“A great novel is concerned primarily with the interior lives of its characters, as they respond to the inconvenient narratives that fate imposes on them. Movie adaptations of these monumental fictions often fail because they become mere exercises in interior decoration.” CharacterFictionNovelFateFailingExerciseConcernedMereNarrativeInteriorsAdaptationDecorationInconvenientGreat Novels Author:Richard Schickel
“Personally I don't think there's any real intrinsic difference between comic books, movies, theatre, novels. I know there's sure to be some differences of some sorts. I've worked on novels, films, and video games, and in an adaptation, I guess one of the issues is that I have to be in love with the thing I'm adapting before I do it. So that can cause a problem. You can be too scared of it. You could be too reverential. But at the same time you want to try to capture this thing that you're obsessed by. You're fixated for a reason. What's the reason? You try to get ahold of it.” ThinkingKnowsWantTryingBookRealReasonProblemFilmGamesCausesDifferencesNovelIssuesScaredTheatreVideoComicObsessedCaptureComic BookAdaptationAdaptingMovie Theatre Author:Alex Garland
“A lot of period pieces we see are adaptations of novels - we always know the story.” KnowsStoriesNovelPiecesPeriodsAdaptation Author:Joanne Froggatt
“I could never be a part of an adaptation of a film where there's pressure to not disappoint the immense fan base. In those cases, they often wind up with filmed books on tape, quite uncinematic. Having said that, I'd say all the adaptations I've done are quite faithful to the original... You have to pick and choose which storylines and plot threads, because you don't have the time to kill in the film as they have in novels. All those pages with detours and plots and different storylines. But films add a lot, and you gotta keep it moving.” SaidBookDifferentDoneFilmMovingCasesNovelFansWindPagesPicksPressureOriginalsAddFaithfulPlotTapeImmenseThreadAdaptationDisappointDetoursStorylineTime To KillKeep It Moving Author:Alexander Payne
“Imitation both unconscious and conscious is par excellence the educational method of the family. It is plain that a considerable part of the adaptation of living beings to their environment, i.e., of beings that are born plastic, is passed on from generation to generation through imitation. Were this not so, much if not all of the road traversed by one generation would have to be travelled by the next generation from the very beginning and without short-cuts. Consequently there would be little chance for the novel adaptation, the propitious individual variation, that constitutes progress.” IfsLittlesWould BeNextIndividualBornChanceNovelEnvironmentCuttingProgressGenerationsConsciousMethodExcellenceEducationalUnconsciousPlasticImitationAdaptationNext GenerationVariationShort Cuts Author:Elsie Clews Parsons
“It [going from mini-series to series] was never even discussed because it [The Starter Wife] was, you know, an adaptation of a novel. And we - the mini-series encompassed the whole novel. And so it was always going to be a finite sort of event. And then I imagine when people started to really respond to the show and then we got ten Emmy nominations, USA sort of said, "Oh, I think maybe we have something here."” PeopleThinkingKnowsSaidWholeShowsNovelImagineEventsTenSeriesUsaFiniteAdaptationNominationsEmmys Author:Debra Messing
“To me, the ultimate crime in an adaptation is the crime of reverence. A novel is one form of media, a screenplay is another, and a movie is yet another. There's even reverence to a screenplay.” FormNovelMediaCrimeUltimateReverenceAdaptationScreenplays Author:Christopher McQuarrie