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Lewis H. Lapham

Lewis H. Lapham Quotes

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Famous Lewis H. Lapham Quotes

“Rumors and reports of man's relation with animals are the world's oldest news stories, headlined in the stars of the zodiac, posted on the walls of prehistoric caves, inscribed in the languages of Egyptian myth, Greek philosophy, Hindu religion, Christian art, our own DNA. Belonging within the circle of mankind's intimate acquaintance ... constant albeit speechless companions, they supplied energies fit to be harnessed or roasted.”

“Unlike any other business in the United States, sports must preserve an illusion of perfect innocence. The mounting of this illusion defines the purpose and accounts for the immense wealth of American sports. It is the ceremony of innocence that the fans pay to see - not the game or the match or the bout, but the ritual portrayal of a world in which time stops and all hope remains plausible, in which everybody present can recover the blameless expectations of a child, where the forces of light always triumph over the powers of darkness.”

“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”

“A certain kind of rich man afflicted with the symptoms of moral dandyism sooner or later comes to the conclusion that it isn't enough merely to make money. He feels obliged to hold views, to espouse causes and elect Presidents, to explain to a trembling world how and why the world went wrong.”

“Seeing is believing, and if an American success is to count for anything in the world it must be clothed in the raiment of property. As often as not it isn't the money itself that means anything; it is the use of money as the currency of the soul.”

“From authors whom I read more than once I learn to value the weight of words and to delight in their meter and cadence -- in Gibbon's polyphonic counterpoint and Guedalla's command of the subjunctive, in Mailer's hyperbole and Dillard's similes, in Twain's invectives and burlesques with which he set the torch of his ferocious wit to the hospitality tents of the world's colossal humbug . . . I know no other way out of what is both the maze of the eternal present and the prison of the self except with a string of words.”