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Moments Quotes

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Moments Quotes

“I don't particularly like the idea that there's an arc to the story and that therefore in this scene you have to convey this bit of information or emotion. I like more the feeling that, of course, there is a shape to the story, but that each scene should feel right, should be true at that moment, and that gradually you accumulate these moments of truth until you get enough of them together that it becomes a story that's interesting.”

“I stared up in disbelief at the information my eyes fed my brain, and lost myself to the stars. For the first time in my life I had a greater idea of how infinitesimally small our planet really is and, furthermore, how tiny and insignificant I am in the grand scheme of the vast universe. I took a seat on a rock next to Lily and took in the moment to comprehend the vastness of everything else, and the incredible smallness of I.”

“But I would like to think for a moment about a man who in the morning teaches his students that a false attribution of a Watteau drawing or an inaccurate transcription of a fourteenth-century epigraph is a sin against the spirit and in the afternoon or evening transmits to the agents of Soviet intelligence classified, perhaps vital information given to him in sworn trust by his countrymen and intimate colleagues. What are the sources of such scission? How does the spirit mask itself?”

“I suppose I ought to think up some dramatic, quotable phrase for Public Information and the history books, but I'm damned if any of them come to mind. Besides, admitting the truth wouldn't sound too good. The truth, Russell, is that now the moment's here, I'm scared shitless. Somehow I don't think even Public Information could turn that into good copy.”

“All the other editors at DC never gave me a moment's time. They would take the thing and give me a check and say, 'I'll see you in two weeks.' They never gave any kind of encouragement or information. They were very competitive with each other. They didn't want to teach an artist and then lose him to some other editor.”

“I like the process of giving control away [at the recording]. When you give it up to people, it's another intelligent organism that digests your information completely differently from how a machine digests information. It's like you're on a sailboat, and every time you can find out how to better adjust [the sail] to make it more precise. And it's interesting to see that the musicians have their own ideas. To use their intuitive power with their knowledge that they incorporate into the music. This is the moment you give away control, you give it to someone else's intuition.”