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Originals Quotes

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Originals Quotes

“We have a right to expect that the best trained, the best educated men on the Pacific slope, the Rocky Mountains, and great plains States will take the lead in the preservation and right use of forests, in securing the right use of waters, and in seeing that our land policy is not twisted from its original purpose, but is perpetuated by amendment, by change when such change is necessary in the life of that purpose, the purpose being to turn the public domain into farms each to be the property of the man who actually tills it and makes his home in it.”

“During his fifteen years in Italy, Hannibal never had enough elephants to suit him. Most of the original group succumbed to the climate, and he was always begging Carthage for more, but the people at home were stingy. They would ask if he thought they were made of elephants and what had he done with the elephants they sent before.”

“Indie record stores are as important to a touring musician as an incredible thrift store. I can't overstate how good it feels to place an original pressing of 'veedon fleece' in your most underused of shirts and pack it into your suitcase, anxiously awaiting the day you get home so that you can play it as though it was your reward or trophy from the long journey you had just finished embarking on.”

“The original necessity for the ceaseless presence of the woman to maintain that altar fire - and it was an altar fire in very truth at one period - has passed with the means of prompt ignition; the matchbox has freed the housewife from that incessant service, but the feeling that women should stay at home is with us yet.”

“Recently while browsing in a secondhand bookstore I bought a paperback copy of The Intellectual and the City, but I was unable to read it. When I got home I discovered that the original owner had highlighted the entire book - literally. Every line on every page had been drawn through with a bright green Magic Marker. It was a terrifying example of a mind that had lost all power of discrimination.”

“When philosophers use a word--"knowledge," "being," "object," "I," "proposition," "name"--and try to grasp the essence of the thing, one must always ask oneself: is the word ever actually used in this way in the language-game which is its original home?--What we do is to bring words back from their metaphysical to their everyday use.”

“Phil Cousineau has created a fine companion book to accompany the important film he and Gary Rhine have made in defense of the religious traditions of Native Americans. [Native Americans] are recognized the world over as keepers of a vital piece of the Creator's original orders, and yet they are regarded as little more than squatters at home. This book features impressive interviews, beautiful illustrations, and gives a voice to the voiceless.”

“I remember on a Friday afternoon getting a phone call from Grant Simmons saying, "Mike," we got to be pretty good friends; "Mike, the Sheriff is closing us down on Monday. If you'd like to drive into the studio tomorrow morning, you can have anything you want." So rather than go in and take home piles and piles of cels of Spider-Man what did I take home? Two pages of original art that got sent out to the west coast. Now of course if I'd have taken all the rest of that stuff home I could probably have retired a lot earlier.”

“The first video I shot for "A Zip and a Double Cup"â€"I have two versions, a remix video and a the originalâ€"because I wasn’t really trying to do anything. I just came home and got kind of high and shot a video in the parking lot. I just shot the video how I wanted to do it and posted it online and the next day it went crazy.”

“I grew up as a fan of the original Star Trek series. When I was in middle school, I think in the 6th grade, I remember going to a book fair and finding a book called The Making of Star Trek, by Stephen Whitfield, and I grabbed it and took and home and just devoured it, over and over again. It was a really influential book. It was very nuts and bolts.”

“I wasn't actually going to see the original film [Lord of the Ring], because I didn't think it was possible that a film could represent the books appropriately. So I was protesting, and I wasn't going to see them. And then my family all took a jaunt together, the entire family, to see the movies, and were like, "What, you're just going to stay home?" So I saw the movies and was thoroughly impressed that Peter Jackson managed to make my vision of the book come to life, as well as my sister's and my father's, and my aunt's and my uncle's, everyone's.”

“Our Government is fostering economic growth in Kitchener, Cambridge and all of the Waterloo Region by investing in our innovative businesses. Today's announcement is a great example of how we are helping high-potential companies bring great ideas to market faster. Helping our entrepreneurs and original thinkers export their products and services to the rest of the world creates jobs, growth and economic prosperity here at home.”

“The first scene I shot on The Originals was the one with Phoebe, Charles (Michael Davis), and Andy Lees when we are plotting our plan and surveying the map and plotting our grand "break in." It was a relatively light scene which was nice because I was able to warm up a bit and get comfortable with being around the new crew. They were all very kind and helpful and I felt pretty at home after a few takes.”

“The war on drugs causes other supplemental crimes to take place because of the original illegality of it. But then again, that's the other reason that they're fighting it is the corporate prisons they have now. Because they've privatized all our prisons, corporations have to make money, and the only way they can make money is, I believe, the prisons have to be at least 80-90 percent full. That's why the United States - which is home of the brave, land of the free - we have more people in prison than any other country in the world.”

“We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.”

“By remaining constrained in one's environment or country or family, one has little chance of being other than the original prescription. By leaving, one gains a perspective, a distance of both space and time, which is essential for writing about family or home, in any case.”