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Pieces Quotes

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Pieces Quotes

“The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible.”

“We're in this strange age where we can't say 'I love you,' at least not sincerely. It's something where, if you simplify it, the whole point of trying to capture it would sort of make it dead. The fragmented thing can create a situation where the holes between the pieces of the puzzle can be filled with meaning, and thereby you get a greater sense of complexity or feeling.”

“Fortunately, I'm able to make a living from comics, so I'm privileged enough to be quite choosy, though most cartoonists can't afford to be. It's really an uncomfortable situation, since I'm not an illustrator, though I do get calls from morally indefensible businesses offering me money to decorate their ambitions. It's extremely rare, almost unheard of, in fact, that I am asked to do a comic strip. Do writers get calls to pen Toyota advertisements? Do composers get asked to write chamber pieces about exercise machines?”

“There are so many different kinds of people in America, with so many different boiling points, that we don't know how to fight with each other. The set piece that shapes and contains quarrels in homogeneous countries does not exist here. The Frenchman is an expert on the precise gradations of espèce de and the Italian knows exactly when to introduce the subject of his other's grave, but no American can be sure how or when another will react, so we zap each other with friendliness to neutralize potentially dangerous situations.”

“Judged by the stark, sure-footed portrait in Hard Time, Brian Azzarello and Richard Corben clearly have John Constantine down, cold and to the life. Azzarellos grasp of pacing, character and situation resonates through every scene with a black crystal clarity thats short of masterful, while Corben contributes what is, perhaps, one of the most darkly expressive pieces in a long, already-legendary career.”

“All these soft kinds [of stone] have the advantage that they can be easily worked as soon as they have been taken from the quarries. Under cover, they play their part well; but in open and exposed situations the frost and rime make them crumble, and they go to pieces. On the seacoast, too, the salt eats away and dissolves them, nor can they stand great heat either.”

“View life as a learning opportunity. Ask God what He wants you to learn from the situations you face. . . . When we set aside specific time to listen, He often encourages us with His presence and promises, and interprets to some degree the circumstances of life. Take advantage of the natural lull after hard times when you're pulling together the pieces to sort through the events and ferret out the lessons.”

“Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.”

“I think there's always pieces of yourself that bleed into your character. That's inevitable. In some ways, we have similarities, but in other ways, we're completely different. It's hard to say because I'm an actor living in a world where we're all pretty privileged, and this guy is fighting for his life. They're very different circumstances. Within those circumstances, there are probably ways that we react to certain situations that are similar.”