Quotessence
Home / Topics / Renoir Quotes

Renoir Quotes

Browse 21 quotes about Renoir.

Related topics

Renoir Quotes

“Jeu de Paume. C'est un petit gout, he'd said. A little taste. The hostel knew Marguerite was a gourmand; he saw the treasures she brought home each night from the boulangerie, the fromagerie, and the green market. Bread, cheese, figs: She ate every night sitting on the floor of her shared room. She was in Paris for the food, not the art, though Marguerite had always loved Renoir and this painting in particular appealed to her. She was attracted to Renoir's women, their beauty, their plump and rosy good health; this painting was alive. The umbrellas- les parapluies- gave the scene a jaunty, festive quality, almost celebratory, as people hoisted them into the air. It's charming, Marguerite said. A feast for the eyes, Porter said.”

“The spring evenings had grown long, and it was hard to darken the room. They sat in their separate chairs and waited for Fassbinder, their silence a respectful preparation. They had waited this way for their meetings with Truffaut, Bergman, Visconti, Renoir, Wilder, and all the other honored guests that Jonna had chosen and enthroned–the finest present she could give her friend.”

“The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.”

“I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.”

“Technology is mechanical and contrary to the emotions that inform a person's life. The country music field has especially been hit hard by this. All my songs have been written by people who went out of fashion years ago. Just like da Vinci and Renoir and van Gogh. Nobody paints like that anymore. But it can't be wrong to try.”

“In the neighborhood around Waseda, there were all these movie theaters, so every morning I left the house and watched movies instead of going to class. The experience of encountering films then is one of my greatest memories. Before that I'd never paid any attention to directors, but there I was taking a crash course in Ozu, Kurosawa, Naruse, Truffaut, Renoir, Fellini. Because I've always been naturally a more introspective person, I was more interested in becoming a screenwriter than a director.”

“The great French Impressionist painter Renoir, right at the end of his very long life, said to a friend, "I am just now learning to paint." Renoir carried his gift with a humility which realized how much he still had to learn. Anyone who goes deeply into a field in life and realizes this, gains a sense of proportion that can only make you humble.”

“I know now that he who hopes to be universal in his art must plant in his own soil. Great art is like a tree, which grows in a particular place and has a trunk, leaves, blossoms, boughs, fruit, and roots of its own. The more native art is, the more it belongs to the entire world, because taste is rooted in nature. When art is true, it is one with nature. This is the secret of primitive art and also of the art of the mastersMichelangelo, Czanne, Seurat, and Renoir. The secret of my best work is that it is Mexican.”

“The music began, passages of immense technical complexity fluidly bridging Caravaggio’s chiaroscuro with Renoir’s impressionism. The gloom and shadows of claustrophobic chambers contrasting with the vibrant radiance of a wide-open landscape. The realism of humanity down to its dirty nails and rotten wounds combined with the fleeting sanguinity of the moment.”