“Different people have different styles, but there is an opportunity as a director to be a writer in every moment, with every visual cue and every piece of production design. Everything is a decision, and everything can be obsessed over.” PeopleDifferentMomentsOpportunityDecisionPiecesStyleDesignDirectorsProductionsObsessedVisualsDifferent PeoplesDifferent StylesProduction Design Author:B. J. Novak
“I think that there's a strong crossover in that Janis, studying the visual arts, was learning how to break it down into details and see how to get the expression that we wanted. And her visual art is emotionally expressive as her singing was. And, I think, when she switched over to singing, she already knew that it was something serious that you broke into pieces so she developed the ability to break it down and learn little riffs that she could throw in here and there.” ThinkingLittlesArtWantedStrongAbilityBreakStudyPiecesSeriousExpressionSingingArt IsDown AndDetailsBrokeVisualsHere And ThereExpressiveVisual ArtCrossover Author:Laura Joplin
“Symphony is the ability to see the big picture, connect the dots, combine disparate things into something new. Visual artists in particular are good at seeing how the pieces come together. I experienced this myself by trying to learn to draw.” TryingBigsTogetherArtistAbilityPiecesSeeingParticularDrawsVisualsSomething NewSymphonyDotsBig PictureVisual ArtAbility To SeeVisual Artist Author:Daniel H. Pink
“Music is relegated to an underground, relatively obscure group of listeners. It's partly because of the nature of the medium. With a piece of visual art, you can look at something ugly, brutal and in your face, but it's kind of - there it is. It doesn't take you over in the same way that putting on the music at a certain volume does.” WayLooksKindDoeArtFacesCertainPiecesGroupsMusic IsUglyMediumsVisualsYour FaceBrutalVolumeListenersObscureVisual Art Author:David Byrne
“For me, as a music fan, visuals kind of steal away the purity of the song. My instinct is not to provide a visual to go with a piece of music. But here's MTV. It's really powerful.” KindSongPowerfulPiecesFansInstinctStealingPurityVisualsMtvReally PowerfulMusic Fans Author:Michael Stipe
“We are obliged to steal pieces of language, both visual and textual.” LanguagePiecesStealingVisualsObliged Author:Barbara Kruger
“I find music the the clearest and easiest way in to what a movie will feel like - more so than visual references or other movies or dense dossiers of research material. Every now and then I'll send a piece of music or two to people I'm working with - actors or heads of department - when I think it'll help them get a sense of the kind of movie I'm proposing. Often those pieces will end up in the movie - sometimes they won't.” PeopleThinkingWayFeelsKindTwoEndsSometimesHelpingActorsPiecesMaterialsResearchVisualsDepartmentNow And ThenDense Author:David Michod
“During the preproduction when I'm shooting and then once we wrap we go away. And then the visual effects guys take over. And then they add all those little bits and pieces. They come up with ideas during the cut in the editing, and they said while would be really cool if we did this thing here where the blade pops out. So then you see the movie and say wow that's a really neat idea. I wish we would have thought of that.” IfsLittlesSaidIdeasWould BeGuyWishBitsPiecesCuttingEffectsLittle BitAddCome UpPopsShootingVisualsGoing AwayWowEditingThey SaidBladesWrapsReally CoolNeatBits And PiecesVisual Effects Author:Gregory Nicotero
“Most screenplays, most motion pictures, owe much more to the screenplay. Ingmar Bergman has such an economy of language, so little language in his piece, it is so visual, his moods are introduced and buttressed by camera rather than by word or character. But again, that's unique.” LittlesCharacterLanguageEconomyPiecesUniqueCamerasMoodVisualsScreenplaysMotion PicturesBergman Author:Rod Serling