moment I'd thought I could have it both ways; to be one of them, and also my husband's wife. What conceit! I was his instrument, his animal. Nothing more. How we wives and mothers do perish at the hands of our own righteousness. I was just one more of those women who clamp their mouths shut and wave the flag as their nation rolls off to conquer another in war. Guilty or innocent, they have everything to lose. They are what there is to lose. A wife is the earth itself, changing hands, bearing scars.”

“Sorry to tell you, but that's a very old chestnut. My mother used to say when God slams a door on you, he opens a window.' Tig gave this two seconds of respectful consideration before rejecting it. 'No, that's not the same. I'm saying when God slams a door on you it's probably a shitstorm. You're going to end up in rubble. But it's okay because without all that crap overhead, you're standing in the daylight.' 'Without a roof over your head, it kind of feels like you might die.' 'Yeah, but you might not. For sure you won't find your way out of the mess if you keep picking up bricks and stuffing them in your pockets. What you have to do is look for blue sky.”

“It's the same struggle for each of us, and the same path out: the utterly simple, infinitely wise ultimately defiant act of loving one thing and then another, loving our way back to life... Maybe being perfectly happy is not really the point. Maybe that is only some modern American dream of the point, while the truer measure of humanity is the distance we must travel in our lives, time and again, "twixt two extremes of passion--joy and grief," as Shakespeare put it. However much I've lost, what remains to me is that I can still speak to name the things I love. And I can look for safety in giving myself away to the world's least losable things.”

“Oh, it's a fine and useless enterprise, trying to fix destiny. That trail leads straight back to the time before we ever lived, and into that deep well it's easy to cast curses like stones on our ancestors. But that's nothing more than cursing ourselves and all that made us. Had I not married a preacher named Nathan Price, my particular children would never have seen the light of this world. I walked through the valley of my fate, is all, and learned to love what I could lose”

“But Pascal quickly forgave me, and it's a good thing, since friends of my own age and gender were not available, the girls of Kilanga all being too busy hauling around firewood, water, or babies. It did cross my mind to wonder why Pascal had the freedom to play and roam that his sisters didn't. While the little boys ran around pretending to shoot each other and fall dead in the road, it appeared that little girls were running the country.”

“The longer I think about a food industry organized around an animal that cannot reproduce itself without technical assistance, the more I mistrust it. Poultry, a significant part of the modern diet, is emblematic of the whole dirty deal. Having no self-sustaining bloodlines to back up the industry is like having no gold standard to underpin paper currency. Maintaining a natural breeding poultry flock is a rebellion, at the most basic level, against the wholly artificial nature of how foods are produced.”

“To recover an intuitive sense of what will be in season throughout the year, picture a season of foods unfolding as if from one single plant. Take a minute to study this creation—an imaginary plant that bears over the course of one growing season a cornucopia of all the different vegetable products we can harvest. We’ll call it a vegetannual. Picture its life passing before your eyes like a time-lapse film: first, in the cool early spring, shoots poke up out of the ground. Small leaves appear, then bigger leaves. As the plant grows up into the sunshine and the days grow longer, flower buds will appear, followed by small green fruits. Under midsummer’s warm sun, the fruits grow larger, riper, and more colorful. As days shorten into the autumn, these mature into hard-shelled fruits with appreciable seeds inside. Finally, as the days grow cool, the vegetannual may hoard the sugars its leaves have made, pulling them down into a storage unit of some kind: a tuber, bulb, or root. So goes the year. First the leaves: spinach, kale, lettuce, and chard (here, that’s April and May). Then more mature heads of leaves and flower heads cabbage, romaine, broccoli, and cauliflower (May–June). Then tender young fruit-set: snow peas, baby squash, cucumbers (June), followed by green beans, green peppers, and small tomatoes (July). Then more mature, colorfully ripened fruits: beefsteak tomatoes, eggplants, red and yellow peppers (late July–August). Then the large, hard-shelled fruits with developed seeds inside: cantaloupes, honeydews, watermelons, pumpkins, winter squash (August–September). Last come the root crops, and so ends the produce parade. Plainly these don’t all come from the same plant, but each comes from a plant, that’s the point—a plant predestined to begin its life in the spring and die in the fall. (A few, like onions and carrots, are attempting to be biennials, but we’ll ignore that for now.) Each plant part we eat must come in its turn—leaves, buds, flowers, green fruits, ripe fruits, hard fruits—because that is the necessary order of things for an annual plant. For the life of them, they can’t do it differently. Some minor deviations and a bit of overlap are allowed, but in general, picturing an imaginary vegetannual plant is a pretty reliable guide to what will be in season, wherever you live. If you find yourself eating a watermelon in April, you can count back three months and imagine a place warm enough in January for this plant to have launched its destiny.”

“For about 48 weeks of the year an asparagus plant is unrecognizable to anyone except an asparagus grower. Plenty of summer visitors to our garden have stood in the middle of the bed and asked, 'What is this stuff? It's beautiful!' We tell them its the asparagus patch, and they reply, 'No this, these feathery little trees.' An asparagus spear only looks like its picture for one day of its life, usually in April, give or take a month as you travel from the Mason-Dixon Line. The shoot emerges from the ground like a snub nose green snake headed for sunshine, rising so rapidly you can just about see it grow. If it doesn't get it's neck cut off at ground level as it emerges, it will keep growing. Each triangular scale on the spear rolls out into a branch until the snake becomes a four foot tree with delicate needles. Contrary to lore, fat spears are no more tender or mature than thin ones. Each shoot begins life with its own particular girth. In the hours after emergence, it lengthens but does not appreciably fatten. To step into another raging asparagus controversy, white spears are botanically no different from their green colleagues. White shoots have been deprived of sunlight by a heavy mulch pulled up over the plant's crown. European growers go to this trouble for consumers who prefer the stalks before they've had their first blush of photosynthesis. Most Americans prefer the more developed taste of green. Uncharacteristically, we're opting for the better nutritional deal here also. The same plant could produce white or green spears in alternate years, depending on how it is treated. If the spears are allowed to proceed beyond their first exploratory six inches, they'll green out and grow tall and feathery like the house plant known as asparagus fern, which is the next of kin. Older, healthier asparagus plants produce chunkier, more multiple shoots. Underneath lies an octopus-shaped affair of chubby roots called a crown that stores enough starch through the winter to arrange the phallic send-up when winter starts to break. The effect is rather sexy, if you're the type to see things that way. Europeans of the Renaissance swore by it as an aphrodisiac and the church banned it from nunneries.”

“I don't see why you're not just going for this.' Dovey looked her in the eyes, in the mirror. 'You are a rocket. You go for thing, Dellarobia. That is you. When did you ever not?' Dellarobia shut her eyes. 'When there was nothing out there to land on, I guess.' 'Now, see,' Dovey clucked, 'that's a woman thing. Men and kids get to just light out and fly, without even worrying about what comes next.”