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Skins Quotes

“Stupid religion makes stupid beliefs, stupid leaders make stupid rules, stupid environment makes stupid health, stupid companions makes stupid behaviour, stupid movies makes stupid acts, stupid food makes stupid skin, stupid bed makes stupid sleep, stupid ideas makes stupid decisions, stupid clothes makes stupid appearance. Lets get rid of stupidity from our stupid short lives.”

“The future is a fog that is still hanging out over the sea, a boat that floats home or does not. The trade winds blow me, and I do not know where the land is; the waves fold over each other; they are in love with themselves; sleeping in their own skin; and I float over them and I do not know about tomorrow.”

“Old people who live too long come to resemble turtles. As though time turned in a curve, and down they go to the reptiles again. Not the little wet naked frog they were born. But the tortoise. Cold eyes, sagging circles of skin, the nose becomes beak. The shell of sleep.”

“When I give a speech at a corporate event, I often ask those in attendance, 'Do you know how to tell if you're doing the job?' As heads start whispering back and forth, I provide these clue: 'If you're up at 3 A.M. every night talking into a tape recorder and writing notes on scraps of paper, have a knot in your stomach and a rash on your skin, are losing sleep and losing touch with your wife and kids, have no appetite or sense of humor, and feel that everything might turn out wrong, then you're probably doing the job.'”

“I was in Mongolia, pretty extreme situations. We were sick with dysentery, we were sick with bronchitis. I had been bitten by a dog for the first time in my life and my whole hand was black, and there was no way to even think of getting a rabies shot without driving for five days, and then you wouldn't have wanted that needle in your skin anyway. And I had my period. Everything was wrong at one time. Like, I couldn't have been more uncomfortable. And I stayed up - it was too cold to sleep.”

“In a movie, a book, or a play, a character doesn't live in a vacuum. She is subject to pressures from the world outside of her, just like we are in life. These pressures and circumstances shape character. Who your parents are determines your genetic make up: your skin color, your sex, your height, weight. Where you are raised does affect your worldview either positively or negatively, your accent. Your economic class affects where you go to school, what you eat, where you sleep.”

“But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after - oh, that's love by a different name. She is the babe you hold in your arms for an hour after she's gone to sleep. If you put her down in the crib, she might wake up changed and fly away. So instead you rock my the window, drinking the light from her skin, breathing her exhaled dreams. Your heart bays to the double crescent moons of closed lashes on her cheeks. She's the one you can't put down.”

“In my dream it was very dark, and what dim light there was seemed to be radiating from Edward's skin. I couldn't see his face, just his back as he walked away from me, leaving me in the blackness. No matter how fast I ran, I couldn't catch up to him; no matter how loud I called, he never turned. Troubled, I woke in the middle of the night and couldn't sleep again for what seemed like a very long time. After that, he was in my dreams nearly every night, but always on the periphery, never within reach.”

“He shifted over without comment, lifting the blankets, and I scrambled into the warm sheets beside him. He smelled like soap and sleep and bare skin. He smelled familiar. Not the deja vu familiar of Guy or Mel. Familiar like...the ache in your chest of homesickness, of longing for harbor after weeks of rough seas or craving a fire's warmth after snow--or wanting back something you should never have given away.”

“I have terrible nightmares, you know. Every night when I come home from a long day’s dying, I take off my skin and lay it nicely on my armoire. I take off my bones and hang them up on the hatstand. I set my scythe to washing on the old stove. I eat a nice supper of mouse-and-myrrh soup. Some nights I drink off a nice red wine. White does not agree with me. I lay myself down on a bed of lilies and still, I cannot sleep.”

“I see a few hands stretching out to me at the edge of the net, so I grabbed the first one I could reach and pull myself across. I roll off, and would have fallen face-first onto a wood floor if he had not caught me. "He" is the young man attached to the hand I grabbed. He has a spare upper lip and a full lower lip. His eyes are so deep-set that his eyelashes touch the skin under his eyebrows, and they are dark blue, a dreaming, sleeping, waiting color.”

“Adam was in the dream, too; he traced the tangled pattern of ink with his finger. He said, "Scio quid hoc est." As he traced it further and further down on the bare skin of Ronan's back, Ronan himself disappeared entirely, and the tattoo got smaller and smaller. It was a Celtic knot the size of a wafer, and then Adam, who had become Kavinsky, said "Scio quid estis vos." He put the tattoo in his mouth and swallowed it. Ronan woke with a start, ashamed and euphoric. The euphoria wore off long before the shame did. He was never sleeping again.”