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Gerhard Richter

Gerhard Richter Quotes

Visual Artist

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AllArtPaintingPaintPhotographKnowsMeanWayIfsRealityI CanDifferentThinkingBelieveCoursesArt IsColourFormImportantQualityWells

Famous Gerhard Richter Quotes

“Art is not a substitute religion: it is a religion (in the true sense of the word: 'binding back', 'binding' to the unknowable, transcending reason, transcendent being). But the church is no longer adequate as a means of affording experience of the transcendental, and of making religion real - and so art has been transformed from a means into the sole provider of religion: which means religion itself.”

MeanHas BeensArtRealReasonChurchArt IsSubstitutesTransformedSoleAdequateTranscendentBindingTranscendentalProvidersTranscendingAffording
Author:Gerhard Richter
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“My landscapes are not only beautiful, or nostalgic, with a Romantic or classical suggestion of lost Paradises, but above all 'untruthful.' By 'untruthful,' I mean the glorifying way we look at Nature. Nature, which in all its forms is always against us, because it knows no meaning, no pity, no sympathy, because it knows nothing and is absolutely mindless, the total antithesis of ourselves.”

KnowsWayLooksMeanBeautifulFormLostPityLandscapeParadiseSuggestionsNostalgicMindlessAntithesisNo Sympathy
Author:Gerhard Richter
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“Painting is traditional but for me that doesn't mean the academy. I felt a need to paint; I love painting. It was something natural - as is listening to music or playing an instrument for some people. For this reason I searched for themes of my era and my generation. Photography offered this, so I chose it as a medium for painting.”

PeopleNeedsMeanReasonFeltNaturalGenerationsPaintingListeningPhotographyInstrumentsPaintTraditionalMediumsErasThemeListening To MusicAcademyMy Generation
Book:Gerhard Richter: writings 1961-2007
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“Composition is a side issue. Its role in my selection of photographs is a negative one at best. By which I mean that the fascination of a photograph is not in its eccentric composition but in what it has to say: its information content. And, on the other hand, composition always also has its own fortuitous rightness.”

MeanArtHandsSidesRolesIssuesInformationNegativePhotographTechniqueCompositionSelectionFascinationEccentricFortuitous
Book:Gerhard Richter: text : writings, interviews and letters, 1961-2007
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“If, while I'm painting, I distort or destroy a motif, it is not a planned or conscious act, but rather it has a different justification: I see the motif, the way I painted it, is somehow ugly or unbearable. Then I try to follow my feelings and make it attractive. And that means a process of painting, changing or destroying - for however long it takes - until I think it has improved. And I don't demand an explanation from myself as to why this is so.”

IfsThinkingWayTryingMeanLongArtDifferentFeelingsProcessPaintingDemandConsciousUglyTechniqueAttractiveExplanationDestroyingJustificationUnbearableMotifs
Author:Gerhard Richter
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“Contact with like-minded painters - a group means a great deal to me: nothing comes in isolation. We have worked out our ideas largely by talking them through. Shutting myself away in the country, for instance, would do nothing for me. One depends on one's surroundings. And so the exchange with other artists - and especially the collaboration with Lueg and Polke - matters a lot to me: it is part of the input that I need.”

NeedsMeanArtIdeasCountryMatterArtistDealsTalkingGroupsPaintingDependsContactPainterInstanceIsolationCollaborationSurroundingsInput
Book:Gerhard Richter: text : writings, interviews and letters, 1961-2007
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“Suddenly, I saw it in a new way, as a picture that offered me a new view, free of all the conventional criteria I had always associated with art. It had no style, no composition, no judgment. It freed me from personal experience. For the first time, there was nothing to it: it was pure picture. That's why I wanted to have it, to show it - not use it as a means to painting but use painting as a means to photography.”

WayFirstsMeanArtUseShowsWantedViewsSawsStylePaintingPureJudgmentPhotographyFirst TimeConventionalNew WaysCompositionCriteriaPersonal Experiences
Book:Gerhard Richter: writings 1961-2007
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“Pictures are the idea in visual or pictorial form; and the idea has to be legible, both in the individual picture and in the collective context - which presupposes, of course, that words are used to convey information about the idea and the context. However, none of this means that pictures function as illustrations of an idea: ultimately, they are the idea. Nor is the verbal formulation of the idea a translation of the visual: it simply bears a certain resemblance to the meaning of the idea. It is an interpretation, literally a reflection.”

MeanArtIdeasFormUsedCertainCoursesIndividualInformationPaintingBearsReflectionFunctionVisualsCollectivesInterpretationTranslationsIllustrationResemblancePictorial
Author:Gerhard Richter
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“To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and the rest, can be real only as an idea, and so all I can do is create a colour nuance that means grey but is not it. The painting is then a mixture of grey as a fiction and grey as a visible, designated area of colour.”

MeanArtI CanIdeasRealCan DoFictionOpinionPaintingShapesAreasAbsenceWelcomeIndifferenceColourVisibleBeing RealGreyMixturesNuance
Book:Gerhard Richter: text : writings, interviews and letters, 1961-2007
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“My pictures are devoid of objects; like objects, they are themselves objects. This means that they are devoid of content, significance or meaning, like objects or trees, animals, people or days, all of which are there without a reason, without a function and without a purpose. This is the quality that counts. Even so, there are good and bad pictures.”

PeopleMeanArtReasonPurposeAnimalQualityTreeObjectsPaintingFunctionSignificanceGood And Bad
Author:Gerhard Richter
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