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“I've been collecting photos for a long time, I mean since I started making money. But what you have had to go through to find a good photo is like a needle in the haystack sometimes. You'll drive from one gallery to the next gallery to the next gallery. It's not an easy process. It's a very ancient model that just hasn't caught up with the times.”

“I'm definitely in the market for being uncool. There was some funny stuff, like the thing about making sure I show people that I have tattoos and cigarettes so that they know I'm badass. But really, I do have tattoos! And I do smoke cigarettes sometimes, and I can't change that. But I am not badass, by any means. I do some stuff that's tongue-in-cheek, and some stuff that's on the line. And it could be funny, it could be serious, and I never even know myself, because it could be funny that day, and the next day it's totally embarrassing.”

“Sometimes having no script, having no idea what is going to happen next, having no map, might be the way to go. Because life just happens, and when it does, how you handle it will teach you more about who you are than any class or test ever can. The best preparation for the rest of your life is, maybe, no preparation at all. Dive right in. Make mistakes. Break a few rules. Wing it.”

“[E]volutionists sometimes take as haughty an attitude toward the next level up the conventional ladder of disciplines: the human sciences. They decry the supposed atheoretical particularism of their anthropological colleagues and argue that all would be well if only the students of humanity regarded their subject as yet another animal and therefore yielded explanatory control to evolutionary biologists.”

“Back at the Chateau Windsor there was a rat-like scratching at the door of my room. Vinod, the youngest servant, came in with a soda water. He placed it next to the bag of toffees. Then he watched me read. I was used to being observed reading. Sometimes the room would fill like a railway station at rush hour and I would be expected to cure widespread boredom”

“I've never had a block. I'm talking within the limits of my abilities. But in my own small way, I've had an embarrassment of riches. I'll have five ideas and I'm dying to do them all. It takes weeks or months where I agonize and obsess over which to do next. I wish sometimes someone would choose for me. If someone said, Do idea number three next, that would be fine. But I have never had any sense of running dry.”

“Moving forward will not be for the faint of heart. But if the next century witnesses failure, let it be because our science is not yet up to the job, not because we don't have the courage to make less random the sometimes most unfair courses of human evolution.”

“Avant garde" has become a ubiquitous label, eclectically applied to any type of art that is anti-traditional in form. At its simplest, the term is sometimes taken to describe what is new at any given time: the leading edge of artistic experiment, which is continually outdated by the next step forward.”

“Age continually alters the faces of those who think or study, and so their portraits differ from one another and don't even resemble them for very long. I dream so much and live so little that I'm sometimes only three years old. But the next day I'm three hundred, if the dream has been sombre.”

“Mutability is the badge of infirmity. It is seldom that a man continues to wish and design the same thing two days alike. Now he is for marrying; and now a mistress is preferred to a wife. Now he is ambitious and aspiring; presently the meanest servant is not more humble than he. This hour he squanders his money away; the next he turns miser. Sometimes he is frugal and serious; at other times profuse, airy, and gay.”

“I think [James] Joyce sometimes enjoyed misleading his readers. He said to me that history was like that parlor game where someone whispers something to the person next to him, who repeats it not very distinctly to the next person, and so on until, by the time the last person hears it, it comes out completely transformed. Of course, as he explained to me, the meaning in Finnegans Wake is obscure because it is a 'nightpiece.' I think, too, that, like the author's sight, the work is often blurred.”

“I make some movies for myself. I do that sometimes when the subject matter is very sensitive and very personal and I really can't imagine that I'm an audience member. I would lose myself too much if I thought of myself as the audience. There are other types of genre films that I need to be able to direct from the audience, to be right next to you watching the picture being made.”

“Sometimes I'll be confident and go into a shop and say, "Hello, yeah, all right," and then the next day, if someone looks at me or talks to me, I just don't know what to do. If you're walking down the street with a baseball cap, you might be fine. But if you're in a pub and you see someone look at you, you think the worst thing in the world now is if they come over. It's a really weird feeling.”

“Sometimes, people mistake fire in the belly for too much pepperoni pizza the night before. They make a great speech and people come up to them and tell them, "You could be president." And the next thing you know, they're running, not because they really ought to or have any shot at doing it, but because they have, you know, a handful of people that tell them they are looking at the next president.”

“Next, take a look at the quality of the people who surround you. Do these people back you emotionally, or not? If they don't back you, are they at least passive? If not, get rid of them. Sometimes it is hard to drop off your mates at the great bus stop of life. But remember, your energy will only rise in direct relationship to the number of things you are able to get rid of - not to the things you acquire. By getting rid of things, attitudes, encumbrances, and blocks of one kind or another, things fly.”