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Anne Ursu

Anne Ursu Books

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The Real Boy

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Breadcrumbs

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The Siren Song

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“Something was wrong with him - and down deep he'd known his whole life. Maybe the wards had even said something. (You are not right, boy.) Maybe the other children had. (What's wrong with you?) Maybe it had happened while he watched one child after another walk off with a family from the Eastern Villages, with a merchant or a farmer. (You know no one will ever take you, right?) Maybe he'd even said it to himself.”

“Hugging himself, Oscar leaned against the pantry wall. For two days all he had wanted was for Caleb to come back, and now he was back and Oscar had made a mess of things: he had angered half the customers and confused the other half, and the coin boxes did not look as they should, and [rich, noble] people were complaining about him, and he couldn't look at anybody, and [redacted] was dead, and Oscar was odd. 'What if he doesn't keep me?”

“This is why she is here. This is how things are supposed to be. And this is why she believes in the Republic. It is not without corruption, it is not without darkness, but there is good at its core. And just because something good has darkness in it doesn’t mean you abandon it. Just because there is darkness in something does not mean you do not love it. You show it love, you show it light - and you hope it chooses the light.”

“The words kept coming and he could not stop them, not while Callie was standing there so indecipherably, and so he was going to keep talking until he used up all the words there were and then no one would be able to talk to anyone else anymore and then all anyone would have left were one another's unintelligible faces, and maybe some weird gesturing, too, and it would be all Oscar's fault.”

“There are ways to do things, ways to act with people, and I do not understand them. I cannot understand what people mean when they talk. I do not do things right. I do not feel things right. I do not see things right. I am not...I'm not made of the same thing as everyone else.' The baker took in a deep breath. 'I think if you'll look around, my boy,' he said gently, 'you'll find that no one is quite right. But we all do the best we can.”

“I’ve seen middle grade books criticized by adult readers for leaving things for the reader to figure out, for not having perfect happily-ever-after endings. They get knocked for being too depressing, for using too many big words, for featuring parental characters who are too clueless. Girl protagonists are “too angry” or “too self-absorbed.” The issues raised are “too heavy,” the books “too earnest,” “too quiet,” “too hard,” “too far-reaching,” “too strange,” and it is all too too much for the reader. Except it’s never the readers themselves saying these things. Our critical discourse in middle grade is sometimes much more about what the reviewer believes children’s books should be rather than about engaging with the book itself and the literature as a whole. When we say a book is “too sad,” “too scary,” “too complicated;” when we demand that endings are perfectly happy and all tied up; when we demand that the themes not be too weighty or the characters not face too much hardship; we are projecting our own biases onto the book, and using them to prescribe what books for this age range can or cannot do. This is nannying, not literary criticism—and it doesn’t give kids much credit.”

“This morning, as Charlotte approached the brick facade of Hartnett, she found herself overcome with a great sense of dread. It hit her with a strange and sudden force, and she had an overwhelming urge to turn back, get into bed and not go out for about three weeks. She stopped in her tracks. The feeling itself was alarming to Charlotte - was she sensing something? Something dangerous? And was it something supernatural or just middle school? Sometimes it was hard to tell the difference.”

“Now, the world is more than it seems to be. You know this, of course, because you read stories. You understand that there is the surface and then there are all the things that glimmer and shift underneath it. And you know that not everyone believes in those things, that there are people—a great many people—who believe the world cannot be any more than what they can see with their eyes. But we know better.”

“Hazel had read enough books to know that a line like this one is the line down which your life breaks in two. And you have to think very carefully about whether you want to cross it, because once you do it’s very hard to get back to the world you left behind. And sometimes you break a barrier that no one knew existed, and then everything you knew before crossing the line is gone. But sometimes you have a friend to rescue. And so you take a deep breath and then step over the line and into the darkness ahead.”

“Jack believed in something—he believed in white witches and sleighs pulled by wolves, and in the world the trees obscured. He believed that there were better things in the woods. He believed in palaces of ice and hearts to match. Hazel had, too. Hazel had believed in woodsmen and magic shoes and swanskins and the easy magic of a compass. She had believed that because someone needing saving they were savable. She had believed in these things, but not anymore. And this is why she had to rescue Jack, even though he might not hear what she had to tell him.”