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Chiaroscuro Quotes

Browse 20 quotes about Chiaroscuro.

Chiaroscuro Quotes

“Our room swallowed light whole. Even in summer when sunlight glared through the windows, it was somehow dim inside. Now it was only Easter morning, and the muted sky of early spring offered scant relief to our tenebrous room. On our side of the house a gnarled and ancient oak tree spread its reach across the back facade of the house as if to shade and protect us. One of the massive branches of its principal fork reached invitingly right up to our window to offer to take us wherever we wanted to go. This great limb, with circumference grander than both of us together, was our stairway to heaven and our secret exit to the ground; it was our biplane in the Great War of our imaginations and a magic carpet to Araby; it was our lookout post and the clubhouse of our most secret fraternal order; it was our secret passageway through the imaginary castle we made of our house. It was our escape from the darkness into the light.”

ImaginationDark RoomClimbing TreesChiaroscuroTexas Weather
Author:Mason West
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“Chiaroscuro, from the Italian for 'light/dark,' is the use of contrasts of light and shadow as a modeling technique for achieving the illusion of plasticity and three-dimensional volume in a two-dimensional drawing or painting. Leonardo's version of the technique involved varying the darkness of a color by adding black pigments rather than making it a more saturated or richer hue.”

ArtLightDarkPaintingDrawingLeonardo Da VinciChiaroscuro
Book:Leonardo da Vinci
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“Vincent Peranio (Production Designer): I like the lighting. In so many vacant houses where we were filming, we're filming in a natural light or making it look like natural light because it didn't have electricity. Actually, some of the lighting to me was almost like a painting from the past, like from the seventeenth century, a Rembrandt look about it, the darkness of the house and the sunlight searing through the boarded-up windows. I think the show was bleak and beautiful in the way that looking at ruins in a ruined civilisation are.”

LightBeautyRembrandtChiaroscuroThe Wire
Book:All the Pieces Matter: The Inside Story of The Wire
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“He [the artist] ought to have 'these powerful organs of expression' - colour and chiaroscuro - entirely at his command, that he may use them in every possible form, as well as that he may do with the most perfect freedom; therefore, whether he wishes to make the subject of a joyous, solemn, or meditative character, by flinging over it the cheerful aspect which the sun bestows, by a proper disposition of shade, or by the appearances that beautify its arising or its setting, a true "General Effect" should never be lost sight of.”

ShouldWellsMayCharacterUseFormArtistLostWishPerfectPowerfulSunSubjectsEffectsExpressionOughtAspectSightAppearanceSettingCommandSettingsColourOver ItShadeOrgansDispositionCheerfulSolemnJoyousChiaroscuro
Author:John Constable
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“In each of us lie good and bad, light and dark, art and pain, choice and regret, cruelty and sacrifice. We’re each of us our own chiaroscuro, our own bit of illusion fighting to emerge into something solid, something real. We’ve got to forgive ourselves that. I must remember to forgive myself. Because there is a lot of grey to work with. No one can live in the light all the time.”

ArtRealLightPainRememberLyingChoicesFightingBitsDarkSacrificeRegretBalanceIllusionForgivingCrueltyGreyGood And BadLight And DarkSomething RealDark ArtChiaroscuro
Book:A Great and Terrible Beauty
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“There are those hearts, reader, that never mend again once they are broken. Or if they do mend, they heal themselves in a crooked and lopsided way, as if sewn together by a careless craftsman. Such was the fate of Chiaroscuro. His heart was broken. Picking up the spoon and placing it on his head, speaking of revenge, these things helped him to put his heart together again. But it was, alas, put together wrong.”

IfsWayHeartTogetherMeditationFateBrokenReaderRevengeHealAlasCarelessCrookedSpoonsCraftsmanTogether AgainDespereauxChiaroscuro
Book:The Tale of Despereaux: Being the Story of a Mouse, a Princess, Some Soup, and a Spool of Thread
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“There are hearts, reader, that never mend again once they are broken. Or if they do mend, they heal themselves in a crooked and lopsided way, as if sewn together by a careless craftsman.”

IfsWayHeartTogetherBrokenReaderHealCarelessCrookedCraftsmanDespereauxChiaroscuro
Book:The Tale of Despereaux: Being the Story of a Mouse, a Princess, Some Soup, and a Spool of Thread
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“Although the noise of the chattering clientele is much more significant than the topics of their chatter, it does finally constitute that type of social and indistinct expression that we refer to as rhubarb. The very particular volume in which people tell each other their news seems to generate all by itself that acoustic chiaroscuro, a sounding murk, in which every communication seems to lose its edges, truth projects the shadow of a lie, and a statement seems to resemble its opposite.”

PeopleDoeSeemsLyingSocialLosesParticularExpressionCommunicationTypeProjectsNewsShadowOppositesEdgesSignificantStatementsNoiseVolumeTopicsAcousticsChatterChiaroscuro
Book:What I Saw: Reports from Berlin 1920-1933
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“The music began, passages of immense technical complexity fluidly bridging Caravaggio’s chiaroscuro with Renoir’s impressionism. The gloom and shadows of claustrophobic chambers contrasting with the vibrant radiance of a wide-open landscape. The realism of humanity down to its dirty nails and rotten wounds combined with the fleeting sanguinity of the moment.”

MomentsHumanityMusic IsShadowWideWoundsLandscapeDirtyComplexityPassagesImmenseRealismNailsFleetingChamberRottenGloomRadianceImpressionismRenoirChiaroscuro
Book:Orphan Sky
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