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Public Image Quotes

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Public Image Quotes

“When identity is derived from projecting an image in the public realm, something is lost, some core of identity diluted, some sense of authority or interiority sacrificed. It is time to question the false equivalency between not being seen and hiding. And time to reevaluate the merits of the inconspicuous life, to search out some antidote to continuous exposure, and to reconsider the value of going unseen, undetected, or overlooked in this new world. Might invisibility be regarded not simply as refuge, but as a condition with its own meaning and power? Going unseen may be becoming a sign of decency and self-assurance. The impulse to escape notice is not about complacent isolation or senseless conformity, but about maintaining identity, propriety, autonomy, and voice. It is not about retreating from the digital world but about finding some genuine alternative to a life of perpetual display. It is not about mindless effacement but mindful awareness. Neither disgraceful nor discrediting, such obscurity can be vital to our very sense of being, a way of fitting in with the immediate social, cultural, or environmental landscape. Human endeavor can be something interior, private, and self-contained. We can gain, rather than suffer, from deep reserve.”

“Here was my generation; lost of all hope, bereft of all ideas, struggling between a desire to be left alone, and a push by the crowd to be out in the crowd itself; to be there, captured in a photograph, swinging between dances and clubs and selfies in late-night booze ups between this side of heaven and the not-so-great other side; flung out onto walls and celebrated as celebrities, silent and still in cheap all-night bars; cheap nights and cheap regrets; no religion; post-morality; losing out on cold winter mornings with outcasts and nerds despised by a growing group of same-thinkers, self-fostering a public image of themselves; when their private lives were oh so sad and lonely, scrolling through feeds of parties they were at or were never at all, hoping to God that their dreams would still exist come morning.”

“if there is one place in the United States where private styles make up for public images, it is San Francisco, where all lapsed lovers of America, even loyalists like me experiencing spasms of disillusionment, should be taken for refresher courses. The tides of all-American conformity beat vainly against the San Franciscan rock.”

“If I could get any semblance of, not really anonymity, but control over my public image, that would be nice. But no, I think it's impossible [to maintain that], for one thing. I don't think anyone can do that, apart from Denzel Washington. It's a strange place that the film industry is at, where you can just play superhero after superhero.”

“What happened in the 80's was that all the men died of AIDS. That was a particularly depressing time because so many people passed away and it was a very desperate and lonely time, so I think a lot of people felt that we were somehow, unreceived. Not only by the disease but also by the public image of the disease. It really gave homophobia a real shot in the arm and changed the way people viewed gays, queers. It became an entirely different atmosphere.”

“Anyway, my office is small - one room, but on the corner, with a couple of windows. The sign on the door reads, simply, HARRY DRESDEN, WIZARD. Just inside the door is a table, covered with pamphlets with titles like: Magic and You, and Why Witches Don't Sink Any Faster Than Anyone Else - a Wizard's Perspective. I wrote most of them. I think it's important for we practitioners of the Art to keep up a good public image. Anything to avoid another Inquisition.”

“Essentially, I'm a very real person; good and bad. And the public image is one of being very good, I suppose. But one of the reasons I'm attracted to people like Martin Luther King, Jr., Gandhi, Christ, to pacifism, is because naturally, I'm the guy that would not turn the other cheek - but, when people see you're attracted to that, they think you are that.”

“‎Reading good literature is an experience of pleasure...but it is also an experience of learning what and how we are, in our human integrity and our human imperfection, with our actions, our dreams, and our ghosts, alone and in relationships that link us to others, in our public image and in the secret recesses of our consciousness.”

“In the 1920s, everyone wanted to be a celebrity. Everyone wanted to be like Babe Ruth or Charles Lindbergh. ... Businessmen, in particular, in the '20s really believed that to be a success, an entrepreneur needed to have a personality, a sense that you were a success. That's why I think Capone dressed the way he did. And that's why he entertained the press — because he wanted to be perceived as a successful American. Dale Carnegie ... would later cite Capone as a model for creating the public image. Obviously, it went bad in many ways for Capone, but that's the image he was going for.”

“I am not a romantic leading man anymore so I don't need to nurture that public image anymore. I can talk about it now because I'm not afraid anymore . . . When I grew up, being gay, being sissy or anything like that, was verboten. I disliked myself intensely and feared this part of myself intensely, and had to hide it and became 'Perfect Richard, All-American Boy' as a place to hide.”