“I smuggled the camera, it was no problem to smuggle the camera there. And I took 60 photos, two films, during the time when there was no one in the control room, in the building.” TwoProblemFilmRoomsBuildingCamerasNo Problem Author:Mordechai Vanunu
“The job is the same - to attempt to make it sound like you've never said it before and as if it's just occurred to you. And that's the same whether you're on camera or whether you're on stage in a room full of people.” PeopleIfsSaidJobsSoundRoomsStageLike YouCameras Author:Bill Nighy
“A film is born in my head and I kill it on paper. It is brought back to life by the actors and then killed in the camera. It is then resurrected into a third and final life in the editing room where the dismembered pieces are assembled into their finished form.” FilmFormActorsBornRoomsPiecesPaperThirdsCamerasFinalsFinishedEditing Author:Robert Bresson
“It's nice to not feel like you're just re-enacting a preconceived moment, but there's room for an organic feeling to develop while the camera is rolling. Even amidst these enormous technical productions, Chris [ Nolan] always prioritized making sure that sort of spontaneous and organic feeling could happen at the moment.” FeelsMomentsFeelingsHappensRoomsNiceLike YouCamerasProductionsEnormousRollingSpontaneousNolan Author:Joseph Gordon-Levitt
“While making my picture window photographs, I came to think that every room was like a gigantic camera forever pointed at the same view.” ThinkingRoomsViewsForeverWindowCamerasPhotographerPhotograph Author:John Pfahl
“Real artists find answers. The knowledge of the artisan is within the confines of his skills. For example, I know a lot about lenses, about the editing room. I know what the different buttons on the camera are for. I know more or less how to use a microphone. I know all that, but that's not real knowledge. Real knowledge is knowing how to live, why we live, things like that.” KnowsDifferentRealUseArtistAnswersRoomsKnowingExampleSkillsCamerasButtonsEditingLensesMicrophonesArtisansReal KnowledgeReal Artists Author:Krzysztof Kieslowski
“I definitely prefer the single camera better. For me it's the simple fact that I enjoy working in front of an audience, but when you're trying to create a suspension of disbelief it's much harder to do in front of audience because they become a partner. Moreso than that, they become in charge of the timing. From the simple, mechanical fact that you have to hold for their laughter. The actual timing of the scene is in the hands of the audience. As a control freak, I don't enjoy that as much as the ability to be able to control it in an edit room.” TryingFactsHandsAbleEnjoySimpleAbilityRoomsAudienceFrontsSceneLaughterHarderCamerasPartnersFreakTimingDisbeliefEditsSuspensionControl FreakSuspension Of Disbelief Author:Jonathan Groff
“Sometimes you just create a joke out of thin air in the editing room. So I'm really glad I've had that experience. It gives me a little more confidence in front of the camera.” GivingLittlesSometimesRoomsAirFrontsJokesGive MeCamerasGladEditingThin Air Author:Ed Helms
“There's this kind of incredibly mistaken idea that because it's so much cheaper to roll the camera than it used to be and it's so much easier to accumulate a ton of footage, that then you can just go shoot a ton of footage and the editor will make sense out of it. But if you don't have something deliberate made, you're not gonna save it in the editing room.” IfsKindMadeIdeasUsedRoomsEasierCamerasUsed To BeMake SenseEditorsEditingMistakenDeliberateCheaper Author:Ethan Hawke
“If you invite someone into your front room you can't be surprised when there are suddenly people outside your windows with cameras.” PeopleIfsRoomsFrontsWindowCamerasInvites Author:Daniel Craig