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Anne Rice

Anne Rice Books

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Pandora

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Blackwood Farm

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The Wolf Gift

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Merrick

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Lasher

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The Mummy

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Blood Canticle

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Taltos

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Violin

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Blood And Gold

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Ashes to Ashes

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Cry to Heaven

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Related Quotes

“Very few beings really seek knowledge in this world. Mortal or immortal, few really ask. On the contrary, they try to wring from the unknown the answers they have already shaped in their own minds -- justifications, confirmations, forms of consolation without which they can't go on. To really ask is to open the door to the whirlwind. The answer may annihilate the question and the questioner.”

“I bore this with an overt detachment unknown to me in mortal life and came to understand this as a part of vampire nature: that I might sit at home at Pointe du Lac and think for hours of my brother's mortal life and see it short and rounded in unfathomable darkness, understanding now the vain and senseless passion with which I'd mourned his loss and turned on other mortals like a maddened animal. All that confusion was then like dancers frenzied in a fog; and now, now in this strange vampire nature, I felt a profound sadness. But I did not brood over this. Let me not give you that impression, for brooding would have been to me the most terrible waste; but rather I looked around me at all the mortals that I knew and saw all life as precious, condemning all fruitless guilt and passion that would let it slip through the fingers like sand.”

“And oh, how she pitched herself into things. She would draw pictures all day long for weeks on end, then throw out the pencils and never draw another thing. Then it was embroidery with her, she had to learn it, and she'd make the most beautiful thing, fussing at herself for the least little mistake, then throw down the needles and be done with that forevermore. I never saw a child so changeable. It was as though she was looking for something to which she could give herself, and she never found it. Least ways not while she was a little girl.”

“Evil is a point of view. We are immortal. And what we have before us are the rich feasts that conscience cannot appreciate and mortal men cannot know without regret. God kills, and so shall we; indiscriminately He takes the richest and the poorest, and so shall we; for no creatures under God are as we are, none so like Him as ourselves, dark angels not confined to the stinking limits of hell but wandering His earth and all its kingdoms.”

“The horror was, Cleopatra meant something to these modern people of the twentieth century which was altogether wrong. She had become a symbol of licentiousness, when in fact she had possessed a multitude of amazing talents. They had punished her for her one flaw by forgetting everything else…Remembered, but not for what she was. A painted whore lying on a silken couch. - Ramses”

“No. Being a vampire for him meant revenge. Revenge against life itself. Every time he took a life it was revenge. It was no wonder then, that he appreciated nothing. The nuances of vampire existence weren't even available to him because he was focused with a maniacal vengeance upon the mortal life he'd left. Consumed with hatred, he looked back. Consumed with envy, nothing pleased him unless he could take it from others; and once having it, he grew cold and dissatisfied, not loving the thing for itself; and so he went after something else. Vengence, blind and sterile and contemptible.”

“Did all the answers lie beyond the open door? Is the future beyond the open door? For after all, why could this not become, in spite of everything, a mere chapter of her life, marked off and seldom reread, once she had returned to the outside world where she had been kept all these years, quite beyond the spells and enchantments that were now claiming her? Oh, but it wasn't going to be. Because when you fell prey to a spell this strong, you were never the same.”

“Most people don't change, do they?" He'd stopped suddenly, his hands in his pockets, staring at a motorcar as it chugged past. "No matter what happens to them. No matter what they go through. They do everything they can to preserve their prejudices. Or their ambitions, even if those ambitions were cast when they were quite young and foolish. This is the business of living, as I once described it, isn't it? To explain away new experiences with old beliefs.”

“Ashlar: "I have learned to live with a profound loneliness. I forget about it for years and years. Then it surfaces, the desire to be placed in context by somebody else. The desire to be known, understood, evaluated morally by a sophisticated mind. That was always the lure of the Talamasca, from the beginning, that I could go there and confide in my scholars, that we would talk late into the night.(...) Human beings very seldom survive without that kind of exchange, communication. Love.”

“I don’t understand,’ said the boy. ‘I thought aesthetic decisions could be completely immoral. What about the cliché of the artist who leaves his wife and children so he can paint? Or Nero playing the harp while Rome burned?’ ‘Both were moral decisions. Both served a higher good, in the mind of the artist. The conflict lies between the morals of the artist and the morals of society, not between aesthetics and morality. But often this isn’t understood; and here comes the waste, the tragedy. An artist, stealing paints from a store, for example, imagines himself to have made an inevitable but immoral decision, and then he sees himself as fallen from grace; what follows is despair and petty irresponsibility, as if morality were a great glass world which can be utterly shattered by one act. But this was not my great concern then. I did not know these things then. I believed I killed animals for aesthetic reasons only, and I hedged against the great moral question of whether or not by my very nature I was damned.”

“Killing is no ordinary act,' said the vampire. 'One doesn't simply glut oneself on blood.' He shook his head. 'It is the experience of another's life for certain, and often the experience of the loss of that life through the blood, slowly. It is again and again the experience when I sucked the blood from Lestat's wrist and felt his heart pound with my heart. It is again and again a celebration of that experience; because for vampires that is the ultimate experience.”

“But you love books, then,” Aunt Queen was saying. I had to listen. “Oh, yes,” Lestat said. “Sometimes they are the only thing that keeps me alive.” “What a strange thing to say at your age,” she laughed. “No, but one can feel desperate at any age, don’t you think? The young are eternally desperate,” he said frankly. “And books, they offer one hope —- that a whole universe might open up from between the covers, and falling into that new universe, one is saved.”