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Pieces Quotes

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Pieces Quotes

“Music's always part of my writing. I think all art is interconnected. You can't create or experience one without its influences bleeding into another. In my writing, music's mostly something that feeds my inspiration and mood while I'm writing, but it's also taught me how to score scenes and even novels. The rise and fall of the storyline echoes the flow of a good piece of music.”

“You may well ask why I write. And yet my reasons are quite many. For it is not unusual in human beings who have witnessed the sack of a city or the falling to pieces of a people to set down what they have witnessed for the benefit of unknown heirs or of generations infinitely remote; or, if you please, just to get the sight out of their heads.”

“Faith is the backbone of the social and the foundation of the commercial fabric; remove faith between man and man, and society and commerce fall to pieces. There is not a happy home on earth but stands on faith; our heads are pillowed on it, we sleep at night in its arms with greater security for the safety of our lives, peace, and prosperity than bolts and bars can give.”

“There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word—tension—has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end—is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be?”

“Love is like a teacup that every day falls to the ground and breaks to pieces. In the morning the pieces are gathered and with a little moisture and a little warmth, the pieces are glued together, and again there is a little teacup. He who is in love spends life fearing that the terrible day will come when the teacup is so broken that it can no longer mended.”

“Flyfishing, which has a vaguely mystical aura, is a lot like work. I'm a frenetic flyfisherman. I wade up and down streams, looking for good spots, usually falling and breaking some piece of equipment. Or I stand still and work myself into a frenzy about what fly I should use. I love fishing, but it has never given me a moments peace.”

“Making this movie as a period piece about a period that was very recent in people's minds. I was in Taiwan [during the 1970s], so I hope I did all right. Otherwise, it could be the biggest embarrassment of my life. Also, the story is not linear, it's patchy, like a cubist painting, and there is always the possibility it will not hold together, it will fall apart. The tone is part satire, part serious drama, part tragedy, all mixed together, and it has to hit an emotional core. That's also very scary.”

“My favorite piece of information is that Branwell Brontë, brother of Emily and Charlotte, died standing up leaning against a mantelpiece, in order to prove it could be done. This is not quite true, in fact. My absolute favorite piece of information is the fact that young sloths are so inept that they frequently grab their own arms and legs instead of tree limbs, and fall out of trees.”

“There's only one way for an individual to remain upright, not to fall to pieces, not to sink into the mire of self-oblivionorself-contempt. That's calmly to turn away from everything, to say, "Enough!" and, folding one's useless arms across one's empty breast, to retain the ultimate, the sole attainable virtue, the virtue of recognizing one's own insignificance.”

“I do very, very, very simple, skimpy doodles, nothing too committed. Because people tend to fall in love if they like it - if you color it in and they like it, then they want exactly those colors, even if they were just indications. You really have to do it as simple as possible so they can concentrate on the idea and composition. And then all of the energy goes into making the final piece. And the final piece can be anything - it can be a drawing, a painting, a collage - and usually, it's obvious what that should be. Usually, the idea dictates what medium you use.”

“A work of art contains its verification in itself: artificial, strained concepts do not withstand the test of being turned into images; they fall to pieces, turn out to be sickly and pale, convince no one. Works which draw on truth and present it to us in live and concentrated form grip us, compellingly involve us, and no one ever, not even ages hence, will come forth to refute them.”

“Love can be a huge mountain, a gentle garden, a raging storm, a cool breeze, or a perfect bath. But there is always fire somewhere nearby. There is always the red-hot stuff of the soul's initiation. If there isn't fire, then it isn't love ... If it doesn't insist that you move to your next level, if it doesn't take your heart and make it explode in a million pieces, only to fall back together again in some Moment of enlightened understanding, then you haven't really loved.”

“And ultimately, it's good for all of us to have more original programming on the air. Business doesn't drive the creative. So, in identifying a project like Dovekeepers, looking at something like Extant and looking at Under the Dome, it was about falling in love with a piece of material, getting excited by the creative direction, hearing a vision, and getting excited about the potential for those projects and building the business model around it. And they're not all modeled the same way. Every one is different.”

“If you're able to build from your falls you'll be unstoppable and damn near fearless. You see, every time you fall down and get back up, you add another piece of body armor to yourself. You learn what not to do, how to do better, and how to create comfort through practice.”