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Path Quotes

“Under that light rain, beaming in the night game, can't stop now, keep moving, no brake pads. Came here to prove a point, live my life on the field, make history in between the base paths. And compete against the fear that is in me, that's my only barrier and I swear I'm going to break that. From the mud, the cleats that we dragged through the feet, this is that moment and you cannot take it back... This is what you make of it, yeah we play to win, live it like we're under the lights of the stadium. Fight, until the day that God decides to wave us in, right, until he waves us in.”

“I was doing great plays. It wasn't changing the world. I was getting good agents and doing film and TV and I wasn't happier. I was like "Wow, there is an unease inside of me." And that led me back on my kind of more spiritual path to the Baha'i faith in a new and fresher way and I came to also understand at that point that there was no difference between being devout and being an artist. There is no difference between creativity and spirituality and philosophy and that is what Soul Pancake, the book, and SoulPancake.com are about is: it's all about human expression and it's about seeking to transcend.”

“I think of my father growing up in South Jersey, the son of second-generation German immigrant glassblowers. The opportunities for him of feeling that aspiration, that yearning, get out of the small town, connect to a larger world, get yourself to New York, wanting to play the piano at every opportunity, bonding with people who were on a similar path, ending up in Provincetown, which was kind of nexus for nonconformity, and artistic dropout reality.”

“Whatever else you do or forbear, impose upon yourself the task of happiness; and now and then abandon yourself to the joy of laughter. And however much you condemn the evil in the world, remember that the world is not all evil; that somewhere children are at play, as you yourself in the old days; that women still find joy in the stalwart hearts of men; And that men, treading with restless feet their many paths, may yet find refuge from the storms of the world in the cheerful house of love.”

“The producer beating a new path for himself through the wilderness is going to do the thing 'differently,' of course. But after a while, he looks about him. The territory is unfamiliar, the forest ahead forbidding. Just how 'different' dare he be? He looks at his resources, and then at the established successes of the past. He suddenly realizes he must play safe, be sure. The unknown is a gamble; the known isn't-at least comparatively. The safest plan, obviously, is to follow the trailblazers. So he produces an imitation of one of the current successes. Usually it is a mediocre imitation.”

“I sometimes like to think of God as a great symphony and the various spiritual paths as instruments in an orchestra. The gift that you have is like music waiting to be played. You need only to find the instrument that will best bring it out. You alone can never play all the instruments, and your music might not find voice in all the instruments. All you can do is find the instrument that suits you best, play it as well as you can, and add your music to the great symphony of divine creation.”

“Religion restricts the play of choice and adaptation, since it imposes equally on everyone its own path to the acquisition of happiness and protection from suffering. Its technique consists in depressing the value of life and distorting the picture of the real world in a delusional manner - which presupposes an intimidation of the intelligence. At this price, by forcibly fixing them in a state of psychical infantilism and by drawing them into a mass-delusion, religion succeeds in sparing many people an individual neurosis. But hardly anything more.”

“One path I've used a lot is to deeply and thoughtfully consider a trope or a tradition, and then set about taking it apart - but only in the service of a character or story that deserves it. Another path I often employ is to put form into "play" - to set it free from its ordinary constraints and let it be free-floating and broken-apart and rearranged.”

“For every show that we do, anyone that rides public transit, bikes, or walk, we offer them a $5 voucher at the merch table. It gets people using the infrastructure in the area. Hopefully, the venues where we play will lobby city council and say, we need bike paths, sidewalk repair. That stuff affects so many people's lives.”

“The reason I make art is because I get to make a choice about who I am, what I do, and what I put out into the world, the footsteps I leave behind. It's a cliché for a reason - we all kind of work our own paths through the woods. There are not a lot of paths through the woods for someone who sings, plays the cello, and wants to tour on a human scale and create change in the world. I'm on my own path. It's pretty awesome.”

“Perhaps Westerners are in a better position to practice true renunciation than uneducated Orientals because most Western people, by the time they come to the Dharma, have led a pretty full worldly life with lots of sensual pleasures, money and lots of toys to play with. They have seen that the path of accumulation of worldly treasure does not lead to happiness or contentment. That's why they come to the Dharma.”