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Change Of Seasons Quotes

Browse 17 quotes about Change Of Seasons.

Change Of Seasons Quotes

“The starkness of winter can reveal colours we would otherwise miss. I once watched a fox cross a frosty field, her coat shining against the gloom. Walking in the bare winter woodland, I am surrounded by astonishing foxy reds: the deep burnish of bracken, it’s dry fronds twisted to lacework; the deep crimson leaves left on brambles; the last remaining berries on honeysuckle and orange clusters of rose hips. The iconic holly, it’s boughs so thoroughly raided each Christmas. There is the bright yellow of gorse on heathland, going on until spring comes, as well as stately evergreens and the tangle of green leaves that remain unnoticed on the ground. Life goes on abundantly in winter – changes made here will usher us into future glories.”

“June dawns, July noons, August evenings over, finished, done, and gone forever with only the sense of it all left here in his head. Now, a whole autumn, a white winter, a cool and greening spring to figure sums and totals of summer past. And if he should forget, the dandelion wine stood in the cellar, numbered huge for each and every day. He would go there often, stare straight into the sun until he could stare no more, then close his eyes and consider the burned spots, the fleeting scars left dancing on his warm eyelids; arranging, rearranging each fire and reflection until the pattern was clear... So thinking, he slept. And, sleeping, put an end to Summer, 1928.”

“The Springtime Guest by Stewart Stafford From winter's wounded sleep, Dear Nature rouses itself again, Bearing no ill will for the scars, Timely movement blooms again. Bursting colour, praising birdsong, Easy smiles when sprightly of step, Lambs and cats frolic in sunny play, Banishing winter's despair for now. Welcome warm kisses on the wind, Summer's young sibling promises, Much more to come in rolling time, With comfort in the heart of progress. © Stewart Stafford, 2022. All rights reserved.”

“And they left the mellow light of the dandelion wine and went upstairs to carry out the last few rituals of summer, for they felt that now the final day, the final night had come. As the day grew late they realized that for two or three nights now, porches had emptied early of their inhabitants. The air hard a different, drier smell and Grandma was talking of hot coffee instead of iced tea; the open, white-flutter-curtained windows were closing in the great bays; cold cuts were giving way to steamed beef. The mosquitos were gone from the porch, and surely when they abandoned the conflict the war with Time was really done, there was nothing for it but that humans also forsake the battleground.”

“Autumn is a cunning muse who steals by degrees my warmth and light. So distracted by her glorious painting of colors, I scarcely realize my losses until the last fiery leaf has fallen to the ground and the final pumpkin shrinks. Autumn departs with a cold kiss, leaving me to suffer the frigid grasp of winter in prolonged nightfall.”

“The first real day of spring is like the first time a boy holds your hand. A flood of skin-tingling warmth consumes you, and everything shines with a fresh, colorful glow, making you forget that anything as cold and harsh as winter ever existed.”

“I searched among her crayons for a color that represented autumn and pulled out an orange-toned crayon, never used. It read “Bittersweet,” and I wondered why that particular name. Autumn was my favorite time of year… I was always ready for the change. I guess some people didn’t see it that way. Some people wanted to cling to summer... I loved both seasons, but I thought no one would ever call spring bittersweet, even though it was just another change, another new cycle, an end to one season and a beginning for another in an endless, never-ending spiral.”

“There is not enough night left for us. We have lost our true instincts for darkness, it’s invitation to spend some time in the proximity of our dreams. Our personal winters are so often accompanied by insomnia: perhaps we’re drawn towards that unique space of intimacy and contemplation, darkness and silence, without really knowing what we’re seeking. Perhaps, after all, we are being urged towards our own comfort. Sleep is not a dead space, but a doorway to a different kind of consciousness – one that is reflective and restorative, full of tangential thought and unexpected insights. In winter, we are invited into a particular mode of sleep: not a regimented eight hours, but a slow ambulatory process in which waking thoughts merge with dreams, and space is made in the blackest hours to repair the fragmented narratives of our days. Yet we are pushing away this innate skill we have for digesting the difficult parts of life.”

“The autumn was a happy time. The crops around the countryside were good, and over at the Forks Falls market the price of tobacco held firm that year. After the long hot summer the first cool days had a clean bright sweetness. Goldenrod grew along the dusty roads, and the sugar cane was ripe and purple. The bus came each day from Cheehaw to carry a few of the younger children to the consolidated school to get an education. Boys hunted foxes in the pinewoods, winter quilts were aired out on the wash lines, and sweet potatoes bedded in the ground with straw against the colder months to come. In the evening, delicate shreds of smoke rose from the chimneys, and the moon was round and orange in the autumn sky. There is no stillness like the quiet of the first cold nights in the fall. Sometimes, late in the night when there was no wind, there could be heard in the town the thin wild whistle of the train that goes through Society City on its way far off to the North.”

“The month of August was upon them already. Where did the time go? The leaves were turning that special red—not a bright red or burgundy, an in-between red-and-orange. Other leaves were turning a beautiful golden shade. There was a splash of yellow leaves threading through the branches. Different variations of green leaves remained. The array of colour was breathtaking. Maple trees do not grow in England. What a pity, it is such a beautiful tree.”

“Even as the leaves are falling, the buds of next year’s crop are already in place, waiting to erupt again in spring. Most trees produce their buds in high summer, and the autumn leaf fall reveals them, neat and expectant, protected from the cold by thick scales. We rarely notice them because we think we’re seeing the skeleton of the tree, a dead thing until the sun returns./ The tree is waiting. It has everything ready. It’s fallen leaves are mulching the forest floor, and its roots are drawing up the extra winter moisture, providing a firm anchor against seasonal storms. Its ripe cones and nuts are providing essential food in this scarce time for mice and squirrels, and its bark is hosting hibernating insects and providing a source of nourishment for hungry deer. It is far from dead. It is in fact the life and soul of the wood. It’s just getting on with it quietly. It will not burst into life in the spring. It will just put on a new coat and face the world again.”

“Unlike those terrible thrashing summer nights when the room is always too close to allow that final descent into oblivion, the cool winter nights afford me deep sleep and long, magical dreams. When I wake in the night, the dark seems more profound and velvety that usual, almost infinite. Winter is a season that invites me to rest well and feel restored, when I am allowed to retreat and be quietly separate.”

“In At Day’s Close: Night in Times Past, the historian A. Roger Ekirch asserts that before the Industrial Revolution, it was normal to divide the night into two periods of sleep: the “first sleep”, or “dead sleep”, lasting from the evening until the early hours of the morning; and the “second” or “morning” sleep, which took the slumber safely to daybreak. In between, there was an hour or more of wakefulness known as the “watch”, in which “Families rose to urinate, smoke tobacco, and even visit close neighbors. Many others made love, prayed, and ... reflected on their dreams, a significant source of solace and self-awareness.” In the intimacy of the darkness, families and lovers could hold deep, rich, wandering conversations that had no place in the busy daytime. This was a function of the times in which the night really was dark, when the poor would go to sleep early to save the price of candles, and even the rich would have the choice of struggling on with their occupation in limited light or surrendering to sleep. Outside the house, the streets were usually unlit, so the only navigable space was home. This was so ordinary, and perhaps also so private moment in the day, that little was written about it. Ekirch picks up a range of passing references to the first and second sleeps in diaries, letters, and literature, but this ancient practice is nearly invisible to the contemporary eye.”

“Elysian Way by Stewart Stafford An eviction deadline decree, A woodpecker broadcast, Winter, the incoming actor, About to enter a clean stage. The powder blue sky framed, Fall's aurum, russet and ochre, Dripping opalescent raindrops, A red wedding's spangled confetti. Leaves shushed and shimmered, In moving vertical waves of surf, Trees shrugged slowly to begin, The organic haircut of the ages. Leaves plunged, spun and floated, Fallen comrades littered the grass, Half-assed, surprise resurrections, As swirling spectral mini vortexes. © Stewart Stafford, 2022. All rights reserved”

“She lives, but is not lively; awaiting the change of the seasons. A summer child, the old lady said. Summer children are filled with light. But my child will be born in March. A windswept, change-of-the-seasons child; sunny one day, in darkness the next. I feel that in her; that fugitive gleam, like sunlight on the ocean. And in my dreams I see her; always at five or six years old. Her hair is a tumbled candyfloss cloud. Her name comes in endless variants of my mother's name, Jeanne: Anne, Annette, Jeanette, Johanne, Jolène, Annie--- Anouk.”

“I may love the great outdoors in winter, but even I draw the line at sunset. When November comes, I have no desire to leave the house after dark. My instinct is to hibernate the evenings away. I hate those strange walks along the high street, lit only by street lamps and the glow of shop windows, the cold seeping up your coat sleeves. I don’t like the way that 4 o’clock can feel so desolate, the air damp without the corrective force of the sun./ The very thought of driving seems nightmarish – those impenetrable roads their edges uncertain; the dance you have to perform with the full beam, flicking it on and off, on and off. Far better to stay at home.”