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Sweet Quotes

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Sweet Quotes

“And remember, also," added the Princess of Sweet Rhyme, "that many places you would like to see are just off the map and many things you want to know are just out of sight or a little beyond your reach. But someday you'll reach them all, for what you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.”

“It is very frustrating not to be understood in this world. If you say one thing and keep being told that you mean something else, it can make you want to scream. But somewhere in the world there is a place for all of us, whether you are an electric form of decoration, peppermint-scented sweet, a source of timber, or a potato pancake.”

“There's something I want you to know,' said Cherryl, her voice taut and harsh, 'so that there won't be any pretending about it. I'm not going to put on the sweet relative act. I know what you've done to Jim and how you've made him miserable all his life. I'm going to protect him against you. I'll put you in your place. I'm Mrs. Taggart. I'm the woman in this family now.' 'That's quite all right,' said Dagny. 'I'm the man.”

“My wife loves written words ... you know, words that stick to parchment and paper like dead flies, and it seems my father felt the same - but I want to hear words! Remember that when you are looking for the right words: You must ask yourself what they SOUND like! Glowing with passion, dark with sorrow, sweet with love, that's what I want. - Cosimo”

“Hey, sweet. Please open your eyes, Livia. Open your eyes and see what you did. I’m actually sitting here without grimacing. There’s no pain at all. But you know that, don’t you? I don’t know why you stayed with me. God knows, I wasn’t worth it. But I don’t want you to leave me alone anymore. I need you, Livia. I can’t live without you in my life. I can’t…I’m not that strong. Please open your eyes and look at me. Please. (Adron)”

“I miss the Stella girls telling me what I am. That I'm sweet and placid and accommodating and loyal and nonthreatening and good to have around. And Mia. I want her to say, "Frankie, you're silly, you're lazy, you're talented, you're passionate, you're restrained, you're blossoming, you're contrary." I want to be an adjective again. But I'm a noun. A nothing. A nobody. A no one.”

“His voice was soft and sweet as molasses; but my mother once told me that you had to trust that the first thing out of a person's mouth was truth. After they have a chance to think about it, they'll change what they say to be more socially acceptable, something they think you'll be happier with, something that will get the results they want.”

“No," interrupted Marcia emphatically. "And you're a sweet boy. Come here and kiss me." Horace stopped quickly in front of her. "Why do you want me to kiss you?" he asked intently. "Do you just go round kissing people?" "Why, yes," admitted Marcia, unruffled. "'At's all life is. Just going around kissing people.”

“I have no right to call myself one who knows. I was one who seeks, and I still am, but I no longer seek in the stars or in books; I'm beginning to hear the teachings of my blood pulsing within me. My story isn't pleasant, it's not sweet and harmonious like the invented stories; it tastes of folly and bewilderment, of madness and dream, like the life of all people who no longer want to lie to themselves.”

“A smile flickered across Coral’s face. “Have you ever noticed that once you have had a taste of certain sweets—raspberry trifle is my own despair—it is quite impossible not to think, not to want, not to crave until you have taken another bite?” “Lord Swartingham is not a raspberry trifle.” “No, more of a dark chocolate mousse, I should think,” Coral murmured. “And,” Anna continued as if she hadn’t heard the interruption, “I don’t need another bite, uh,night of him.”

“'Do you know what Ed Gein said about women?' [...] '"When I see a pretty girl walking down the street I think two things. One part of me wants to take her out and talk to her and be real nice and sweet and treat her right."' I stop finish my J&B in one swallow. 'What does the other part of him think?' Hamlin asks tentatively. 'What her head would look like on a stick...'”

“Eugenie, my sweet, your outraged protests are adorable, but they only continue to slow us down. If you want me to help you, then let me. If you don't, then take me to one of those places where human women wear revealing clothing and quickly lose their virtue through alcohol.”

“Want a sugar cube? [...] They're supposed to be for the horses, but who cares? They've got years to eat sugar, whereas you and I . . . well, if we see something sweet we better grab it quick. [...] You're absolutely terrifying me in that get-up. What happened to the pretty little-girl dresses?”

“Tom Dancer’s gift of a whitebark pine cone You never know What opportunity Is going to travel to you, Or through you. Once a friend gave me A small pine cone- One of a few He found in the scat Of a grizzly In Utah maybe, Or Wyoming. I took it home And did what I supposed He was sure I would do- I ate it, Thinking How it had traveled Through that rough And holy body. It was crisp and sweet. It was almost a prayer Without words. My gratitude, Tom Dancer, For this gift of the world I adore so much And want to belong to. And thank you too, great bear”