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Katherine May Quotes

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Famous Katherine May Quotes

“The starkness of winter can reveal colours we would otherwise miss. I once watched a fox cross a frosty field, her coat shining against the gloom. Walking in the bare winter woodland, I am surrounded by astonishing foxy reds: the deep burnish of bracken, it’s dry fronds twisted to lacework; the deep crimson leaves left on brambles; the last remaining berries on honeysuckle and orange clusters of rose hips. The iconic holly, it’s boughs so thoroughly raided each Christmas. There is the bright yellow of gorse on heathland, going on until spring comes, as well as stately evergreens and the tangle of green leaves that remain unnoticed on the ground. Life goes on abundantly in winter – changes made here will usher us into future glories.”

“There is not enough night left for us. We have lost our true instincts for darkness, it’s invitation to spend some time in the proximity of our dreams. Our personal winters are so often accompanied by insomnia: perhaps we’re drawn towards that unique space of intimacy and contemplation, darkness and silence, without really knowing what we’re seeking. Perhaps, after all, we are being urged towards our own comfort. Sleep is not a dead space, but a doorway to a different kind of consciousness – one that is reflective and restorative, full of tangential thought and unexpected insights. In winter, we are invited into a particular mode of sleep: not a regimented eight hours, but a slow ambulatory process in which waking thoughts merge with dreams, and space is made in the blackest hours to repair the fragmented narratives of our days. Yet we are pushing away this innate skill we have for digesting the difficult parts of life.”

“Even as the leaves are falling, the buds of next year’s crop are already in place, waiting to erupt again in spring. Most trees produce their buds in high summer, and the autumn leaf fall reveals them, neat and expectant, protected from the cold by thick scales. We rarely notice them because we think we’re seeing the skeleton of the tree, a dead thing until the sun returns./ The tree is waiting. It has everything ready. It’s fallen leaves are mulching the forest floor, and its roots are drawing up the extra winter moisture, providing a firm anchor against seasonal storms. Its ripe cones and nuts are providing essential food in this scarce time for mice and squirrels, and its bark is hosting hibernating insects and providing a source of nourishment for hungry deer. It is far from dead. It is in fact the life and soul of the wood. It’s just getting on with it quietly. It will not burst into life in the spring. It will just put on a new coat and face the world again.”

“Unlike those terrible thrashing summer nights when the room is always too close to allow that final descent into oblivion, the cool winter nights afford me deep sleep and long, magical dreams. When I wake in the night, the dark seems more profound and velvety that usual, almost infinite. Winter is a season that invites me to rest well and feel restored, when I am allowed to retreat and be quietly separate.”

“In At Day’s Close: Night in Times Past, the historian A. Roger Ekirch asserts that before the Industrial Revolution, it was normal to divide the night into two periods of sleep: the “first sleep”, or “dead sleep”, lasting from the evening until the early hours of the morning; and the “second” or “morning” sleep, which took the slumber safely to daybreak. In between, there was an hour or more of wakefulness known as the “watch”, in which “Families rose to urinate, smoke tobacco, and even visit close neighbors. Many others made love, prayed, and ... reflected on their dreams, a significant source of solace and self-awareness.” In the intimacy of the darkness, families and lovers could hold deep, rich, wandering conversations that had no place in the busy daytime. This was a function of the times in which the night really was dark, when the poor would go to sleep early to save the price of candles, and even the rich would have the choice of struggling on with their occupation in limited light or surrendering to sleep. Outside the house, the streets were usually unlit, so the only navigable space was home. This was so ordinary, and perhaps also so private moment in the day, that little was written about it. Ekirch picks up a range of passing references to the first and second sleeps in diaries, letters, and literature, but this ancient practice is nearly invisible to the contemporary eye.”

“I may love the great outdoors in winter, but even I draw the line at sunset. When November comes, I have no desire to leave the house after dark. My instinct is to hibernate the evenings away. I hate those strange walks along the high street, lit only by street lamps and the glow of shop windows, the cold seeping up your coat sleeves. I don’t like the way that 4 o’clock can feel so desolate, the air damp without the corrective force of the sun./ The very thought of driving seems nightmarish – those impenetrable roads their edges uncertain; the dance you have to perform with the full beam, flicking it on and off, on and off. Far better to stay at home.”