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“Our problem is that the climate crisis hatched in our laps at a moment in history when political and social conditions were uniquely hostile to a problem of this nature and magnitude-that moment being the tail end of the go-go '80s, the blastoff point for the crusade to spread deregulated capitalism around the world. Climate change is a collective problem demanding collective action the likes of which humanity has never actually accomplished. Yet it entered mainstream consciousness in the midst of an ideological war being waged on the very idea of the collective sphere.”

“At the stroke of the midnight hour, when the world sleeps, India will awake to life and freedom. A moment comes, which comes but rarely in history, when we step out from the old to the new, when an age ends, and when the soul of a nation, long suppressed, finds utterance.”

“I can imagine no man who will look with more horror on the End than a conscientious revolutionary who has, in a sense sincerely, been justifying cruelties and injustices inflicted on millions of his contemporaries by the benefits which he hopes to confer on future generations: generations who, as one terrible moment now reveals to him, were never going to exist. Then he will see the massacres, the faked trials, the deportations, to be all ineffaceably real, an essential part, his part, in the drama that has just ended: while the future Utopia had never been anything but a fantasy.”

“Dance and game are frivolous, unimportant down here; for "down here" is not their natural place. Here, they are a moment's rest from the life we were placed here to live. But in this world everything is upside down. That which, if it could be prolonged here, would be a truancy, is likest that which in a better country is the End of ends. Joy is the serious business of Heaven.”

“Love--what a volume in a word, an ocean in a tear, A seventh heaven in a glance, a whirlwind in a sigh, The lightning in a touch, a millennium in a moment, What concentrated joy or woe in blest or blighted love! For it is that native poetry springing up indigenous to Mind, The heart's own-country music thrilling all its chords, The story without an end that angels throng to hear, The word, the king of words, carved on Jehovah's heart!”

“In truth, politeness is artificial good humor, it covers the natural want of it, and ends by rendering habitual a substitute nearly equivalent to the real virtue. It is the practice of sacrificing to those whom we meet in society, all the little inconveniences and preferences which will gratify them, and deprive us of nothing worth a moment's consideration; it is the giving a pleasing and flattering turn to our expressions, which will conciliate others, and make them pleased with us as well as themselves. How cheap a price for the good will of another!”

“It is precisely the sort of thing I am always trying to do in my writing -- to present my unhappy reader with a wide-ranged chaos -- of actions and reactions, thoughts, memories and feelings -- in the vain hope that at the end he will see that the whole thing represents only one moment, one feeling, one person. A raging, trumpeting jungle of associations, and then I announce at the end of it, with a gesture of despair, "This is I!”

“A faithful person sees life from the perspective of trust, not fear. Bedrock faith allows me to believe that, despite the chaos of the present moment, God does reign; that regardless of how worthless I may feel, I truly matter to a God of love; that no pain lasts forever and no evil triumphs in the end. Faith sees even the darkest deed of all history, the death of God's Son, as a necessary prelude to the brightest.”

“The anarchists put the thing upside down. They declare that the proletarian revolution must begin by doing away with the political organization of the state. But to destroy it at such a moment would be to destroy the only organism by means of which the victorious proletariat can assert its newly-conquered power, hold down its capitalist adversaries, and carry out that economic revolution of society without which the whole victory must end in a new defeat and a mass slaughter of the workers similar to those after the Paris commune.”

“But deepest of all illusory Appearances, for hiding Wonder, as for many other ends, are your two grand fundamental world-enveloping Appearances, SPACE and TIME. These, as spun and woven for us from before Birth itself, to clothe our celestial ME for dwelling here, and yet to blind it, lie all-embracing, as the universal canvas, or warp and woof, whereby all minor Illusions, in this Phantasm Existence, weave and paint themselves. In vain, while here on Earth, shall you endeavor to strip them off; you can, at best, but rend them asunder for moments, and look through.”

“We talk about a civilization and love and we're seeing it at the end. So many people around the world are - that whole electronic band that Dostoyevsky imagined of love around the world - that every contribution, every moment of love, every act of kindness feeds that and is like a reservoir for somebody in need to draw upon.”

“Seeing the play ( A Lie of the Mind ) clearly is part of why I wanted to direct it. I see hope at the end of this play. People talk about how dark the play was, but I feel like, if you really look at the darkness, you're able to go through it, and you realize that you can handle dark moments in life and that everything will be all right.”

“I hate writing. I so intensely hate writing - I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn't really succeed in telling what I wanted to tell, that I need a new project - it's an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.”

“You know, we have moments of passion when we are in pain. And then of course the moment ends, and with it the passion and the pain, and we forgive and forget. But I think that every time you hurt somebody that you care for, a crack appears in your relationship, a little weakening - and it stays there, dangerous, waiting for the next opportunity to open up and destroy everything.”

“All things considered, I can see no reason to adopt the afterlife hypothesis. I am sure I shall remain in a minority for a long time to come, especially among experiencers, but for me the evidence and the arguments are overwhelming ... We are biological organisms, evolved in fascinating ways for no purpose at all and with no end in mind. We are simply here and this is how it is. I have no self and "I" own nothing. There is no one to die. There is just this moment, and now this, and now this.”

“My idea of everything going smoothly on an airplane is (a) that I not die in a slow-motion fiery crash or get stabbed to death by terrorists and (b) that none of the other passengers try to talk to me. All conversation should end at the moment the wheels leave the ground.”

“There are some scenes that you have to lose in order to win something at the end. A good director will keep pointing you that way, but it is also your job as an actor to understand that there are scenes that you do, particularly when you are the lead, where other people get to come in and steal and you have to let them. I understand that but a good director always reminds you where those moments are.”

“Dachau has been my own lifelong point of no return. Between the moment when I walked through the gate of that prison, with its infamous motto, 'Arbeit Macht Frei,' and when I walked out at the end of a day that had no ordinary scale of hours, I was changed, and how I looked at the human condition, the world we live in, changed ... Years of war had taught me a great deal, but war was nothing like Dachau. Compared to Dachau, war was clean.”

“The final moment of success is often no more thrilling than taking off a heavy backpack at the end of a long hike. If you went on the hike only to feel that pleasure, you are a fool. Yet people sometimes do just this. They work hard at a task and expect some special euphoria at the end. But when they achieve success and find only moderate and short-lived pleasure, they ask is that all there is? They devalue their accomplishments as a striving after wind. We can call this the progress principle: Pleasure comes more from making progress toward goals than from achieving them.”

“When a little pleasure has flashed for a moment against the dark, I have made that jewel mine. I have hundreds of them ... I call it my Necklace of Perfect Joy. When the world goes wrong, I have only to close my eyes and remember all the links in my chain, set with gems, some large and some small, but all beautiful with the beauty which never fades. It is all I can take with me when I go. My material possessions must stay behind, but my Necklace of Perfect Joy will bring me happiness to the end, when I put it on, to be nevermore unclasped.”

“Five golden years, Heart of Mine, have we walked the way of life together, and there is not an hour I would have changed; there is no moment when I would have you other than you have been. It is the fashion these days, I know, to say that love ends at the altar, but it is not so. You and I have found the old dream of the world divinely true. It is neither a poet's fancy nor a trick of the imagination, but a thing of fadeless and unending beauty.”