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Mick LaSalle

Mick LaSalle Books

Film critic

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“It was strange. It was painful. It was wonderful. It was something unique to the twentieth century. To sit in a theater in 1994 and fall in love with a woman from 1929 … that would be like sitting in a theater in 1929 and falling in love with someone from 1864 … or like watching 1994 from the year 2059. These leaps across time are fantastic. Yet it’s inevitable that soon people will think nothing of watching a movie from a century before, any more than we would consider it odd to read a hundred-year-old book.”

“Hollywood’s motives in marketing sex may have been cynical—Hollywood’s motives always are. But in providing audiences with sophisticated fare, it was also responding to real cultural changes that had happened within American society. Hollywood was a few years behind the trend, of course, but that’s nothing new. Don’t forget, this is the same industry that for seventy years has made wonderful, passionate, stirring anti-war movies six or seven years after every war, never during one.”

“Guy Ritchie is the worst screenwriter in the world, but, to be fair, he is not the worst director. He is only the worst director of the people who actually get to make movies. As we speak, there are human beings walking the Earth - perhaps as many as a half dozen of them - with less directorial talent, but they've been safely diverted into other activities.”

“Before the code, women on screen took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality, held down professional positions without apologizing for their self-sufficiency, and in general acted the way many of us think woman acted only after 1969.”