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Photography Quotes

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Photography Quotes

“A photograph is a universe of dots. The grain, the halide, the little silver things clumped in the emulsion. Once you get inside a dot, you gain access to hidden information, you slide into the smallest event. This is what technology does. It peels back the shadows and redeems the dazed and rumbling past. It makes reality come true.”

LittlesDoeRealityPastUniverseTechnologyEventsInformationPhotographyShadowGainsPhotographAccessSilverGrainSmallestSlidesDotsDazed
Book:Underworld: A Novel
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“Essentially, in photography, I think on two levels: one emotional and the other technical. The emotional impact has to do with looking for something dramatic happening in the photograph, something that reaches out and touches somebody in some way. And the technical is having to do with composition and framing - light and dark, light and shadow.”

ThinkingWayTwoLightDarkLevelsEmotionalPhotographyHappeningsShadowImpactPhotographDramaticReach OutCompositionLight And DarkFramingLight And Shadow
Author:Leonard Nimoy
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“And I was very successful at baby photography... Strange isn't it? Because some of my portraits of babies were - I used dramatic lighting, shadow lighting, and I didn't use flash. We didn't have flash in those days, we just had floodlights, and I was photographing babies as I would an object - an inanimate object, for that matter.”

MatterUseUsedSuccessfulObjectsStrangeBabyPhotographyShadowDramaticFlashPortraitsLightingInanimate Objects
Author:Julius Shulman
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“Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or that shadow, or the light).' As a matter of fact, I almost never wait, that is, unless I can see that the thing will be right in a few minutes. But if I must wait an hour for the shadow to move, or the light to change, or the cow to graze in the other direction, then I put up my camera and go on, knowing that I am likely to find three subjects just as good in the same hour.”

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Book:Edward Weston on photography
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“It is not merely the likeness which is precious... but the association and the sense of nearness involved in the thing... the fact of the very shadow of the person lying there fixed forever! It is the very sanctification of portraits I think - and it is not at all monstrous in me to say that I would rather have such a memorial of one I dearly loved, than the noblest Artist's work ever produced.”

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Book:Elizabeth Barrett to Miss Mitford: the unpublished letters of Elizabeth Barrett Barrett to Mary Russell Mitford
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