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Mother Quotes

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Mother Quotes

“I'm thinking about anything and everything. I'm making stuff up in my head, I'm using sense memory. Sometimes when it doesn't come and you've got no choice because you're getting paid to do it, you grasp at straws. It's always easy now with my kids. I just create some "what-ifs" in my head, something horrible that would devastate me as a mother.”

“I've got evil in me as much as anyone, some desires that scare me. Even if I don't give in to them, just having them scares the living bejesus out of me sometimes. I'm no saint, the way you kid about. But I've always walked the line, walked that goddamned line. It's a mean mother of a line, straight and narrow, sharp as a razor, cuts right into you when you walk it long enough. You're always bleeding on that line, and sometimes you wonder why you don't just step off and walk in the cool grass.”

“I greatly doubt whether the men who become pirate chiefs are those who are filled with retrospective terror of their fathers, or whether Napoleon , at Austerlitz, really felt that he was getting even with Madame Mère. I know nothing of the mother of Attila , but I rather suspect that she spoilt the little darling, who subsequently found the world irritating because it sometimes resisted his whims.”

“My books are based on the "what if" principle. "What if you became invisible?" or "What if you did change into your mother for one day?" I then take it from there. Each book takes several months in the long process of writing, rewriting, writing, rewriting, and each has its own set of problems. The one thing I dislike about the writing process is the sometimes-loneliness of it all. Readers only get to see the glamour part of a bound book, not some of the agonizing moments one has while constructing it.”

“My mother's influence to take on new challenges and do what I though was right even though sometimes the consequences politically speaking were not good. My mother was vivacious, she was full of life, she got up every morning looking forward to the day, trying to figure out what she could do that was innovative and unprecedented and maybe controversial.”

“all daughters, even when most aggravated by their mothers, have a secret respect for them. They believe perhaps that they can do everything better than their mothers can, and many things they can do better, but they have not yet lived long enough to be sure how successfully they will meet the major emergencies of life, which lie, sometimes quite creditably, behind their mothers.”

“What does it mean to be a used white wife, a mother, a tragic girl writing poems? Sandra Simonds gets into these messy words and then tears them apart. Sometimes with the words of others. And sometimes with poems made from scratch. They aren't all bad, these words. But they aren't all good either. And that is where Mother was a Tragic Girl gets its power. You will at moments be laughing but then you will also at moments just as much be crying. If Antigone was alive and decided to write some poems about the nuclear family, she would write them like Sandra Simonds. These are tough.”

“Don't Look Down” is her official debut as Skylar Grey, the singer, born Holly Brook Hafermann and raised in Mazomanie, Wis., has been making albums since she was a tween. Grey and her mother sang as a folk duo under the name Generations; they released three indie discs. “I learned a lot about professionalism, how the show must go on even though I feel like [expletive] sometimes,” Grey remembers. “I have a lot of experience in the studio, performing onstage, talking to an audience. I learned most of that stuff when I was performing with my mom.”

“Love is the reason why my mother and father stick together in a hard life when they might each have an easier one apart; love is the reason why you choose a life with someone, and you don't turn back although your heart cries sometimes and your children see you cry and you wish out loud that things were easier. Love is getting up each day and fighting the same fight only to sleep that night in the same bed beside the same person because long ago, when you were younger and you did not see so clearly, you had chosen them.”

“Sometimes when I talk to little children I remind them of the fact that when I was growing up myself, I used to play with frog eggs and tadpoles and I used to walk in the field, I used to literally copy whatever my mother was doing on the land. And that may be the reason why I eventually developed the passion for green and for the Earth. So it is extremely important for adults and especially those who are in charge of cities to make sure that we do not lose touch with the land and with the environment. And especially our children.”

“Having children can smooth the relationship, too. Mother and daughter are now equals. That is hard to imagine, even harder to accept, for among other things, it means realizing that your own mother felt this way, too--unsure of herself, weak in the knees, terrified about what in the world to do with you. It means accepting that she was tired, inept, sometimes stupid; that she, too, sat in the dark at 2:00 A.M. with a child shrieking across the hall and no clue to the child's trouble.”

“Parents offer an open womb. More than anyone else in your life, mothers, and sometimes fathers, can kiss it, and make it well whentheir grown children need to regress and repair. More than anyone else in your life, mothers, and sometimes fathers, can catch you when you start to fall. When you are in disgrace, defeat, and despair, home may be the safest place to hide.”

“Philip Galanes has fashioned a novel both bleak and funny about a young man's struggle to sort out his troubled love: the too-strong love for his mother, the too-weak love for his suicidal father, and the all-consuming love of anonymous sexual encounters. Pointed and acute, this story tells of the narrator's many betrayals of others and their many betrayals of him. It exists in an uncomfortable moral space where the humor of terrible things sometimes outweighs, but never obscures, their poignancy.”