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Twenties Quotes

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Twenties Quotes

“I was tired of an outlaw's life. I have been hunted for twenty-one years. I have literally lived in the saddle. I have never known a day of perfect peace. It was one long, anxious, inexorable, eternal vigil. When I slept it was literally in the midst of an arsenal. If I heard dogs bark more fiercely than usual, or the feet of horses in a greater volume of sound than usual, I stood to arms. Have you any idea of what a man must endure who leads such a life? No, you cannot. No one can unless he lives it for himself.”

“What's the use of dying in a ward surrounded by a lot of groaning and croaking incurables? Wouldn't it be much better to throw a party with that twenty-seven thousand and take poison and depart for the other world to the sound of violins, surrounded by lovely drunken girls and happy friends?”

“We are shocked and saddened by Bob Casale's passing. He not only was integral in DEVO's sound, he worked over twenty years at Mutato, collaborating with me on sixty or seventy films and television shows, not to mention countless commercials and many video games. Bob was instrumental in creating the sound of projects as varied as Rugrats and Wes Anderson's films. He was a great friend. I will miss him greatly.”

“I try to write each piece in the language of the piece, so that I'm not using the same language from piece to piece. I may be using ten or twenty languages. That multiplicity of language and the use of words is African in tradition. And black writers have definitely taken that up and taken it in. It's like speaking in tongues. It may sound like gibberish to somebody, but you know it's a tongue of some kind. Black people have this. We have the ability as a race to speak in tongues, to dream in tongues, to love in tongues.”

“Back in the day for me was a great time in my life - I was in my 20s. Most people refer to their experiences in their twenties as being a highlight in their life. It's a period of time where you often develop your own way, your own sound, your own identity, and that happened with me, when I was with a great teacher - Miles Davis.”

“There is a hollow, holey cylinder running from hilt to point in my machete. When I blow across the mouthpiece in the handle, I make music with my blade. When all the holes are covered, the sound is sad, as rough as rough can be and be called smooth. When all the holes are open, the sound pipes about, bringing to the eye flakes of sun on water, crushed metal. There are twenty holes. And since I've been playing music, I've been called all different kinds of fool - more times than Lobey, which is my name.”

“I always say that my artist statement is to not be afraid to talk about the messiness - the unpleasant feelings and happenings around my life. I also try to convey what it feels like and sounds like and smells like and looks like inside of my particular skin, to move through the world as a black American woman in her mid-twenties. Language from songs and TV shows feel integral because it helps to create the environment and describe the full picture.”

“Our world is so glutted with useless information, images, useless images, sounds, all this sort of thing. It's a cacophony, it's like a madness I think that's been happening in the past twenty-five years. And I think anything that can help a person sit in a room alone and not worry about it is good.”

“Diversity is a survival factor for the community itself. A community of a hundred million species can survive anything short of total global catastrophe. Within that hundred million will be thousands that could survive a global temperature drop of twenty degrees—which would be a lot more devastating than it sounds. Within that hundred million will be thousands that could survive a global temperature rise of twenty degrees. But a community of a hundred species or a thousand species has almost no survival value at all.”

“Read to your children Twenty minutes a day; You have the time, And so do they. Read while the laundry is in the machine; Read while the dinner cooks; Tuck a child in the crook of your arm And reach for the library books. Hide the remote, Let the computer games cool, For one day your children will be off to school; Remedial? Gifted? You have the choice; Let them hear their first tales In the sound of your voice. Read in the morning; Read over noon; Read by the light of Goodnight Moon. Turn the pages together, Sitting close as you'll fit, Till a small voice beside you says, "Hey, don't quit.”

“How did the hearing go?” she asked. “We won, sort of,” Kaldar said. “We die at dawn.” “The court gave the Sheeriles twenty-four hours,” William corrected. “Yes, but ‘we die at dawn the day after tomorrow’ doesn’t sound nearly as dramatic.” “Does it have to be dramatic all the time?” Catherine murmured. “Of course. Everyone has a talent. Yours is crocheting and mine is making melodramatic statements.”

“Every morning I wake up and I tell myself this: It's just one day, one twenty-four-hour period to get yourself through. I don't know when exactly I started giving myself this daily pep talk--or why. It sounds like a twelve-step mantra and I'm not in Anything Anonymous, though to read some of the crap they write about me, you'd think I should be. I have the kind of life a lot of people would probably sell a kidney to just experience a bit of. But still, I find the need to remind myself of the temporariness of a day, to reassure myself that I got through yesterday, I'll get through today.”