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Musician Quotes

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Musician Quotes

“As a journalist, I never critiqued anyone. I never review books. I've never felt qualified as a musician to say whether someone is a good musician or a bad musician. What happens with Black writers and Black artists is that if you're critiqued, for example, by a Black historian who wants to get his name on the cover of "The New York Times," and he says something, like, wacky, well, he'll get his name on the cover of "The New York Times" and he might get tenure, and your career suffers.”

“If it wasn't for the British musicians, a lot of us black musicians in America would still be catchin' the hell that we caught long before. So thanks to them, thanks to all you guys. You opened doors that I don't think would have been opened in my lifetime. When white America started paying attention to the blues - it started opening a lot of doors that had been closed to us.”

“That was an idea of the record company, and also that was my first album after MCA and we wanted to come back with a strong album that would be noticed. If we put the vocals by very talented people and very meaningful songs, then the vocals would be a platform so that I could be noticed again. All of the MCA albums were just loaded with problems -- you know, the right musicians, the engineers. The record company would say 'You have to make music for black radio, you can't do what you have been doing with The Crusaders.' Everybody was telling me that was over, finished, done.”

“Books are frozen voices, in the same way that musical scores are frozen music. The score is a way of transmitting the music to someone who can play it, releasing it into the air where it can once more be heard. And the black alphabet marks on the page represent words that were once spoken, if only in the writer's head. They lie there inert until a reader comes along and transforms the letters into living sounds. The reader is the musician of the book: each reader may read the same text, just as each violinist plays the same piece, but each interpretation is different.”

“I was deeply influenced by the sartorial practices of both preachers and jazz musicians and actually Masha in Act One of Anton Chekhov, my favorite writer's master piece,Three Sisters,when she arrives reflecting on whether they're ever going to get to Moscow, memories of the death of their father, and she's in black, and she says I'm in mourning for the world, saying in part that I have a sad soul and a cheerful disposition.”

“In America, the poor have been invisibilised, because obviously this model of success that has been held out to the world must not show the poor, it must not show the condition of black people. It can only the successful ones, basketball players, musicians, Condoleezza Rice, Colin Powell. But I think the time will come when the Occupy movement will have to somehow formulate something more than just anger.”

“A lot of musicians are super - insecure and they take forever and they obsess over the minutia and it's really stifling. It's not that the band The Black Keys is that confident, it's that we're not striving for perfection. We are just trying to have fun. None of the music that we like is perfect. It's good. And real. We just want to make real records, flaws and all.”

“By that point, I was about 12, 13 years old. I was this young black kid into rock music, which was kind of strange. People would always assume I'd be into like more modern R&B, which is a stereotype, but that was kind of what was expected. And I had all these guitar magazines of all these musicians that didn't look like me. So I assumed Jimmi Hendrix was one of those.”

“Growing up, I'd already decided I wanted to be a beatnik. A Bohemian poet, I thought. Or a musician. Maybe an artist. I'd dress in black turtlenecks and smoke Gitanes. I'd listen to cool jazz in clubs, getting up to read devastating truths from my notebook, leaning against the microphone, cigarette dangling from my hand.”