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Musician Quotes

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Musician Quotes

“It is really sad for the new artists. Where's the next Elvis, where's the next Beatles, where's the Zeppelin? They're out there but they don't have a chance because once upon a time we [musicians of the 60s] had record companies, and they would support you and have point of purchase material and they would give you advances. In other words, they gave you the air to breathe to find yourself and spend the time to learn how to run.”

“One feature about Los Angeles that I particularly love is the chance for association with all kinds of creative artists, a thing I never before have had. I certainly do love a number of the writers, the painters, the musicians, and the sculptors that I meet here. ... Next to the sunshine, I appreciate it the most of anything in California.”

“For the moment, the jazz is playing; there is no melody, just notes, a myriad tiny tremors. The notes know no rest, an inflexibleorder gives birth to them then destroys them, without ever leaving them the chance to recuperate and exist for themselves.... I would like to hole them back, but I know that, if I succeeded in stooping one, there would only remain in may hand a corrupt and languishing sound. I must accept their death; I must even want that death: I know of few more bitter or intense impressions.”

“I like the communication and trust that comes from a long-term relationship. When you really know people as musicians and as people, you feel you can really count on them. That frees you to take more chances and ... it takes the music to a higher level. It translates into a better product for audiences. There are two levels to these relationships. The first level is being with guys for the first few years, you're getting used to guys - he's got this to offer, he's got that to offer, I don't like this, I do like this. You both praise them and are critical as you get to know one another.”

“Usually, I think it's best to play the song for them once and have them mix it up on the spot, because when the logical mind gets too involved, I think it kills a lot of magic. I just think the subconscious mind is so much smarter, and unfortunately, people do not trust their subconscious. A lot of people just don't access to all of that, the secret genius that's inside of them. And it's so much easier to get it out of a musician if you don't give them a chance to overthink.”

“I think that the current climate enables a lot of musicians to do relatively well. Twenty-five years ago, you could be a bass player in a folk-rock band and do pretty well - that sort of means that you're going to have to go get a day job. But a lot of my friends have learned how to write classical music for movies and produce other people and do remixes, and DJ and go on tour, and do all these different things. The more diverse their approach, the better their chances of actually having a career.”