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“The idea for each of the stories in this book came in a moment of belief and was written in a burst of faith, happiness, and optimism. Those positive feelings have their dark analogues, however, and the fear of failure is a long way from the worst of them. The worst - for me, at least - is the gnawing speculation that I may have already said everything that I have to say, and am now only listening to the steady quacking of my own voice because the silence when it stops is just too spooky.”

“My idea of a perfect surrealist painting is one in which every detail is perfectly realistic, yet filled with a surrealistic, dreamlike mood. And the viewer himself can't understand why that mood exists, because there are no dripping watches or grotesque shapes as reference points. That is what I'm after: that mood which is apart from everyday life, the type of mood that one experiences at very special moments.”

“The idea of being the Substitute in offering an atonement to satisfy the demands of God’s law for others was something Christ understood as His mission from the moment He entered this world and took upon Himself a human nature. He came from heaven as the gift of the Father for the express purpose of working out redemption as our Substitute, doing for us what we could not possibly do for ourselves.”

“I don't particularly like the idea that there's an arc to the story and that therefore in this scene you have to convey this bit of information or emotion. I like more the feeling that, of course, there is a shape to the story, but that each scene should feel right, should be true at that moment, and that gradually you accumulate these moments of truth until you get enough of them together that it becomes a story that's interesting.”

“The compelling thing about making art — or making anything, I suppose — is the moment when the vaporous, insubstantial idea becomes a solid there, a thing, a substance in a world of substances. Circe, Nimbue, Artemis, Athena, all the old sorceresses: they must have known the feeling as they transformed mere men into fabulous creatures, stole the secrets of the magicians, disposed armies: ah, look, there it is, the new thing. Call it a swine, a war, a laurel tree. Call it art.”

“Our problem is that the climate crisis hatched in our laps at a moment in history when political and social conditions were uniquely hostile to a problem of this nature and magnitude-that moment being the tail end of the go-go '80s, the blastoff point for the crusade to spread deregulated capitalism around the world. Climate change is a collective problem demanding collective action the likes of which humanity has never actually accomplished. Yet it entered mainstream consciousness in the midst of an ideological war being waged on the very idea of the collective sphere.”

“Opening a play is just tough. The idea that actors are weirdly protected from it is a myth. If you imagine yourself having to spend two and a bit hours cooking bolognaise, remembering a whole major work by David Hare and speaking it at the correct moment between chopping carrots and stirring the onions in front of an audience - the normal human response is 'Please, can I go to the airport?'”

“I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine.”

“Yes, Philadelphia is horrible, but in a very interesting way. There were places there that had been allowed to decay, where there was so much fear and crime that just for a moment there was an opening to another world. It was fear, but it was so strong, and so magical, like a magnet, that your imagination was always sparking in PhiladelphiaI just have to think of Philadelphia now, and I get ideas, I hear the wind, and I'm off into the darkness somewhere.”

“But the idea of science and systematic knowledge is wanting to our whole instruction alike, and not only to that of our business class ... In nothing do England and the Continent at the present moment more strikingly differ than in the prominence which is now given to the idea of science there, and the neglect in which this idea still lies here; a neglect so great that we hardly even know the use of the word science in its strict sense, and only employ it in a secondary and incorrect sense.”

“Anarcho-capitalism, in my opinion, is a doctrinal system which, if ever implemented, would lead to forms of tyranny and oppression that have few counterparts in human history. There isn't the slightest possibility that its (in my view, horrendous) ideas would be implemented, because they would quickly destroy any society that made this colossal error. The idea of 'free contract' between the potentate and his starving subject is a sick joke, perhaps worth some moments in an academic seminar exploring the consequences of (in my view, absurd) ideas, but nowhere else.”

“I stared up in disbelief at the information my eyes fed my brain, and lost myself to the stars. For the first time in my life I had a greater idea of how infinitesimally small our planet really is and, furthermore, how tiny and insignificant I am in the grand scheme of the vast universe. I took a seat on a rock next to Lily and took in the moment to comprehend the vastness of everything else, and the incredible smallness of I.”

“What always attracted me to [Bob] Dylan, and what has sustained me as a Dylan listener, or has always continued to surprise me, is his voice, the way he sings, the way he wraps his voice around certain words, the way he backs off from melodic moments, the way he moves forward to grab something in a song that, were anybody else performing it, they would have no idea it was even there.”

“Nature, the sun itself, produces color effects... instantaneously. The impression of these evanescent visions is what we make desperate attempts to catch and fix by any means at hand. At such moments I am unconscious of materials, of style, of rules, of everything that intervenes between my perception and the object or idea perceived.”

“There is a fundamental difference between the Jewish idea of creation and that of Islam. The creation according to Islam is not a unique act in a given time but a perpetual and constant event; and God supports and sustains all existence at every moment by His will and His thought. Outside His will, outside His thought, all is nothing, even the things which seem to us absolutely self-evident such as space and time. Allah alone wishes: the Universe exists; and all manifestations are as a witness of the Divine will.”

“The ills and disorders of the 14th century could not be without consequence. Times were to grow worse over the next fifty-odd years until at some imperceptible moment, by the some mysterious chemistry, energies were refreshed, ideas broke out of the mold of the Middle Ages into new realms, and humanity found itself redirected.”

“Politics have always covered two distinct kinds of problems: problems of administrative routine, and those that may be called 'questions of the moment.' A question of the moment is, indeed, a substitute for some notion, such as the idea of God, or hereditary monarchy, or national glory, that has hitherto acted as a symbol of human co-ordination. It provides no new positive certainty to replace the discredited certainty, but is what the name implies: the raising of a question which the old certainty no longer answers.”

“One could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? express that emptiness there?”

“The belief that happiness has to be deserved has led to centuries of pain, guilt, and deception. So firmly have we clung to this single, illusory belief that we've almost forgotten the real truth about happiness. So busy are we trying to deserve happiness that we no longer have much time for ideas such as: Happiness is natural, happiness is a birthright, happiness is free, happiness is a choice, happiness is within, and happiness is being. The moment you believe that happiness has to be deserved, you must toil forevermore.”

“Really, the moment you have any idea, the second thought that enters your mind after the original idea is, "What is this? Is it a book, is it a movie, is it a this, is it a that, is it a short story, is it a breakfast cereal?" Really, from that moment, your decision about what kind of thing it is then determines how it develops.”

“A war not only arises, but derives its nature , from the political ideas, the moral sentiments, and the international relations obtaining at the moment when it breaks out. This amounts to saying:;: try and know why and with the help of what you are going to act; then you will find out how to act.”

“At any particular moment in a man's life, he can say that everything he has done and not done, that has been done and not been done to him, has brought him to that moment. If he's being installed as Chieftain or receiving a Nobel Prize, that's a fulfilling notion. But if he's in a sleeping bag at ten thousand feet in a snowstorm, parked in the middle of a highway and waiting to freeze to death, the idea can make him feel calamitously stupid.”

“I hate writing. I so intensely hate writing - I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn't really succeed in telling what I wanted to tell, that I need a new project - it's an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.”

“No one escapes that moment of innocence when the world attacks him and installs within him the spirit of opposites... As long as everything within you is saying yes and no, dark and light, with big earth-shaking ideas, you come nowhere near art, I think. Light and dark don't exist for us as artists. Light is something given to you and you're allowing it to pass through.”

“In the face of the idea that truth might afford the opposite of satisfaction and turn out to be completely shocking to humanity at any given historical moment, ... the fathers of pragmatism made the satisfaction of the subject the criterion of truth. For such a doctrine there is no possibility of rejecting or even criticizing any species of belief that is enjoyed by its adherents.”

“To write is, indeed, no unpleasing employment, when one sentiment readily produces another, and both ideas and expressions present themselves at the first summons; but such happiness, the greatest genius does not always obtain; and common writers know it only to such a degree, as to credit its possibility. Composition is, for the most part, an effort of slow diligence and steady perseverance, to which the mind is dragged by necessity or resolution, and from which the attention is every moment starting to more delightful amusements.”