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Gerhard Richter

Gerhard Richter Quotes

Visual Artist

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Famous Gerhard Richter Quotes

“Painting is my profession, because it has always been the thing that interested me most. I'm of a certain age, I come from a different tradition and, in any case, I can't do anything else. I'm still very sure that painting is one of the most basic human capacities, like dancing and singing, that make sense, that stay with us, as something human.”

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Author:Gerhard Richter
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“But I have a problem with the term 'light'. I never in my life knew what to do with that. I know that people have mentioned on some occasions that 'Richter is all about light', and that 'the paintings have a special light', and I never knew what they were talking about. I was never interested in light. Light is there and you turn it on or you turn it off, with sun or without sun. I don't know what the 'problematic of light' is. I take it as a metaphor for a different quality, which is similarly difficult to describe. Good.”

PeopleKnowsDifferentProblemLightTurnsDifficultTermQualityTalkingSunSpecialPaintingMetaphorBe GoodOccasions
Book:Gerhard Richter: writings 1961-2007
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“If, while I'm painting, I distort or destroy a motif, it is not a planned or conscious act, but rather it has a different justification: I see the motif, the way I painted it, is somehow ugly or unbearable. Then I try to follow my feelings and make it attractive. And that means a process of painting, changing or destroying - for however long it takes - until I think it has improved. And I don't demand an explanation from myself as to why this is so.”

IfsThinkingWayTryingMeanLongArtDifferentFeelingsProcessPaintingDemandConsciousUglyTechniqueAttractiveExplanationDestroyingJustificationUnbearableMotifs
Author:Gerhard Richter
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“As a matter of fact, it was only through the dealer Fred Jahn that I succeeded in overcoming my reservation about the works on paper and exhibiting them. Added to this, of course, was the fact that after ten years I could see the watercolours in a different light, and in conjunction with pictures painted afterwards, they had at least become more comprehensible to me.”

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Author:Gerhard Richter
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“I wanted to say something different: the pictures are also a leave-taking, in several respects. Factually: these specific persons are dead; as a general statement, death is leave-taking. And then ideologically: a leave-taking from a specific doctrine of salvation and, beyond that, from the illusion that unacceptable circumstances of life can be changed by this conventional expedient of violent struggle.”

PersonsArtDifferentWantedStruggleChangedPaintingCircumstancesIllusionSalvationViolentStatementsDoctrineConventional
Book:Gerhard Richter: writings 1961-2007
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“I first came up with the idea for the colour-chart pictures back in 1966, and my preoccupation with the topic culminated in 1974 with a painting that consisted of 4,096 colour fields. Initially I was attracted by the typical Pop Art aestheticism of using standard colour-sample cards; I preferred the unartistic, tasteful and secular illustration of the different tones to the paintings of Albers, Bill, Calderara, Lohse, etc.”

FirstsArtIdeasDifferentFieldsPaintingStandardsBillsPopsCardsToneColourEtcSecularTypicalTopicsIllustrationPreoccupationSamplePop Art
Book:Gerhard Richter: writings 1961-2007
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