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Jeff Tweedy

Jeff Tweedy Books

Songwriter

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“As we grow, we learn to evaluate and judge, to navigate the world with some discretion, and then we turn on ourselves – creating can't just be for the sake of creating anymore. It has to be good, or it has to mean something. We get scared out of our wits by the possibility of someone rejecting our creation. It bugs me that we get this way. It bugs me a lot. I think just making stuff is important. It doesn't have to be art. Making something out of your imagination, that wasn't there before you thought it up and plopped it out in your notebook or your tape recorder, puts you squarely on the side of creation. You're closer to god, or at least to the concept of a creator.”

“The Chicago historian Studs Terkel asked Bob Dylan in the sixties about how he went about writing a song and trying to outdo himself, or at least being as good as the last song he wrote, and his response was pretty damn perfect. “I’m content with the same old piece of wood,” he said. “I just want to find another place to pound a nail . . . Music, my writing, is something special, not sacred.” If the songs Bob Dylan wrote aren’t sacred, then nobody’s songs are sacred. Nobody’s. No one has ever laid on their deathbed thinking, “Thank god I didn’t make that song. Thank god I didn’t make that piece of art. Thank god I avoided the embarrassment of putting a bad poem into the world.” Nobody reaches the end of their life and regrets even a single moment of creating something, no matter how shitty or unappreciated that something might have been. I’m writing this just weeks after returning from Belleville, where I sat next to my dad’s bed in my childhood house and watched him die. I can guarantee you that in the final moments of his life, he wasn’t kicking himself for all those times when he dared to make a fool of himself by singing too loud.”

“When I'm on stage, my experience often goes something like this: Blankness . . . bliss . . . blankness . . . twinkle of awareness that rocking has been achieved . . . bliss . . . Voice of Observing Ego yelling over amplifiers, WOW! YOU ARE FUCKING KILLING IT DUUUUDE! . . . Clang! Wrong chord.”

“It doesn't necessarily matter if I'm onstage or not. I just find the communal experience of a rock concert, or any type of music performance, achieves a kind of transcendence that I associate with spirituality. It's the closest thing to what I think people expect church to be like. Or maybe just what I've always thought church should be. You lose yourself, and at the same time come to the realization or understanding that you're part of something bigger than yourself.”

“I spent a fair amount of time editing the lyrics and allowing the song to kind of evolve. ... anytime there's anything worthwhile, it certainly 'feels' like it happened on the spur of the moment, but it's a composite of lots of spurs of the moment, hopefully. And over time, you catch up with those, and then you have a full set of lyrics you've thought of and you feel comfortable singing.”

“To be honest, I’m more concerned with living my life than writing about my life. I feel like that’s really the main thing I know now that I didn’t know when I was younger — and that is that you have to have a life to write about one. If you’re more worried about having experiences so you can write about them, I think you’re kinda being ridiculous, and I think a lot of young people look at it like that.”