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Pieces Quotes

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Pieces Quotes

“But the proles, if only they could somehow become conscious of their own strength, would have no need to conspire. They needed only to rise up and shake themselves like a horse shaking off flies. If they chose they could blow the Party to pieces tomorrow morning. Surely sooner or later it must occur to them to do it? And yet --!”

“You need to keep reminding yourself that you are a Divine piece of God. Feeling as if you're unworthy of God's abundance is the same as denying your spiritual essence.”

“The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible.”

“Many [business] people focus on what is static, black and white. Yet great algorithms can be rewritten. A business process can be defined better. A business model can be copied. But the speed of execution is dynamic within you and can never be copied. When you have an idea, figure out the pieces you need quickly, go to market, believe in it, and continue to iterate.”

“I have never written a musical. I have never written a weird, interactive piece of theater. I wanted to do something that would be disturbing. It will be disturbing theater with songs. There will be no people on wires. That's probably the next one of those things on my bucket list of things that I need to write before I get hit by that car.”

“You, just as you are, and your life here, right now, are all there is and all you need to know. You don't have to do anything special. Mostly, you have to be open to meeting face to face, and even dancing with, the truth that pertains to your life right now. You have to find a way to collect your fractured pieces, examine them, and the accept them as part of who you are. Spiritual practice is about transformation, but it's also, and more importantly, about working with what is.”

“A piece of literature can be many things but first of all it must capture its audience. You need to seduce people, entice them into a world of beauty and horror, light and shadow, of passion, of romance, of mystery. That's the magic of it. Beyond that, of course, you can open a dialogue about the ideas which interest you, but first of all you absolutely must get inside people's minds.”

“Every effort therefore must be made to perpetuate prosperity. And, since that is to the advantage of the rich as well as the poor, all that accrues from the revenues should be collected into a single fund and distributed in block grants to those in need, if possible in lump sums large enough for the acquisition of a small piece of land, but if not, enough to start a business, or work in agriculture. And if that cannot be done for all, the distribution might be by tribes or some other division each in turn.”

“Nobody understands that by the time the addiction has set in the alcoholic is mandated to drink ... he cannot not drink! Nobody wakes up in the morning and says, 'Jiminy Cricket, I feel sensational! My life is really in great shape! I think I'll become an alcoholic!' I firmly believe that when a shaking-to-pieces alcoholic says he needs a drink or he will die, he means it.”

“If you are too overwhelmed, then when you sit down and try to write something, it feels forced. There's nothing worse than forced music. I mean, this world has enough of that right now, where it's basically McDonald's making music. 'Everybody needs another hamburger and fries.' Here's a piece of crap that nobody's gonna care about it two years.”

“In any case, once you're dealing on a nonverbal level, ambiguity is unavoidable. But it's the ambiguity of all art, of a fine piece of music or a painting - you don't need written instructions by the composer or painter accompanying such works to 'explain' them. “Explaining” them contributes nothing but a superficial 'cultural' value which has no value except for critics and teachers who have to earn a living.”

“Whatever is being investigated, created or produced now, in movies or TV, needs to consider the context in which it is being distributed. It's not a vacuum. There are certain universal themes of love, conflict, loyalty or family that are everlasting and that need to be presented in a way that makes it feel relevant, even if it's a period piece. You need to consider what context that film, that story and those characters are being seen in.”

“What you need to know about the next piece is contained in the last piece. The place to learn about your materials is in the last use of your materials. The place to learn about your execution is in your execution. Put simply, your work is your guide: a complete, comprehensive, limitless reference book on your work.”

“Marriage can be whatever you define it as. For example, I don't feel like I need a piece of paper that says I own her and she owns me. I think signing a piece of paper doesn't mean anything in the eyes of God or in the eyes of people. The thing is, if you are together and you love each other and are good to each other, make babies and all that, for all intents and purposes you are married.”

“I fell in love with the classical crossover genre when I was on AGT. I found out that I could use the microphone to establish a deeper intimacy with the audience. I did not portray an opera character; I was my true self. I would sing a four-to-five minute piece for the audience and then I could talk to them and say "Hi" to them! I would not need to act out scenes where my character was dying from tuberculosis or killing somebody else on stage, I could have a nice conversation with them.”

“I ordered a club sandwich, but I'm not even a member. "I like my sandwiches with three pieces of bread." "Well, so do I!" "Then let's form a club." "OK, but we need some more stipulations. Instead of cutting the sandwich once, let's cut it again. Yes, four triangles, arranged in a circle, and in the middle we will dump chips." "How do you feel about frilly toothpicks?" "I'm for 'em!" "Well, this club is formed."”

“The concept of who your audience is becomes more important than your site. Sometimes you can be commissioned to do a piece in Strasburg, and it works. Sometimes you're commissioned to do a piece somewhere else and it doesn't work, but then it moves to another city, the people embrace it, and becomes part of them. You just misjudged the needs of the people. Art is about giving people material and things to work with to fulfill whatever needs they have.”