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Elizabeth Crook

Elizabeth Crook Books

Novelist

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“Had we been in town amongst people, then we might have been merely interested at the news of having a cursed item in our possession. But out in the midst of no place, shielded by only a scanty wall of scraggly mesquite and weesach from view of the road, where troubles might come from, in the dark of night with the sky stretched out and showing how small we was, and the number of stars making it plain how little we might matter to the broad scheme of the world, I admit to feeling alarm.”

“We had one horse, one mule, and a wagon. We had Horhay with his limp arm and his long past, and Dickie with his hopes for the necklace now dashed and turned to dread of its curse, and me with my ache for your mother who was destined to take her leave of me, and you with a life before you and a look of puzzlement on your face. We had your mother and her sweet baby to be. All together, it was a untidy mix of items.”

“As for whether genre considerations influence what I write, they don't at all, but I might sell more books if they did. The Night Journal is a hodge-podge of historical fiction, western, mystery, and contemporary domestic drama. It doesn't settle into a specific market, reviewers have a hard time describing it, and sometimes it gets classified weirdly in bookstores. But from a writer's standpoint, I like that it's hard to categorize.”

“When I was six I wanted to be a ballerina. By the time I was eight I was fairly sure this plan wasn't panning out. I began aspiring to be an "Aquamaid" at a resort called "Aquarena Springs" in my hometown of San Marcos: Aquamaids got to wear mermaid tails and feed milk bottles underwater to Ralph the Swimming Pig for an audience submerged in a "submarine".”

“The author with the greatest influence on me is my friend Stephen Harrigan, who critiques everything I write before I even bother to show it to my agent or editor. He's a truly great writer - author of Gates of the Alamo and other books you might know of, and his instincts about what's working in a story, and what's not, are just about perfect. My books would be very different without his influence.”