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Francis Spufford

Francis Spufford Biography

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“The part of thinking that’s easy to handle is the part that works by analogy with speech. Thinking in words, speaking our thoughts internally, projects an auditorium inside our skulls. Dark or bright, a shadow theater or a stage scorched by klieg lights, here we try out voices, including the voice we have settled on as the familiar sound of our identity, although it may not be what other people hear when we speak aloud. But that is the topmost of the linguistic processes going on in the mind. Beneath the auditorium runs a continuous river of thought that not only is soundless but is not ordered so it can be spoken. For obvious reasons, describing it is difficult. If I dip experimentally into the wordless flow, and then try to recall the sensations of it, I have the impression of a state in which grammar is present – for when I think like this I am certainly construing lucid relationships between different kinds of meaning, and making sense of the world by distinguishing between (for a start) objects and actions – but thought there are so to speak nounlike and verblike concentrations in the flow, I do not solidify them, I do not break them off into word-sized units. Are there pictures? Yes, but I am not watching a slide show, the images do not come in units either. Sometimes there’s a visual turbulence – rapid, tumbling, propelled – that doesn’t resolve into anything like the outlines of separate images. Sometimes one image, like a key, will hold steady while a whole train of wordless thoughts flows from its start to its finish. A mountain. A closed box. A rusty hinge.”

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Book:The Child That Books Built: A Life in Reading
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“Seen from that future time, when every commodity the human mind could imagine would flow from the industrial horn of plenty in dizzy abundance, this would seem a scanty, shoddy, cramped moment indeed, choked with shadows, redeemed only by what it caused to be created. Seen from plenty, now would be hard to imagine. It would seem not quite real, an absurd time when, for no apparent reason, human beings went without things easily within the power of humanity to supply and lives did not flower as it was obvious they could.”

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Book:Red Plenty: Inside the Fifties’ Soviet Dream
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“Rockets now evoke a slightly old-fashioned kind of wonder, because they stand for an obsolete version of technological prowess. In the scheme of history which has become the most popular version of the recent past, the Space Age counts as the final phase of the Age of Industry – its culmination, just before the paradigm changed and the Age of Information replaced steel with digits.”

Rocketry
Book:Backroom Boys: The Secret Return of the British Boffin
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“Belief demands that you dispense with illusion after illusion, while contemporary common sense requires continual, fluffy pretending - pretending that might as well be systematic, it's so thoroughly incentivised by our culture.”

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Book:Unapologetic: Why, despite everything, Christianity can still make surprising emotional sense
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“The emotions that sustain religious belief are all, in fact, deeply ordinary and deeply recognisable to anybody who has ever made their way across the common ground of human experience as an adult.”

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Book:Unapologetic: Why, despite everything, Christianity can still make surprising emotional sense
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“If your memory was OK you could descend upon on a bookshop – a big enough one so that the staff wouldn’t hassle a browser – and steal the contents of books by reading them. I drank down 1984 while loitering in the 'O' section of the giant Heffers store in Cambridge. When I was full I carried the slopping vessel of my attention carefully out of the shop.”

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Author:Francis Spufford
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“Taking the things people do wrong seriously is part of taking them seriously. It’s part of letting their actions have weight. It’s part of letting their actions be actions rather than just indifferent shopping choices; of letting their lives tell a life-story, with consequences, and losses, and gains, rather than just be a flurry of events. It’s part of letting them be real enough to be worth loving, rather than just attractive or glamorous or pretty or charismatic or cool.”

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Book:Unapologetic: Why, despite everything, Christianity can still make surprising emotional sense
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