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Megan Abbott

Megan Abbott Biography

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“I didn't grow up feeling smart and special, the world my oyster, born with a silver shucker in my hand. No one works harder than you, that's the way Zell and Juwon liked to put it. Everything I have is because I was the dutiful worker bee or because I have no other things to distract me, like girlfriends or wives, like mewling kids or family dogs or a love of weekend brunches and fantasy football, or a single, sad hobby, like solitaire or the Sunday jumble. I have this.”

“A few years ago, long after it had been closed, Eli said he saw a girl swimming in it, coming out of the water in a bikini, laughing at her frigthtened boyfriend, seaweed snaking around her. He said she looked like a mermaid. Deenie always pictured it like in one of those books of mythology she used to love, a girl rising from the foam gritted with pearls, mussels, the glitter of the sea. "It looks beautiful", her mother had said once when they were driving by at night, its waters opaline. “It is beautiful. But it makes people sick.” To Deenie, it was one of many interesting things that adults said would kill you: Easter lilles, jellyfish, copperhead snakes with their diamond heads, tails bright as sulfur. Don't touch, don't taste, don't get too close. And then, last week.”

“Skye said when she looked at Lise, she saw a black mark, an aura. Just like the mark on Lise’s thigh, it was a warming. Deenie thought of it now, of Lise and the stretch mark on her thigh. And how the fevered mind of her fevered friend might believe anything. But also, somewhere inside, it felt the smallest bit true. That the stretch mark was a kind of witch’s mark, the blot of Lise’s body that reminded you of what she had been -a plump, awkward girl- before the lithesome beauty took her place. It was a kind of witchcraft, that transformation.”

“All those posters and PSAs and health class presentations on body image and the way you can burst blood vessels in your face and rupture your esophagus if you can’t stop ramming those sno balls down your throat every night, knowing they’ll have to come back up again, you sad weak girl. Because of all this, Coach surely can’t tell a girl, a sensitive, body-conscious teenage girl, to get rid of the tender little tuck around her waist, can she? She can. Coach can say anything. And there’s Emily, keening over the toilet bowl after practice, begging me to kick her in the gut so she can expel the rest, all that cookie dough and cool ranch, the smell making me roil. Emily, a girl made entirely of donut sticks, cheese powder, and haribo. I kick, I do. She would do the same for me.”

“The entire time Tchaikovsky was composing 'The Nutcracker,' Madame Sylvie told Dara once, he was mourning his beloved sister Sasha. He reanimated her through Clara. It explained the strange heaviness of the ballet, its grand melancholy, its piercing nostalgia. And the deathlessness of its vision of childhood, of innocence and escape. Our almost unbearable awareness that everything we're seeing is disappearing even as we watch, fluttering past us as the dancers do, slipping away like smoke. Every year, when the grand -pas de deux- -- the Sugar Plum Fairy and her Prince--begins, the audience's eyes fill with tears. Those shimmering sound of the celesta, like bells clear and pure, and we are flung backward. Time is conquered for a brief, luminous moment. Dara remembered one parent telling her that prayers from the Russian funeral mass were hidden in its opening bars. -We don't hear it-, he told her. -But we feel it nonetheless.-”

“She has so much pride that, even if I'm weary of her, of her fighting ways, her gauntlet-tossing, I can't say there isn't something else that beams in me. An old ember licked to fresh fire again. Beth, the old Beth, before high school, before Ben Trammel, all the boys and self-sorrow, the divorce and the adderall and the suspensions. That Beth at the bike racks, third grade, her braids dangling, her chin up, fists knotted around a pair of dull scissors, peeling into Brady Carr's tire. Brady Carr, who shoved me off the spinabout, tearing a long strip of skin from my ankle to my knee. Tugging the rubber from his tire, her fingernails ripped red, she looked up at me, grinning wide, front-teeth gapped and wild heroic. How could you ever forget that?”

“Reading Tomato Red-the first Daniel Woodrell novel I came upon-was a transformative experience. It expanded my sense of the possibilities not only of crime fiction, but of fiction itself-of language, of storytelling. Time and again, his work just dazzles and humbles me. God bless Busted Flush for these glorious reissues. It's a service to readers everywhere, and a great gift.”

“I grew up reading crime fiction mysteries, true crime - a lot of true crime - and it is traditionally a male dominated field from the outside, but from the inside what we know, those of us who read it, is that women buy the most crime fiction, they are by far the biggest readers of true crime, and there's a voracious appetite among women for these stories, and I know I feel it - since I was quite small I wanted to go to those dark places.”

“Thrilling, illuminating, heart-pounding. Liar, Temptress, Soldier, Spy reads like a crackling espionage novel and resonates as only the most compelling history can. Abbott brings to vivid life four extraordinary and audacious women, and runs glorious roughshod over all our traditional notions of the role of women in the Civil War.”

“Because they do burn leaves here, the older folks do, and I remember now that I love it and always have. The way fall feels at night because of it, because of the crackling sound and walking around the sidewalks, like when you're a kid, and kicking those soft piles, and seeing smoke from backyards and Mr. Kilstrap standing over the metal drum with the holes in the top, the sparking embers at his feet.”