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“I am not sure just what Marx had in mind when he wrote that "philosophers have hitherto only interpreted the world in various ways; the point is to change it." Did he mean that philosophy could change the world, or that philosophers should turn to the higher priority of changing the world? If the former, then he presumably meant philosophy in a broad sense of the term, including analysis of the social order and ideas about why it should be changed, and how. In that broad sense, philosophy can play a role, indeed an essential role, in changing the world.”

“Allowing a non-lawyer to be on the Supreme Court strikes me as a very American thing, in a good way. Another is that the speaker of the house doesn't have to be a member of congress. He or she can be anyone. I'm not sure if James Madison really intended that, or if the wording was accidentally imprecise, but the Constitution, as a recall, simply says that the House shall chuse a speaker.”

“Just the fact that Hilary Clinton won the popular vote by such a large number gives some validation to the impulse to stand firm. If we don't, I think within a year administration is pretty much going to dismantle American society as we've known it. I'm not sure that we're able to stop it from happening, but I don't think people should just roll over and passively watch it happen.”

“I'm not sure I'm going to be that type of artist but I do love cultural icons. Like Solange has been really great at that. Releasing her album end of last year and being really strong in their sound, bands like Little Dragon, artists like James Blake. You know their music when you hear them. They have a really particular sound and it's really cultural and people copy that sound. You hear it in other songs and you're like 'That's a James Blake tune'.”

“Now in Wikipedia it's really interesting. If you put something incorrect up on Wikipedia within minutes there are people crawling all over that sentence saying, "This is wrong" or "I want to change this" or "You've got to include an amplification," et cetera. So there's this massive checks and balances that actually makes that accuracy work. This is the kind of model that we - and I'm not sure why no one's discussing this - that we now have to begin to apply to fake news.”

“I did Lois & Clark: The New Adventures Of Superman. It was a sequence where the president got captured and they made a doppelgänger of the president who was kind of goofy. They were Second City people who were the producers and writers, and they told my agent, "Well, we know Fred can do the kind of goofy, but we're not sure he can do be the straight president, kind of the Clinton-esque." So I really got my back up and I called my agent and I said, "Goddammit, I insist that I go in and read." And I did a great job and I got the part.”

“I'm not sure Riot Grrrl would have been as big a deal if the Internet had existed back then. Because there's so much stuff on the Internet. People could have been like, oh, whatever, I'm going to go look at pictures of Barbie vaginas, you know what I mean? There's so many different things on the Internet, you read one article and then you read something linked off that article and you go down the rabbit hole.”

“I'd like to ghost-write Liz Phair's novel. But I don't really know about that. It seems like a dignified thing to segue into as I approach the other side of 45. My hands are just full right now. There's the potential to try to write some kind of biography of Pavement - sort of a cryptic, nonfiction/fiction blowout. The story's never been told well. But that's a lot of inward-gazing that I'm not sure I want to do. I like to look out.”

“I was desperate to do more TV and film. Because I considered myself to be a theater creature. A theater animal. I was convinced that I was going to be onstage for the rest of my life. Because it's something I can really do. I thought I was pretty good at it, and it's kind of stupid, but I was concerned that people would go, "Oh yeah, he's very good onstage, I'm not sure he can do television."”

“I'm not sure that all books aren't that way. I think that might apply to any book I was writing. The book was kind of the product of this enormous infatuation I had, not only with the office and office politics, but with perspective, and trying to tell a story from as wide a range of perspectives as you possibly can. I tried to capture it all with the first-person plural, but once I settled on that, I used it to tell the story from as many angles as I could. I guess, to put it romantically, it was about a love affair with the craft of perspective.”

“I do feel that the world is entering into a period of the incredible period of reflection and introspection. A lot of people are questioning the future, and I can't help but think that's a positive thing. I'm not sure about the art world, but the design world may be able to offer some solutions. Design is about troubleshooting. As a designer, I ultimately feel like a gun for hire. Companies hire me because they've got a problem. That's kind of what it boils down to. And I think this is a moment in our history where we need different solutions.”

“I like what I see when I look in the mirror. If I get sentimental, I look and say, "Uh. It's a bad day. They beat up on me," this, that, and the other thing. But ya know? We've spent one billion trying to convince people to not smoke. It's been phenomenally successful. We've probably saved millions of lives. There aren't many people that have done that. So, you know, when I get to heaven, I'm not sure I'm gonna stand for an interview. I'm going right in.”

“As a producer, the only thing you have is an opinion - and if you don't trust your own opinion, then everything becomes vanilla. And for me I always say this to my producers, 'If you're not sure what to do, just ask me.' I'm not smarter and it's not that I know better, but I've probably already made that mistake. As far as TV goes, a lot of it is just troubleshooting and dealing with problems that come up. So that's the message for the younger kids coming up: don't be afraid to say, 'I don't know,' cuz' that's the smartest thing you can say.”

“I'll bet you there are a lot of Donald Trump people out there who say, "If he has to work with Democrats to get what he wants done, then so be it. Even when Trump did the first deal with Chuck Schumer and Nancy Pelosi on expanding the debt limit - and he talked about extending the debt limit forever 'cause it was such a good thing, Trump did." I had people saying, "You know what? I love it!" I'm talking about rock-ribbed, lifetime Republicans who said to me, "I love Trump sticking it to Mitch McConnell and Paul Ryan, but I not sure I like it being done this way."”

“I've always really loved big worlds and the kind of worldbuilding where you can open a portal into a new realm that feels full and complete. At the same time, I also really love history. So the combination of big worlds and history draws me directly into fantasy. Well, it should turn me towards historical fiction but I'm such a perfectionist about research that I'm not sure I could ever write a book in that genre properly. In fantasy, you have to have the same level of precision, but it's not as research-based. Plus, I get to write my little info sheets and draw my maps.”

“I'd love to do a song with Tom Waits. Around when I was like 17 or 18, my buddy, D-Money, put me on the Tom Waits and I literally at that point got every one of his albums and kind of studied his music. I like that he provides an entire world for the listener. He's hopefully someone that I could vibe with down the line. I'm not sure how it would sound or even how it could work, but he's always been a huge influence.”

“Donald Trump doesn't have clear contact with reality, though I'm not sure it qualifies as a bona fide delusion. He needs things to be a certain way even though they aren't, and that's one reason he lies. There can also be a conscious manipulative element to it. When he put forward, and politically thrived on, the falsehood of President Obama's birth in Kenya, outside the United States, he was manipulating that lie as well as undoubtedly believing it in part, at least in a segment of his personality.”

“If you look at figures, we have a good supply of doctors in Switzerland. They always say that in the future we shall have a lack of home doctors, family doctors. I'm not sure of that, but we have a problem of formation. Every year there [are] about 1,000 students beginning medical studies, and at the end of the formation there are only 600 young people getting the diploma. It means that about 40 percent of the students fail during the studies, although there is a selection at the beginning. Forty percent is too much as failure, so probably there is a problem in the formation, education.”

“Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money. There are also so many emotional aspects to money - feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.”

“Unfortunately, when you're working in film, it's this huge machine, and you've got to get everyone right there, so you get kind of locked into things. I'm not sure where the artistry in film making is. It's usually that moment when you're on set and you're working with the actors. That's the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It's upsetting because you get away from the core.”

“Sometimes, even when I'm writing the lyrics, I'm not sure what I'm getting at, but then months will pass and I'll listen to it and I'll understand it completely. I think I trust myself in that most of what comes out of me will be honest. Even if it seems like it doesn't make a lot of sense, I realize that it does. It's hard to follow, and maybe there's a lot of subtext to it that nobody knows, so it makes it impossible to follow.”

“I'm interested in dismantling the distinction between masculine and feminine writing both because I think it's a false distinction and, I think, ultimately an insulting one. It's as insulting to men as it is to women. I'm not sure what masculine writing would look like - I assume some combination of Ernest Hemingway and Raymond Carver. Writing can't be gendered in that way.”