“Never did form more fairy thread the dance Than she who scours the hills to find it flowers; Never did sweeter lips chained ears entrance Than hers that move, true to its striking hours; No hands so white e'er decked the warrior's lance, As those which tend its lamp as darkness lours; And never since dear Christ expired for man, Had holy shrine so fair a sacristan.” MenHandsMovingFormChristHoursWhiteDarknessFlowerHolyFairsEarsLipsDearWarriorHillsFairyThreadLampsEntrancesChainedShrinesExpired Book:Madonna's child [a poem]. Source: Madonna's child [a poem].
“The neuro-biology of playing a musical instrument is completely scientific, but it’s also an absolute miracle, that you’re taking basically a calcium bucket filled with salt-water that’s run by a weak electrical signal, and you’re using it to move your flesh around in order to manipulate an instrument which disturbs air molecules between you and the listener, and then the listener’s ears picks up those disturbed air molecules which generates a weak electrical signal to their calcium bucket full of salt water, and they feel a feeling. That’s miraculous, and that’s where I live.” FeelsFeelingsRunningMovingOrderWaterAirPicksWeakEarsMiracleAbsolutesInstrumentsFilledMusicalFleshBiologySaltListenersSignalsManipulateMiraculousDisturbedMoleculesElectricalBucketsMusical InstrumentsCalciumSalt Water Author:Bob Brozman
“Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear. Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.” IfsThinkingGivingDifferentPlayMovingVoiceTermLinesInterestingEarsSuitsSpotsAlternativesMelodyChordsBass Author:Paul Simon
“The music of Gavin Bryars falls under no category. It is mongrel, full of sensuality and wit and is deeply moving. He is one of the few composers who can put slapstick and primal emotion alongside each other. He allows you to witness new wonders in the sounds around you by approaching them from a completely new angle. With a third ear maybe.” MovingFallSoundEmotionWonderEarsThirdsWitSensualityWitnessCategoriesComposerAnglePrimalSlapstick Author:Michael Ondaatje