“I used to split my time between writing, music and painting. I would work on a book and then abandon it, start a band, do an album, quit music, then do a gallery show. Eventually I decided to give writing a serious shot.” GivingWritingBookShowsUsedPaintingSeriousBandShotsDecidedAlbumsQuittingMy TimeAbandonSplitsGalleryWriting Music Author:Isaac Marion
“People look at film in a gallery, and if they walk out after two minutes they know they haven't seen the whole work. But then people look at a painting for two minutes and think they've seen it. Certain paintings are made to be consumed fast. But some require a slowed-down time. You have to go back to them.” PeopleIfsThinkingKnowsLooksMadeTwoWholeFilmCertainWalksMinutesHavensPaintingConsumedGalleryDown Time Author:Julie Mehretu
“Entering into the spirit of this interior, you will discover the best possible atmosphere in which to show fine paintings or listen to music. It is this atmosphere that seems to me most lacking in our art galleries, museums, music halls and theaters.” ArtShowsSeemsSpiritPaintingFineTheaterAtmosphereHallsMuseumsLackingInteriorsEnteringListening To MusicGalleryArt GalleriesMusic Hall Author:Frank Lloyd Wright
“The paintings in our galleries are seen one day in bright sunshine and another day in the dim light of a rainy afternoon, yet they remain the same paintings, ever faithful, ever convincing. To a marvelous extent they carry their own light within. For their truth is not that of a perfect replica, it is the truth of art.” ArtLightTruthPerfectPaintingTruth IsOne DayFaithfulSunshineAfternoonMarvelousConvincingGalleryRainyAnother DayLight WithinReplica Author:Ernst Gombrich
“I use the gallery as if it were a doctor. I come for ideas and help - to look at situations within painting, rather than paintings.” IfsLooksIdeasHelpingUseSituationPaintingDoctorsGallery Author:Lucian Freud
“If I had to spend equal time doing paintings, and equal time going to galleries and doing art business, and equal time making music, and equal time going to record companies, or to the publicist or to the lawyer, forget it. It would take four times as long to do all that stuff. Unless I had a patron. That's why Leonardo da Vinci was successful. He had the Medicis, right?” IfsLongArtStuffForgetCompanySuccessfulRecordsFourPaintingEqualLawyerForget ItGalleryRecord CompaniesPatronLeonardoPublicists Author:Debbie Harry
“It doesn't matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serve a great cause: accretion of the national wealth.” MayBookMatterTogetherCausesWealthPaintingLibraryGood BookGallery Author:Anton Chekhov
“At one point Trudeau mentioned to me that the National Gallery wanted to buy a masterpiece by the great Italian painter Lotto, and it needed a million dollars from the Treasury Board. "Is that Lotto-Quebec or Lotto-Canada?" I joked, but I got the message, and the National Gallery got the painting.” WantedMillionsPaintingNeededMessagesDollarsPainterBoardsCanadaItalianMasterpieceGalleryMillion DollarsTreasuryQuebec Author:Jean Chretien
“It's absolutely irrelevant what galleries and critics and people who buy your paintings think. They just don't have any possible idea of what happens to you and they're really not that interested. As a matter of fact, they hate the idea that anything really happens to you. They want you to be a genius and that's it.” PeopleThinkingWantIdeasMatterFactsHappensHatePaintingGeniusCriticsIrrelevantGalleryMatter Of Fact Author:Milton Resnick
“Painting, by its nature, cannot provide an object of simultaneous collective reception... as film is able to do today... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism.” GivingMeanHas BeensMadeTodayAbleFilmEffortAttitudeComedyObjectsPaintingMassResponseCollectivesDisplayGallerySurrealismReceptionSimultaneousSalonsSlapstick Author:Walter Benjamin
“Galleries in the West have probably been looking for exoticism. That's the reason my paintings initially sold well, I think. And then once they started selling, people said my works were very detailed. They may have represented something Japanese to them.” PeopleThinkingWellsMaySaidReasonPaintingWestSellingGallery Author:Takashi Murakami
“I go into a gallery or museum, and I realize that I don't have to formulate any opinions if I don't want to. I don't have to think this thing through and write about it at any great length. I can think about it if I want to; if not, I can just walk out. So I can enjoy painting really a lot more than I could when I had that sort of pressure.” IfsThinkingWantWritingI CanEnjoyRealizingWalksOpinionPaintingPressureLengthMuseumsGallery Author:Tom Robbins
“If I go to the National Gallery and I look at one of the great paintings that excite me there, it's not so much the painting that excites me as that the painting unlocks all kinds of valves of sensation within me which return me to life more violently.” IfsLooksKindPaintingReturnAll KindsSensationsGalleryValve Author:Francis Bacon
“Men who are offenders of street harassment and women who experience street harassment can walk by and feel something about it, because it's out there in the environment where the harassment actually happens. So it's a lot more powerful than an oil painting that's stuck in a gallery or under my bed or in my studio where only a couple of eyes are going to see it, as opposed to it being in an environment where it could possibly effect a change.” MenFeelsHappensEyeWalksPowerfulEnvironmentStreetsEffectsPaintingCoupleBedStudiosOilStuckGalleryHarassmentOffendersOil PaintingStreet Harassment Author:Tatyana Fazlalizadeh
“I enjoy thinking about how paintings can change depending on where they are - how they look in a gallery or in relation to other paintings, or in different rooms. Paintings can change the way we experience and see the world.” ThinkingWorldWayLooksDifferentEnjoyRoomsPaintingRelationGallery Author:Stephen Beal
“I should also mention that the Neue Galerie is piping music into the galleries where "Klee and America" is hanging, a practice for which vulgar is not even close to the word. Yes, I like Schumann's Carnaval, but I'm damned if I know why anybody thinks the paintings of Paul Klee profit from being viewed with Carnaval playing in the background.” IfsThinkingKnowsShouldAmericaPracticePaintingProfitBackgroundsVulgarGallerySchumann Author:Terry Teachout
“I think about my art works as paintings, because they refer to the history of painting. I also have to think about them as sculptures, because every part of the process is part of the project. They're sculptures because they play on the idea of what should be hanging in a gallery. In that sense they're also kind of ready-mades.” ThinkingShouldKindArtMadeIdeasPlayProcessPaintingReadyProjectsSculptureGallery Author:Cory Arcangel
“The world shows up for us, but it doesn't show up for free. We must show up, too, and bring along what knowledge and skills we've cultivated. As with a painting in a gallery, the world has no meaning-no presence to be experienced-apart from our ability to engagement with it.” WorldShowsAbilityPaintingSkillsEngagementGallery Author:Alva Noe
“That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.” IdeasShowsTogetherFiguresPaintingWallPaintManageColourWorking TogetherGalleryRenaissanceWhitechapel Author:Nan Goldin
“The first exhibition that I used bright colours in painting the room was at a gallery in Paris, and there were seven rooms in the gallery. It was very nice gallery, not very big rooms, around the courtyard, it was a very French space. So I painted each room in different colour. When people came to the exhibition, I saw they came with a smile. Everybody smiles - this is something I never saw in my work before.” PeopleFirstsDifferentBigsUsedSpaceRoomsSawsNicePaintingSevenParisColourGalleryVery NiceExhibitionsDifferent Colours Author:Michael Craig-Martin