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“Ned looked down gravely at the sword in his hands. “This is no toy for children, least of all for a girl. What would Septa Mordane say if she knew you were playing with swords?” “I wasn’t playing,” Arya insisted. “I hate Septa Mordane.” “That’s enough.” Her father’s voice was curt and hard. “The septa is doing no more than is her duty, though gods know you have made it a struggle for the poor woman. Your mother and I have charged her with the impossible task of making you a lady.”

“The southron knights rode out in plate and mail, dinted and scarred by the battles they had fought, but still bright enough to glitter when they caught the rising sun. Faded and stained, torn and mended, their banners and surcoats still made a riot of colors amidst the winter wood--azure and orange, red and green, purple and blue and gold, glimmering amongst bare brown trunks, grey-green pines and sentinels, drifts of dirty snow.”

“I mean to give the smallfolk peace and food and justice. If that will not suffice to win their love, let Mushroom make a progress. Or perhaps we might send a dancing bear. Someone once told me that the commons love nothing half so much as dancing bears. You may call a halt to this feast tonight as well. Send the lords home to their own keeps and give the food to the hungry. Full bellies and dancing bears shall be my policy. - Aegon III”

“Bad horror stories concern themselves with six ways to kill a vampire, and graphic accounts of how the rats ate Billy's genitalia. Good horror stories are about larger things. About hope and despair. About love and hatred, lust and jealousy. About friendship and adolescence and sexuality and rage, loneliness and alienation and psychosis, courage and cowardice, the human mind and body and spirit under stress and in agony, the human heart in unending conflict with itself. Good horror stories make us look at our reflections in dark distorting mirrors, where we glimpse things that disturb us, things that we did not really want to look at. Horror looks into the shadows of the human soul, at the fears and rages that live within us all. But darkness is meaningless without light, and horror is pointless without beauty. The best horror stories are stories first and horror second, and however much they scare us, they do more than that as well. They have room in them for laughter as well as screams, for triumph and tenderness as well as tragedy. They concern themselves not simply with fear, but with life in all its infinite variety, with love and death and birth and hope and lust and transcendence, with the whole range of experiences and emotions that make up the human condition. Their characters are people, people who linger in our imagination, people like those around us, people who do not exist solely to be the objects of violent slaughter in chapter four. The best horror stories tell us truths.”

“I often said that writers are of two types. There is the architect, which is one type. The architect, as if designing a building, lays out the entire novel at a time. He knows how many rooms there will be or what a roof will be made of or how high it will be, or where the plumbing will run and where the electrical outlets will be in its room. All that before he drives the first nail. Everything is there in the blueprint. And then there's the gardener who digs the hole in the ground, puts in the seed and waters it with his blood and sees what comes up. The gardener knows certain things. He's not completely ignorant. He knows whether he planted an oak tree, or corn, or a cauliflower. He has some idea of the shape but a lot of it depends on the wind and the weather and how much blood he gives it and so forth. No one is purely an architect or a gardener in terms of a writer, but many writers tend to one side or the other. I'm very much more a gardener.”

“At the last, Viserys looked at her. "Sister, please...Dany, tell them...make them...sweet sister..." When the gold was half-melted and starting to run, Drogo reached into the flames, snatched out the pot. "Crown!" he roared. "Here. A crown for Cart King!" And upended the pot over the head of the man who had been her brother. The sound Viserys Targaryen made when that hideous iron helmet covered his face was like nothing human. His feet hammered a frantic beat against the dirt floor, slowed, stopped. Thick globs of molten gold dripped down onto his chest, setting the scarlet silk to smoldering...yet no drop of blood was spilled. He was no dragon, Dany thought, curious calm. Fire cannot kill a dragon.”

“Not that I'm complaining. It was better than my old dream, where Harma Dogshead was feeding me to her pigs." "Harma's dead." Jon said. "But not the pigs. They look at me the way Slayer used to look at ham. Not to say that the wildlings mean us harm. Aye, we hacked their gods apart and made them burn the pieces, but we gave them onion soup. What's a god compared to a nice bowl of onion soup? I could do with mine myself.”

“The tradition amongst the Targaryens had always been to marry kin to kin. Wedding brother to sister was thought to be ideal. Failing that, a girl might wed an uncle, a cousin, or a nephew, a boy a cousin, aunt, or niece. This practice went back to Old Valyria, where it was common amongst many of the ancient families, particularly those who bred and rode dragons. The blood of the dragon must remain pure, the wisdom went. Some of the sorcerer princes also took more than one wife when it pleased them, though this was less common than incestuous marriage. In Valyria before the Doom, wise men wrote, a thousand gods were honored, but none were feared, so few dared to speak against these customs.”

“No hatchlings can hope to stand against Vermithor and Dreamfyre." "And Silverwing?" asked Rhaena. "Our sister—" "—had no part in this. I will not put her at risk." The Queen in the East smiled then. "She is Rhaenys and I am Visenya. I have never thought otherwise.”

“Prince Aenys was the first to marry. In 22 AC, he wed the Lady Alyssa, the maiden daughter of the Lord of the Tides, Aethan Velaryon, King Aegon’s lord admiral and master of ships. She was fifteen, the same age as the prince, and shared his silvery hair and purple eyes as well, for the Velaryons were an ancient family descended from Valyrian stock. King Aegon’s own mother had been a Velaryon, so the marriage was reckoned one of cousin to cousin. fruitful. The following year, Alyssa gave birth to a daughter. Prince Aenys named her Rhaena, in honor of his mother. Like her father, the girl was small at birth, but unlike him she proved to be a happy, healthy child, with lively lilac eyes and hair that shone like beaten silver.”

“You must miss your father terribly, I know. Lord Eddard was a brave man, honest and loyal...but quite a hopeless player.' He brought the seed to his mouth with the knife. 'In King's Landing, there are two sorts of people The players and the pieces.' 'And I was a piece?' She dreaded the answer. 'Yes, but don't let that trouble you. You're still half a child. Every man's a piece to start with, and every maid as well. Even some who think they are players.' He at another seed. 'Cersei, for one. She thinks herself sly, but in truth she is utterly predictable. her strength rests on her beauty, birth, and riches. Only the first of those is truly her own, and it will soon desert her. I pity her then. She wants power, but has no notion what to do with it when she gets it. Everyone wants something, Alayne. And when you know what a man wants you know who he is, and how to move him.”

“His fingers closed into a fist, crushing Sansa’s letter between them. “And she says nothing of Arya, nothing, not so much as a word. Damn her! What’s wrong with the girl?” Bran felt all cold inside. “She lost her wolf,” he said, weakly, remembering the day when four of his father’s guardsmen had returned from the south with Lady’s bones. (...) She had gone south, and only her bones had returned.”

“When he comes after you, we will be waiting--- his finger moved an inch to the left---- "here." ' 'Here' was the hush in the night, moonlight and shadows, a thick carpet of dead leaves underfoot, densely wooded ridges sloping gently down the streambed, the underbrush thinning as the ground fell away. Here was her son on his stallion, glancing back at her one last time and lifting his sword in salute. Here was the call of Maege Mormont's warhorn, a long low blast that rolled down the valley from the east, to tell them that the last of Jaime's riders has entered the trap.”

“...Prophecy is like a treacherous woman. She takes your member in her mouth, and you moan with the pleasure of it and think, how sweet, how fine, how good this is... and then her teeth snap shut and your moans turn to screams... Prophecy will bite your prick off everytime,”

“You know I never held much with slavery, even if I never done much against it neither. I would of, but those damned abolitionists were such Bible-thumpers. Only I been thinkin', and it seems to me maybe they was right after all. You can't just go... usin' another kind of people, like they wasn't people at all. Know what I mean? Got to end, sooner or later. Better if it ends peaceful, but it's got to end even if it has to be with fire and blood, you see? Maybe that's what them abolitionists been sayin' all along. You try to be reasonable, that's only right, but if it don't work, you got to be ready. Some things is just wrong. They got to be ended.”

“Tradimento… tradimento è solo una parola. Quando due principi si combattono l'un l'altro per uno scranno sul quale soltanto uno di loro potrà essere assiso, tutti devono fare una scelta, dai grandi lord fino agli uomini comuni. E una volta che la battaglia è compiuta, i vincitori verranno valutati come uomini sinceri e leali, mentre gli sconfitti saranno per sempre marchiati come ribelli e traditori. Fu questo il mio destino.”