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“Being stick skinny to the extent where you can see your bones through your skin is not a good look. You don't need to be that to be beautiful or to be perfect or to fit in. Who you are is exactly who you should be. You can't let other people dictate your life or how you feel about yourself because then you're not living.”

“Polly Jean, I love you. I love the texture of your skin, the taste of your saliva, the softness of your ears. I love every inch and every part of your entire body. From your toes and the beautifully curved arches of your feet, to the exceptional shade and warmth of your dark hair. I need you in my life, I hope you need me too.”

“A glad welcome to this affirmation by a group of psychologists that the self does not stop at the skin nor even with the circle of human relationships but is interwoven with the lives of trees and animals and soil; that caring for the deepest needs of persons and caring for our threatened planet are not in conflict.”

“When you meet the one. It just clicks. Clicking is important in a relationship. When you click, you share the same passion and worldviews, ambitions and dreams. You are willing to share your inner thoughts, fears, desires and secrets. When you click, your partner makes you comfortable in your skin, he or she knows what you need even you're quiet, knows when to give advice and when to just listen. When you click, you allow your partner to steadily be what they desire to be, while you be a steady presence”

“One wants in a Prime Minister a good many things, but not very great things. He should be clever but need not be a genius; he should be conscientious but by no means strait-laced; he should be cautious but never timid, bold but never venturesome; he should have a good digestion, genial manners, and, above all, a thick skin.”

“I've tried, at every step in life, to find a lesson. And accepting criticism with the same grace that you do the applause is something every young athlete needs to learn. ... I think it served me well to learn how to handle everything that came with the game's ups and downs. Some people call it growing another layer of skin. I just call it growing up.”

“I don't struggle to forgive people. I find it quite easy to forgive people for the harms that they have inflicted on me. What I do find challenging is to forgive people for the harms they inflict on my daughters and family. So, I find it challenging when I see somebody else experience hurt. I also look at my children and family and then I realize, I don't stand inside their skin and that is for me a forgiveness practice I still need to engage in.”

“To be an actor you need various things. You need to have a head for choosing the roles. You have to be, hopefully, easy to work with so people enjoy working with you. You have to deal with missing roles, with not being asked to work, with doing good work and then being castigated by the critics for it. You have to have a skin that can deal with all of that. I, fortunately, seem to have the makeup which allows me to deal with the business. I mean, not as everybody.”

“There are moments when it's unbelievable how people who work on the hair or on the little bit of skin here, they have no other care or interest since this part of their job is the only thing that needs to look good. So you have to push everybody to the side so that you can have a connection with your actor and give some air to your actor.”

“I don't think there is a need of the categorization 'woman writing'. I think in some sense writers lost their gender when they walk into the world of words; I believe that writers ought to be able to slip under the skins of both men and women. Only then will the writing and the characters have credibility and strength.”

“...stand with me today and pledge to work for an America that doesn't ignore those in need and lifts up those who wish to succeed. Pledge to hold your government accountable for ignoring the suffering of so many for far too long. And pledge to do your part to build the America that we have dreamed of - where the bright light of opportunity shines on every person - an America where the family you are born into, or the color of your skin, will never control your destiny.”

“If I look at myself when I'm getting into the [God's] Word and just drinking Him [God] in, when I get to work, I'm looking for someone to love. I'm looking for people to encourage. I'm understanding that, hey, people are people. We're all wearing skin here. We all have our moments. I've already gotten what I need from Jesus and now I can just forgive and love and encourage.”

“Baby Boomers are now living longer and want to stay vibrant and gorgeous for as long as possible. I've identified a need for women to learn the basics of a healthy, holistic, daily regimen, which will bring a healthy glow to their skin. It's all about allowing our true self to shine, both literally through our skin and metaphorically through our soul.”

“I went through a period when I was about 19 where I'd go tanning with my boyfriend in tanning beds. Yes, this was actually a thing we used to do together. They were not my friend. I had no idea what I was doing. We all went in the early 2000s. Needless to say, I don't go anymore. If I need a quick fix, I get a spray tan - though it's never a good idea for me with my fair skin.”

“I was under the misconception that I have oily skin, I'm prone to breakouts, I shouldn't moisturize or put anything on my face. And then realizing, "Oh, no, my skin is incredibly dry - that's why I'm breaking out. I need to wear moisturizer." Some of these steps could be anti-"I'm serious," but that's the one thing I feel I know the way on. I'm not snobby about anything else.”

“In the performing arts you have to have thick, thick, thick skin, because of all the rejection you face on a daily basis, and the fact that work never lasts for very long. But you need thin, thin, thin skin in order to access all of your emotions and your creativity so that you can express it. You can't be dead inside. Otherwise you've got nothing to give. So it's a paradox, that we have to exist in both planes in order to do what we do.”

“I would give them (aspiring writers) the oldest advice in the craft: Read and write. Read a lot. Read new authors and established ones, read people whose work is in the same vein as yours and those whose genre is totally different. You've heard of chain-smokers. Writers, especially beginners, need to be chain-readers. And lastly, write every day. Write about things that get under your skin and keep you up at night.”

“The need of black conservatives to gain the respect of their white peers deeply shapes certain elements of their conservatism. In this regard, they simply want what most people want, to be judged by the quality of their skills, not by the color of their skin. But the black conservatives overlook the fact that affirmative action policies were political responses to the pervasive refusal of most white Americans to judge black Americans on that basis.”

“Inside me is the same desperate hope I have watching the ravenous dead and thinking, Oh please, oh please, oh please. The craving inside of me is to be clutched at by some dead girl. To put my ear to her chest and hear nothing. Even getting munched on by zombies beats the idea that I'm only flesh and blood, skin and bone. Demon or angel or evil spirit, I just need something to show itself. Ghoulie or ghosty or long-legged beastie, I just want my hand held.”

“We read to learn and to grow, to laugh, to be motivated, and to understand things we've never been exposed to. We read for strength to help us when we feel broken, discouraged or afraid. We read to find hope. We read because we're not just made up of skin and bones, and a deep need for chocolate, but we're also made up of words, words which describe our thoughts and what's hidden in our hearts.”

“What I need is perspective. The illusion of depth, created by a frame, the arrangement of shapes on a flat surface. Perspective is necessary. Otherwise there are only two dimensions. Otherwise you live with your face squashed up against a wall, everything a huge foreground, of details, close-ups, hairs, the weave of the bedsheet, the molecules of the face. Your own skin like a map, a diagram of futility, criscrossed with tiny roads that lead nowhere. Otherwise you live in the moment. Which is not where I want to be.”

“Physically it's kind of lassitude, the apathy and tiredness that precedes the flu or some other illness, or death. My legs ache and feel heavy, my skin has become more sensitive to cold and to heat, to the hardness or rigidity of things. Nothing interests me, I feel uncomfortable being still but would feel even more uncomfortable if I moved. I don't know whether speaking is painful or just boring. I sit here, staring straight ahead, with no desires, no needs, hollow. I'm not even sad. I feel only passivity and indifference.”