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Donna Tartt

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“E per quanto mi piacerebbe credere che ci sia un verità dietro l'illusione, mi sono convinto che non c'è alcuna verità dietro l'illusione. Perché, tra la "relatà" da un lato, e il punto in cui la mente va a sbattere contro la realtà, esiste uno spazio sottile, uno spicchio d'arcobaleno da cui origina la bellezza, il punto in cui due superfici molto diverse tra loro si mescolano e si confondono per procurare ciò che la vita non ci dà: e questo è lo spazio in cui tutta l'arte prende forma, e tutta la magia.”

“I had a feeling of deja-vu when, the next afternoon, Julian answered the door exactly as he had the first time, by opening it only a crack and looking through it warily, as if there were something wonderful in his office that needed guarding, something that he was careful not everyone should see. It was a feeling I would come to know well in the next months. Even now, years later and far away, sometimes in dreams I find myself standing before that white door, waiting for him to appear like the gatekeeper in a fairy story: ageless, watchful, sly as a child.”

“On my first night there, I sat on the bad during the twilight while the walls went slowly from gray to gold to black, listening to a soprano's voice climb dizzily up and down somewhere at the other end of the hall until at last the light was completely gone, and the faraway soprano spiraled on and on in the darkness like some angel of death, and I can't remember the air even seeming as high and cold and rarefied as it was that night, or ever feeling farther away from the low-slung lines of dusty Piano.”

“That little guy, said Boris in the car on the way to Antwerp. You know the painter saw him-he wasn't painting that bird from his mind, you know? That's a real little guy, chained up on the wall, there. If I saw him mixed up with dozen other birds all the same kind, I could pick him out, no problem. And he's right. So could I. And if I could go back in time I'd clip the chain in a heartbeat and never care a minute that the picture was never painted.”

“It's commonplace to say that we 'love' a book, but when we say it, we mean all sorts of things. Sometimes we mean that a book was important to us in out youth, though we haven't picked it up in years; sometimes what we 'love' is an impressionistic idea glimpsed from afar (Combray...madeleins...Tante Leonie...) as apposed to the experience of wallowing and plowing through an actual text, and all too often people claim to love books they haven't read at all. Then there are books we love so much that we read every year or two, and know passages of them by heart; that cheer us up when we are sick or sad and never fail to amuse us when we take them up at random; that we pass on to all our friends and acquaintances; and to which we return again and again with undimmed enthusiasm over the course of a lifetime. I think it goes without saying ghat most books that engage readers on this very high levels are masterpieces; and this is why I believe that True Grit by Charles Portis is a masterpiece.”

“I thought she was going to say, because I don't love you, which probably would have been more or less the truth, but instead, to my surprise, she said: "Because I love Henry." "Henry's dead." "I can't help it. I still love him." "I loved him, too," I said. For just a moment, I thought I felt her waver. But then she looked away. "I know you did," she said. "But it's not enough.”

“The larger of the two - and he was quite large, well over six feet - was dark-haired, with a square jaw and coarse, pale skin. He might have been handsome had his features been less set, or his eyes, behind the glasses, less expressionless and blank. He wore dark English suits and carried an umbrella (a bizarre sight in Hampden) and he walked stiffly through the throngs of hippies an beatniks and preppies and punks with the self-conscious formality of an old ballerina, surprising in one so large as he. "Henry Winter," said my friends when I pointed him out, at a distance, making a wide circle to avoid a group of bongo players on the lawn.”

“It has always been hard for me to talk about Julian without romanticizing him. In many ways, I loved him the most of all; and it is with him that I am most tempted to embroider, to flatter, to basically reinvent. I think that is because Julian himself was constantly in the process of reinventing the people and events around him, conferring kindness, or wisdom, or bravery, or charm, on actions which contained nothing of the sort. It was one of the reasons I loved him: for that flattering light in which he saw me, for the person I was when I was with him, for what it was he allowed me to be.”

“At the sight of his quizzical, kindly face - so sweet, so agreeable, so glad to see me - something wrenched deep in my chest. 'Richard' he said again, as if there were no one on earth he could possibly be so delighted to see. 'How are you?' 'Fine.' 'I'm just going over to North Hampden. Will you walk with me?' I looked at the innocent, happy face and thought: If only he knew. It would kill him. 'Julian, I'd love to, thanks,' I said. 'But I have to be getting home.' He looked at me closely. The concern in his eyes made me nearly sick with self-loathing. 'I see so little of you these days, Richard,' he said. 'I feel that you're becoming just a shadow in my life.' The benevolence, the spiritual calm, that radiated from him seemed so clear and true that, for a dizzying moment, I felt the darkness lift almost palpably from my heart. The relief was such that I almost broke down sobbing; but then, looking at him again, I felt the whole poisonous weight come crashing back down, full force. 'Are you sure you're all right?' He can never know. We can never tell him. 'Oh. Sure I am,' I said. 'I'm fine.”

“Was ist, wenn einer zufällig von einem Herzen besessen ist, dem nicht zu trauen ist? Wenn dein tiefstes Inneres dich singend zum Scheiterhaufen lockt, sollst du dich dann lieber abwenden, dir die Ohren mit Wachs verstopfen, den perversen Glanz ignorieren, von dem dein Herz dir zubrüllt? [...] Oder ist es besser, dich - wie Boris - kopfüber und lachend in das heilige Wüten zu stürzen, das deinen Namen ruft?”