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Julian Barnes

Julian Barnes Quotes

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“A photograph develops in a tray of liquid. Previously it’s been just a blank sheet of printing paper shut up in a lightproof envelope; now it has a function, an image, a certainty. We slide the photo quickly into the tray of fixer to secure that clear, vulnerable moment, to make the image harder, unchippable, solid for at least a few years. But what if you plunge it into the fixer and the chemical doesn’t work? This progress, this amorous motion you feel, might refuse to stabilize. Have you seen a picture go on relentlessly developing until its whole surface is black, its celebratory moment obliterated?”

“This was another of our fears: that Life wouldn't turn out to be like Literature. Look at our parents--were they the stuff of Literature? At best, they might aspire to the condition of onlookers and bystanders, part of a social backdrop against which real, true, important things could happen. Like what? The things Literature was about: Love, sex, morality, friendship, happiness, suffering, betrayal, adultery, good and evil, heroes and villains, guilt and innocence, ambition, power, justice, revolution, war, fathers and sons, mothers and daughters, the individual against society, success and failure, murder, suicide, death, God.”

“Everyone has their love story. Everyone. It may have been a fiasco, it may have fizzled out, it may never even have got going, it may have been all in the mind, that doesn't make it any less real. Sometimes, it makes it more real. Sometimes, you see a couple, and they seem bored witless with one another, and you can't imagine them having anything in common, or why they're still living together. But it's not just habit or complacency or convention or anything like that. It's because once, they had their love story. Everyone does. It's the only story.”

“From love's absolutism to love's absolution? No: I don't believe in the cosy narratives of life some find necessary, just as I choke on comforting words like redemption and closure. Death is the only closure I believe in; and the wound will stay open until that final shutting of the doors. As for redemption, it's far too neat, a movie-maker's bromide; and beyond that, it feels like something grand, which human beings are too imperfect to deserve, much less bestow upon themselves.”

“Korean woman who had escaped from the North to the South. She was talking about love. ‘If you grow up in the West,’ she said, ‘you may think romance occurs naturally, but it does not. You learn how to be romantic from books and movies, or from observation. But there was no model to learn from in my parents’ time. They didn’t even have the language to talk about their feelings. You just had to guess how your beloved felt from the look in his eyes, or the tone of her voice as she spoke to you.”

“Я хочу встретить такого мужчину, который, когда узнаешь его получше, будет таким же, каким кажется, когда вы только познакомились. Я хочу встретить такого мужчину, который звонит, если пообещал позвонить и приходит домой, если пообещал, что придет. Я хочу встретить такого мужчину, которого устраивает то, какой он есть. Я хочу встретить такого мужчину, который хочет встретить такую женщину, как я. Ведь это не слишком много? Хотя, как утверждает моя подруга Марсель, это все равно, что хотеть луну с неба и звезды впридачу.”

“And if you had no tongue, no celebrating language, you’d do this: cross your hands at the wrist with palms facing towards you; place your crossed wrists over your heart (the middle of your chest, anyway); then move your hands outwards a short distance, and open them towards the object of your love. It’s just as eloquent as speech.”