“The idea for Anthem the play began over twenty years ago. I was assisting in the production of another Ayn Rand work, Ideal. I moved to New York and began working on producing the play with my partners. And as a way to raise money to cover some venture debt, we decided to stage Anthem for a limited run at the Lex Theatre in Hollywood.” WayYearsIdeasPlayRunningStageNew YorkIdealsYears AgoDecidedHollywoodTwentiesRaisesMovedProductionsDebtTheatrePartnersVentureAnthemAssisting Author:Jeff Britting
“Sometimes, I stood at the front of the E train, watching the tunnel ahead, imagining what Anthem would look like on stage.” LooksSometimesStageFrontsTrainTunnelsAnthem Author:Jeff Britting
“Jumping twenty or so years later, Ann Ciccolella, artistic director of Austin Shakespeare, approached me with the idea of staging Anthem. She had heard my film score to Ayn Rand: A Sense of Life. And she said, I want to do Anthem as an oratorio. Well, I figured what she meant was a straight play with music.” WantYearsWellsSaidIdeasPlayFilmHeardDirectorsTwentiesArtisticScoreJumpingAnthemAustinStagingFilm Scores Author:Jeff Britting
“Most of Ayn Rand's major characters are already formed at the start of the stories.” CharacterStoriesMajors Author:Jeff Britting
“I always thought the story [Anthem] would work in three dimensions - and studying that cut material was very useful.” StoriesThreeStudyCuttingMaterialsDimensionsAnthemThree Dimensions Author:Jeff Britting
“In the original novel [ Anthem], the story unfolds in the mind of a single character. Maybe that's why Ayn Rand called the work a poem.” MindCharacterStoriesNovelOriginalsAnthem Author:Jeff Britting
“I think a successful adaptation rises or falls on the work presented. If people need to read the book to understand the play, I didn't complete the job.” PeopleIfsThinkingNeedsBookPlayJobsFallSuccessfulAdaptation Author:Jeff Britting
“I certainly did my best to bring the story [Anthem] to life in another medium.” StoriesMediumsAnthem Author:Jeff Britting
“Each day, I read the New York Times before leaving for the theater. And I have this standing assignment: connect the world of Anthem to the late breaking events of the day.” WorldEventsNew YorkLateStandingTheaterLeavingEach DayNew York TimesAssignmentsAnthem Author:Jeff Britting
“Who can I marry? Where can I live? What kind of career can I achieve? These are just some of the stories breaking with Anthem-like implications. And the ideas crushing the individual are all around us, chipping away at us constantly.” KindIdeasStoriesIndividualCareersAchieveCrushImplicationsAnthemChipping Away Author:Jeff Britting
“I love film scores and opera, and I wanted to work in those forms. But theater was more accessible. And no one was doing this in the late 1970s, when I began working in the theater. So, I have written scores for thirteen plays, which are not musicals, but straight plays.” PlayWantedFilmFormWrittenLateTheaterScoreOperaThirteenLove FilmsFilm Scores Author:Jeff Britting
“Music and text have several commonalities, and one is meter and rhythm. Both spoken word and music have certain regularities, and they can be sub-divided rhythmically.” CertainRhythmDividedMeterSpoken WordRegularityCommonalityWords And Music Author:Jeff Britting
“After I write a sequence, I just open the script and then sit at the piano keyboard and "play" the script. (And because I also draw and paint, sometimes I sketch out the action as well.)” WritingWellsSometimesPlayActionDrawsPaintScriptsPianoSequenceKeyboards Author:Jeff Britting
“Actually, one Anthem cue is a good example of the process. There is a four-minute sequence of music in Anthem, which underscores a prison sequence, and it lines up with five different, smaller scenes within one large scene.” DifferentProcessLinesFiveFourMinutesExampleScenePrisonSequenceGood ExamplesAnthem Author:Jeff Britting
“Basically, I composed the musical structure in one pass. The rest was editing and small adjustments. And when the play was read by actors with the music, the sequence timed-out perfectly.” PlayActorsStructureMusicalEditingSequenceAdjustment Author:Jeff Britting
“I collaborated with a brilliant young sound designer named Anthony Mattana, who enriched the sound of the total production with vocal effects, percussive and other sounds. He also mixed the sound effects and the music, using the theater's first rate sound system to complement the theater's acoustics. This completed my score.” FirstsYoungSoundEffectsTheaterRateProductionsBrilliantDesignerScoreVocalAcousticsComplementSound SystemsSound Effects Author:Jeff Britting
“Ayn Rand called her novella Anthem a "hymn to man's ego." My approach to Anthem the play was to provide the story a further dimension through music and sound. The work is now larger than a hymn. It's really "spoken opera."” MenPlayStoriesSoundEgoApproachDimensionsOperaHymnsAnthem Author:Jeff Britting
“After each performance of an Austin Shakespeare production, audiences are invited to stay for a ten-minute discussion of the work. And this tradition continues in our New York run.” RunningAudienceMinutesNew YorkTenTraditionPerformancesProductionsDiscussionInvitedAustin Author:Jeff Britting
“Typically, among the audience members joining the actors, the director, Ann Ciccolella and myself, about half of these theater goers have read the novel [Anthem], and half have not read it. That is interesting.” ActorsInterestingHalfNovelAudienceDirectorsMembersTheaterJoiningAnthem Author:Jeff Britting
“If Anthem finds an audience in New York City, my hope would be to see the play transferred to a commercial theatre for an open-ended run.” IfsPlayWould BeRunningCitiesAudienceNew YorkTheatreNew York CityAnthem Author:Jeff Britting
